Paanch

Prompted me to chip in after the ROCK ON!! "euphoria". A film I saw at the at Osians in 2003. A film made way-back…..an underground fav. Though a envy worthy status for a film to be loved and sought after even in it's unreleased state.…it's been long and it needs to be out in the open. What if we never got to watch Fight Club or Old Boy ever and just were privy to the downsized Indian Censor friendly Sanjay Gupta's Zinda and what if the only Fight Club I knew was Vicky Malhotra or Chopra or whatever's Zayed Khan starrer Fuzz Club? I would dread it if censors all over the world kept a film in limbo for their own immaturity and stunted growth process.

And now that it's cleared what are the producers upto? Is it a medical product to have an expiry. Will it lose it's value?

For me Paanch still looks fresh and dark/morbid/stark/gritty and this is the movie which patented Anurag Kashyap's neon fetish. When the first poster of Alwyn Kalicharan was released in the TOI some years back…..it read… "This Winter Think Neon"

15 fps shots...time transitions.....great music....VIJAY MAURYA is awesome....as usually towering over the expected SHOW STEALERS....KK and Aditya Srivastav......who are GREAT anyways....the problem is they are so good....you know they are gonna blow you...so you expect it....awesome music......Abbas Tyrewala's legendary "TAMAS" lyrics...they still manage to haunt me......

IT'S ABOUT ROCK…….and there is ROCK…..they dope....they swear…they scratch armpits….they want a better life….Luke wants to be recognized…ever worshiped…and music is a let out…a let out for angst/love/lust/greed and unfulfilled dreams and not just a Sunday relief in their plush Malabar Hill penthouse.

A film which gives me the choice to explore or feel for the lesser evil than the GOOD v/s BAD routine or is PAANCH about EVIL v/s BAD ASS EVIL. How often do we have that on screen?

ONE OF THE BEST TITLE SEQUENCE....ONE WHICH YOU WILL REMEMBER....AFTER SEVEN WHICH HAD A SIMILAR GRUNGY FEEL TO IT.....I LOVED THIS ONE.....PLUS THE CITY CAPTURED IN IT'S PSYCHEDELIC GLORY.

Paanch needs a wider platform to be seen…..to be loved/hated/criticized/debated on.

New Defenitions of Bollywood 1)KK is God(Main Khuda)

2)Best Music Director-Vishal Bhardwaj

3)Best Director-Anurag Kashyap(Along with Vishal Bhardwaj) 4)Best Scriptwriter-Anurag Kashyap 5)Best Actor-Kay Kay Menon

6)Best Movie- Paanch

now you can well imagine how good Paanch is!! :D

Wonder if it was released back in 2003, KK would have been the most wanted singer Kay Kay the superstar Vishal Bhardwaj would have been the 1st Indian to receive an Oscar Anurag Kashyap would have left bollywood for Hollywood :D

I saw Anurag Kashyap's Paanch at the Cinefan Film Festival, 2002. It was clearly one of the best movies of the festival, on par with movies like Hero and Osama.

The story depicts what ambition, immorality, greed and angst, unmistakably the products of urban life, can do to an ordinary person. A little mischief for the sake of success leads a group of 5 wannabe rock stars to get entangled in a gory web of murder and betrayal.

What follows is a shocking thriller of a story, supported aptly by some great performances, the best coming from Kay Kay Menon and Tejaswini Kolhapure. The movie has a great musical score by Vishal Bhardwaj. The songs, most of which Kashyap interestingly uses up in the first 15 minutes, are brilliant. So is the background music. Another high point of the movie is the cinematography, which impresses upon the viewer an aura of fast-paced urbanity juxtaposed with dark, ruthless bloodshed. If there's a low point in the movie, it is the few minutes after the interval where which seem ineffective and dragged. However, they are easily outweighed by the compelling tension and gloom that permeate the movie.

Clever, brilliant, yet utterly pessimistic, Paanch is strongly recommended.

