M.I.T.: Murder Investigation Team

Loved this show. The first two episodes were exciting and dynamic. The scripting was dense and the visual style was edgy and modern. Overall it was well directed and had great performances. It reminded me a lot of the really exciting shows like Boomtown and The Shield that are coming out of USA and a little bit of the excellent Homicide Life on the Street. Definitely watching the rest.

Having seen the first episode of 8 only, I'm in two minds whether to watch the rest. The first story continued from a storyline portrayed in a recent episode of The Bill. And a very interesting, intriguing and surprising storyline it was, too.

But what spoilt it for me was the filming technique. Just because you can stick a modern TV camera right up the actor's nose doesn't mean you have to. I watched on a small TV set, but the thought of seeing someone's head fill the whole of a 3-foot wide TV screen makes me feel seasick. Pretending to hide behind another character's head or a plant is a very dull, and now over-used, way of trying to create a sense of reality. The filmic technique merely gets in the way of the story.

"M.I.T." spun off "The Bill" after the demise of Matthew Boyden. In the best traditions of British police drama, "M.I.T." is a winner.

What makes it a change for the better is that "The Bill" in recent years has become little more than a soapy, tawdry shadow of the excellent series it once was.

"M.I.T." presents a stark comparison. Engaging, well focused, fast moving episodes with a good balance between storyline and characterization.

The fast pace may not be to everyone's liking but it still represents the best effort in its genre to come out of Britain in a long time.

Let us hope there is more to come.

The one thing that stands out about MIT is that it's not very homogenous: style and quality of stories are very different throughout the first series. Some episodes are meant to be very cutting edge by using an almost documentary style, some are fairly traditional. Some stories are very complex and difficult to follow particularly within a 50 minutes format- sometimes you get the impression that a 90 minutes story was cut down to fifty. Other stories are great crime drama, almost Jonathan Kellermann terrain. So all in all, it's a show that's showing promise but still has to find its own style. My main issue with the show is however the DI Vivien Friend or rather the way she is portrayed. She is a bit of a stereotype in terms of being the hard nosed career woman on the surface but with emotions underneath- I just don't see that in the performance.

If you like really bizarre camerawork with peoples faces filmed from weird angles, and the camera motion like it's hand held, then you'll like this. It was a popular style in the early 2000s. Coupled with extreme closeups of faces, mouths, eyes that are common in many of today's films from Europe, mainly France, it's all just a bit too distracting. The show itself is formula driven with clues being solved in quick succession by a very smug faced inspector. It's just not that good a show to go up against other murder mysteries or cop shows on TV. No wonder it did not last long.