Zhou Yu's Train

Li Gong is just about the best thing ever to come out of China. No matter how many films I have seen featuring her, I am always impressed.

This is a difficult film to watch. You are never quite sure who you are watching. Li Gong is in a relationship with a poet (Tony Leung Ka Fai) and the practical vet (Honglei Sun). She travels by train between them.

But, are we watching events in real time or narrated? It seems that what we are seeing is in the past. That the poet, Chen Qing, has a current relationship, and only has Zhou Yu in his heart.

If this were an American film, then I believe it would probably be relegated to Lifetime, but with Li Gong, we have more than romance; we have poetry.

The movie stays with you through the years. I saw the movie more than a decade ago and I still remember it. It seems slow-paced especially for young people, but it has lessons about life and relationships. The symbol of the lake used in this movie is very powerful (beautiful natural lake versus artificial lake). Love relationships could be exactly like the lake example.

This film tells the story of a woman who is in love with a poet far away, while a vet near her attempts to win her heart.

"Zhou Yu's Train" is not told in a linear manner, and hence it's super confusing. All the time, I thought there were only three main characters, the woman, the poet and the vet. The story jump back and forth, and it's hard to piece together the fragments to make a coherent story. This is not helped by the slow pace, numerous scenes of train and railway tracks, dragging the film longer than it needs to be. The most confusing thing is the ending, I didn't understand it at all, until I read the message board that says there is in fact a fourth character, also played by Gong Li! The film lost me and my interest completely, and there is no turning back. It would help to understand the story if I watched it again, but I'm not watching it again for sure.

This motion picture defines the word "artsy". A film about a young and pretty porcelain painter who falls in love with a shy and melancholic poet (played by Sun Honleig), it aims to be a poetic work, but what you get is lots of ralenti shots to the point of saturation, piano and strings music, pretty landscapes enshrouded in fog, trains entering and exiting tunnels and Gong Li... In the past Miss Gong inspired true poetic films, as those directed by Zhang Yimou, but this movie is not one. Tony Leung plays another suitor, a sympathetic veterinarian with a welcome sense of humor, too materialistic to understand romantic love and literary inspiration, and wise to keep a distance, but not enough to balance this melodrama, with too much emphasis on sad love. I love trains, but this trip is on the boring side.

In comparison to most other Chinese movies, the title of this movie has very significant symbolic meaning, symbolizing the point of no return. It also has an poetic meaning, which neatly related to the plot of the movie which include a poet. This is one of most obvious achievement of this movie, which also makes it a little different from the rest of Chinese movies.

The social critic aspect of the movie is rather something ordinary, a theme that is common in most social critic films in contemporary China, and it is none other than the criticism of hedonism, materialism, and other common stuff you would find in Chinese movies about modern China.