Family Business

The line which separates the world of pornography and the social mainstream is real. It always will be so as long as their are laws to protect children. That line, thanks to shows like "Family Business" is not becoming fuzzier - its becoming clearer.

A show like this doesn't "legitimize" the porn business any more than the internet does. Viewers do that. Since the internet caused porn to explode into mainstream consciousness so thoroughly, it's difficult to remember what it felt like to be scandalized about it. Therefore, it's smart and perfectly appropriate that this series document the progress of this shift public in awareness and a small part of it's impact by allowing cable viewers (whose porn fluency has become so much more engorged, so to speak) to gaze at it from another angle.

Showtime has made a bold move in trying to de-mystify some of the the mechanism within the sex industry by unveiling the rather charming personality of a successful porn film director. What I found most interesting, apart from the fascinating nature of the business and those toiling within it, was my own ambivalent response to the series and its subject.

One is forced to re-examine the tired clichés which have been the stock apprehensions about porn. The misgivings may still be legitimate, but they need to be thought through more carefully. This show is important as these issues are brought into the front of the mind. Adults, and parents particularly, should be equipped with genuine and complex answers about sexuality for children; the world has become so very much more complicated over the last six years.

I particularly appreciated an episode wherein a family friend from Canada who wished to enter the industry was disuaded by everyone. (A statement made by Lila Glasser that men can easily maintain public respect that is generally denied to women within that business was delivered with great, understated pathos). The young girl in question exemplified an important difference between girls who enter that business because they like sex and think that it'll be fun, and those other girls who are compelled into the business by motives which are more profound and intense than simply a love of sex. They both say the same thing yet the difference is clear to those like Mr.Glasser who have seen hundreds of girls enter the business.

(I am curious to know how Mr.Glasser's young son will be brought to understand the nature of his father's metier. Relationship, attachment and connection are important for youngsters; the sexual playacting staged by Daddy have the surface sheen of those things but in truth, have nothing to do with relationships in any meaningful sense.)

While it has the patina of a reality show or a docu-drama, the nature of the topic and the (mostly) bias free presentation lend "Family Business" a more complex and layered message. By appearing so pleasantly inoffensive and unconfrontational, it effectively reframes the question to the viewer: where do you stand on the subject of commercial sexuality?

Showtime's new series following the professional and personal drudgery of America's most popular adult filmmaker Seymour Butts.

Cable television takes another step towards hardcore programming with this reality show, filled with nudity, sex, sex toys, and unsuccessful dating, as Adam (a.k.a. Seymore) looks for a soul mate who'll accept both his career choice and young son. The creative mind behind such titles as SQUIRTERS and GLUTEUS TO THE MAXIMUS runs his business with the help of Lila, his open-minded mother (the bookkeeper), and foul-mouthed, cantankerous Cousin Stevie (the distributor and gopher).

My favorite episode (there's only, like, five so far) is the one in which Chase, a male porn star wannabe, talks himself into a role, only to discover he's unable to supply the crucial money shot, even after taking Viagra.

Like BOOGIE NIGHTS, "Family Business" proves that entertainment can deal with pornography without being pornographic itself. There's a rather bemused air around this show, so it's hard to be offended by it. Besides, if you're easily offended, would you be subscribing to Showtime in the first place?

New episodes currently air Fridays @ 11:30 EST.

One of Showtime's better shows, Family Business follow Seymore Butts and his family as they live their colorful lives throughout the wonderful world of pornography. The fun never ends as Seymore, his loud and off the wall cousin, Stevie, and his quiet and somewhat creative mother work with some of the hottest and scariest people in the adult movie industry. Still, while the first season gained an audience and made people watch, some episodes proved the audience right that much of what you are seeing is not reality but "sketch reality." Overall, real of fake, most of what you see in LA to begin with is fake all together. A good show, worth the watch. Check it out!

After all the hype about how talented he is and how creative he is.

This guy doesn't offer anything that a 14 year old with a video camera can't do.

After several episodes of this show, I was looking forward to something new. There's nothing new. Nothing original.

To have a show that consists only of some pervert filming naked chicks is really poor quality programming.

This should be on the Playboy channel or something. There are real filmmakers out there with talent and education and screenplays and film crews.

This is an insult to everybody who went through film school only to be rejected and have some piece of crap host a film about porn.

Porn is porn and it should be available to view, but to have an entire series dedicated to some freaks with a poor vocabulary is very sad.

It's not talent or education. It's just garbage that kills 30 minutes or so.

Family Business is a new show that focus's on Adam Glasser. A single father and a man who works in the adult film Industry. I enjoy this show very much, as it explores all the hard work that goes into making these films, and the lengths that they must go to, to get that perfect shot, and the perfect cast. It is aimed at the adult crowd, as it is not intended for the younger audience.