When the Last Sword Is Drawn

It's hard to believe that this is from the same director as the truly awful Onmyoji! WTLSID is an almost infinitely better film.

After watching THE LAST SAMURAI I was inspired to check out two recent Japanese films focussing on a similar time period, THE TWILIGHT SAMURAI and WHEN THE LAST SWORD IS DRAWN. It's interesting comparing the Japanese perspective of the Samurai with the Hollywood perspective - TLS romanticises the people and lifestyle far more than the Japanese films, though WTLSID is more misty-eyed than TWILIGHT when thinking about those Samurai whose world had left them behind.

Both Japanese films are much more character driven than THE LAST SAMURAI, representing the Samurai as much more human and complex people, and also giving a much less simplified view of the sociopolitical conditions of the time (though in both films the social conditions are much more in the background).

Of the three films, I think I enjoyed WHEN THE LAST SWORD IS DRAWN the most. The characters, acting, action, cinematography and soundtrack were all top notch - and though the end of the film is dragged out too much, it is very moving. I think all three films deserve to be seen though. I find it rather tragic that THE LAST SAMURAI is sure to play in every mainstream theatre in Japan, but TWILIGHT SAMURAI and WHEN THE LAST SWORD IS DRAWN will be lucky to play a couple of festivals and maybe a short art-house run in the US, with an R1 DVD likely to be years off if it comes at all. Those that have the bravery to check out the import DVDs for the Japanese films will definitely benefit from the experience, though!

One acid test for a movie is that of whether or not you find yourself caring for (any of) the characters as you watch it. This superb study of human personality and of self-sacrifice, honour and duty in difficult circumstances passes that test like almost no other film I've seen.

I've read many of the comments here that want to split this film into good parts and bad parts and would only say that I, for one, cannot see the join - from start to finish the film is well-paced with a series of events that will make you laugh at times and may well make you cry at other times. For me, it was uncomfortable a lot of the time, as I wasn't much pleased with the way the story unfolded and the direction the events took - with just about everything going against the way I would have liked it to! (Risk of a spoiler prevents me being too specific here!) Too many personal chords were being struck for me to actually *enjoy* the film at times but it maintained an unusual integrity in sticking to its own uncomfortable/unsatisfying course and reaching its own rather superb conclusion in a way that many movies seem unable to do without pandering to their audience's expectations in some way.

Technicalities were mostly excellent: The acting (possibly because of the non-familiar faces) was impeccable, the soundtrack was excellent and all other aspects were most satisfactory despite a slight air of claustrophobia with much of the film taking place in a somewhat shut-in environment with only the briefest picture-postcard views of Japan. Also, with the copy I saw, the colour could have been better at times, as could the lighting of the interiors...

The temptation to say avoid this film and any disquiet it might bring you is strong, but instead I say watch it and I have no qualms in giving it 9 out of 10 - it's worth it!!

This film looked really promising, but I was put off by the clichéd sentimentality (flashbacks in soft focus!) and confounding choices of tragic hero Kanichiro Yoshimura. Frequent flashbacks and flash-forwards attempt to liven up the limp plot, but don't do much for narrative momentum. The film drags terribly towards the end, and could have done with some more judicious editing.

Last Sword really didn't deserve to beat Takeshi Kitano's fantastic Zatoichi for best film at the 2003 Japanese Academy Awards, but I can't begrudge the best actor nod for Kichi Nakai, who gives an amazing performance. In all, nearly worth the two and a half hours at the cinema.

A great movie about samurais, full of historical details and deep feelings, is a story of a brave samurai that put´s love and family first.But when samurai code and family mixed together, emerges a number of moral questions like honor and loyalty and how thin is the line that separates the traitor from the hero.Society in hour days seems different but people still use political and religion arguments to convince others to serve their thirst for power.On the end what really matters is love and some of us learn that by the hard way.

;) "A must see masterpiece"

This movie is about the "Shinsengumi" (New Group) a famous group of Samurai in the last days of Tokugawa-shogunate that really existed.

At first they were a kind of police-company in Kyoto. Later on this group was fighting on the shoguns (Military head of state) side against emperor Meijis forces who stood for a modernized Japan. It is about the samurai system and their way that could not survive Japans transition into a modern state. But foremost it is a about people, emotions and honor.The characterization is fantastic and always believable and the swordplay is great.

If you have never heard anything about the Wolfs of Mibu (mibu no ogami(In Japan every child knows them)) you should not miss this movie, and if you know them, even better.