7.5/10

There are hardly any films that stand the test of a year these days, let alone 8 years. Paanch was shot in 2000, but has yet to see a mainstream release in India due to strange business problems (which continue complicating the world rather than simplifying it). There may be cinematic moments in Paanch that have been replicated in later (and far lesser) films, but the whole here is far greater than the sum of its parts. And that whole is driven by a tone of seething intensity that is too individual, too real, to not be the author's personal voice. Films with personal voices are rare in these times, and that is what makes the film special. Whether Paanch is seen now, or 10 years later, it is this tone that will always give it a distinctive voice.

Despite not having a remarkable plot or even a thought-provoking narrative thrust, and despite a few (no doubt, forced) nods to commercial viability, the film's visceral energy still gives it a very compelling quality. The performances are almost uniformly excellent, and the "realness" of atmosphere can make you smell and taste the time and place – qualities Hindi cinema badly needs to incorporate in its thought process.

This is not a film about music or musicians, but about dark mindsets in people who happen to be musicians. The music (with very distinctive Indian rock songs – Vishal Bharadwaj and Abbas Tyrewala at their best) is just a backdrop but it has a force that makes you forget that it is just a small plot point in the overall scheme of things.

The director of Paanch – Anurag Kashyap, has moved on with a highly accomplished film (Black Friday) and a very personal one (No Smoking), but Paanch will always be special for the new voice that emerged in 2000. Whenever the film is seen.

I had heard so much about this movie for the last 5-6 years that I thought this would be a letdown. Usually over-hyped movies are such that you feel that you were letdown by it. I finally got hold of it and I can say that Paanch is arguably one of the best crime thrillers the Hindi film industry has produced.

I cannot fathom the reason why the government would ban this, (probably because this movie would attain cult status and dissuade the youth of today to smoke and drink and waste their time....) but in this movie we have one of the greatest acting performance by an actor, one of the best soundtracks ever made in the history of Bollywood, and one helluva movie. The movie theme will remind you of Requiem for a Dream, Trainspotting, only Paanch has a thriller plot apart from based on the systematic destruction of human morals.

The plot is fairly simple. Its about 5 people who are struggling musicians. They play at nightclubs and concerts for cheap cash, but most of it is spent on marijuana, drugs and booze. They are all college dropouts and have almost no connections with their relatives. They live under one roof, practice in a vacant garage of one of their friends(their only friend!!).

The movie continues at leisurely pace until they have an idea to kidnap their friend and ask for a fat ransom from his rich dad. But all goes haywire when one of them in a fit of rage kills their friend. Things turn for the worse when to cover up one murder they go on a killing spree. In the end, all five of them are behind bars, and in a gradual degradation of all morals.

This movie, if and when it comes out will primarily be remembered for the immensely powerful acting performance of one Kay Kay Menon. His performance is bound to remind you of Brad Pitt in Fight Club as the legendary Tyler Dyrden. K.K's music will make you take a jacket and go out to the nearest music store and buy the Original Soundtrack of this movie ASAP!! Paanch is the movie where one can say Bollywood came of age and we had proper rock music.

There are only three songs in the movie, one a bluesy track "Kya din kya raat" one that will remind you of the classic jazz of the 40's, the psychedelic themed "Tu Jaa Maat" meant to remind you Cobain and the rock track "Khuda ke Liye" which will remind you of "Rock On!!" only it was 5 years earlier.. Even The Doors' "Roadhouse Blues" was an awesome addition!!!

The acting performances have been superb. Kay Kay Menon was brilliant as "Luke" as I mentioned earlier, and he has been brilliantly supported by the very impressive Aditya Srivastava as "Murgi", Joy Fernandes as "Joy" and Vijay Maurya as the hilarious "Pondy" Even Tejaswini Kolhapure as "Shiuli" the only chick in the movie does a decent job. Sharat Saxena is also impressive in his short role as the Police Inspector.

Lastly, Mr.Anurag Kashyap!!! This was his very first attempt behind the camera. It was his brainchild. He being the producer and writer as well. But kudos to the man, for giving us yet another cinematic pleasure. Thank you sir, and I hope you make more of similar movies and keep us people who are fans of non-mainstream movies satisfied.

A truly well deserved 10/10 !!!