Never Die Alone

I watched this movie as I read one or two viewers opinions of it. Both must have been white men or women who have lived a protected life. A life that has never been touched by the harsh realities that life as a black person in a large city in the USA faces.

I agree that there is no clear hero or villain in this movie. What upsets me about the reviews I read was the lack of compassion the reviewers of this movie had about it.

The reviews of this movie that I read clearly have not experienced the terrible reality that this movie portrays.

I believe that the persons that dished this movie have never been tested by environment of poverty.

I have. I'm white. I can tell you that to spend your youth in settings of LA will test the mettle of anyone.

It seems obvious to me that viewers commentaries that I read have not.

I didn't like the movie but I thought it was honest.

.....but it just misses the mark here. I have been a fan of Donald Goines novels since I was a teen. I have often wondered why so-called gangsta rappers of our generation have glorified fictional icons like Scarface (Al Pacino) when there are better real life examples of hardcore gangstas like Donald Goines and Iceberg Slim who wrote about their turbulent lifestyles in graphic, candid detail in several real-life novels. When I heard about NDA I was excited that maybe someone had finally picked up the ball. Too bad this film falls just short of the mark. It tries very hard to lock onto a theme but comes across as disjointed and rambling. DMX aka Earl Simmons produced, as well as, starred in this flick. DMX's gruff demeanor is well suited for the Donald Goines anti-heros, but he needs to work on the acting skillz a bit. A very good supporting cast of known and not-so-well known actors. All in all I would say that this film is just a small step above the flick Belly -- just a little more violent and very crude. 2 out of 5 stars.

I remember when I first saw the poster for "Never Die Alone". I thought they were cashing in on DMX's turn in Exit Wounds and now he was getting his own action flick. The trailer just cemented this idea. Now I realize how wrong I was. Yeah, there's gangstas, there's killings, there's dope. There's a DMX track or two within, but this ain't no action movie.

I've seen a lot of dark movies featuring dark characters, but this situation, the main character, you know they exist in real life. This guy - King David - as he's called is one piece of work. I know very little about DMX and I couldn't help but wonder where the character began and he ended. That there is the most positive aspect of "Never Die Alone". DMX can be commended, but the movie on a fundamental level is flawed.

The story, the cast of characters ride the line between adequate and embarrassing. David Arquette's role as the writer - basically the bridge of the tale - is hackneyed and Arquette is no thespian actor. Michael Ealy's character and his connection to both King David and his drug boss employer is mix of lame poorly executed ideas and unsatisfying conclusions. While the whole theme of the movie is obvious from frame one. Intended to be a dark drama, "Never Die Alone" ultimately ends up being a pretentious glance at the surface of a drug pusher and the people caught in his blast radius.

When the unemployed white journalist Paul (David Arquette), who lives in a ghetto, accidentally witness the execution of the Afro-American King David (DMX), he takes the wounded man to the hospital trying to save his life. David dies, but officially leaves his car and his possessions to Paul. Paul finds some cassette tapes in the car, and while listening to them, he becomes aware that David was a hideous drug dealer.

When I decided to buy this DVD, I had no information about this movie. What a great surprise for me: it is a dark trip to the underworld of the drugs, indeed a contemporary film-noir, with sordid elements. The very dark cinematography fits perfectly to the story creating an atmosphere very adequate to the theme. The screenplay is very well written, but there are many important deleted scenes available on the DVD that explain many situations and connections of the story. DMX, David Arquette and Michael Ealy have excellent performances, but I found the character of Moon too much clichés of the powerful Afro-American drug lord. The scene of Mike leaving the tunnel in the end of the movie is another clichés that works perfectly, indicating the possible redemption of this character. "Never Die Alone" is a surprisingly good, violent and very real movie, which does not spare the characters addicted on drugs, showing the consequence of their vicious and their destiny. My vote is seven.

Title (Brazil): "Nunca Morra Sozinho" ("Never Die Alone")

Interesting attempt to adapt a Donald Goines novel for the big screen, Never Die Alone is reminiscent of early blaxploitation classics like BLACK CAESAR, with both the pluses and minuses that entails.

DMX stars as drug dealer King David. "Exiled" in LA for the last ten years, he comes back home to NYC to repay his debts. The movie wanders around between the present day and flashbacks in LA, where we learn more of his past.

Essentially this is three movies lumped together. The first movie, which lasts for the first half-hour or so, is an excellent, gritty crime drama, as good as anything I've seen recently on the big screen. The second movie, mainly the flashbacks, is true to the Goines source material, portraying the horrors of drug addiction and Goines's peculiar, glum view of the world as a violent, basically loveless place. The third one deals with David Arquette, an aspiring writer who fetishizes the gangster lifestyle exemplified by King.

These three movies sit awkwardly together. Arquette's character is potentially very interesting, but never developed as much as it should have been. The flashbacks and the main storyline are both well done, but bump up against each other awkwardly. DMX's motivations are more stated that portrayed, so that the primary character arc doesn't really feel very believable.

DMX is fine -- if you're familiar with Goines you'll see how well he exemplifies a typical Goines character, the "noble gangster who's morally compromised by a depraved past". Dickerson's direction is excellent, although the final metaphorical shot is a little heavy and obvious, I thought.

I would like to see more cracks at the Goines novels -- they are promising source material.