My Best Friend's Birthday

(32%) A curiosity piece that's for Tarantino fans only as about half of it is 100% missing forever, and what's left is largely a mixed bag. Quentin himself is about the best thing here and gives a good dose of effort and comic timing to his performance. The writing is somewhat decent at times; although like a lot of things here it's clearly the product of the inexperienced, and many will claim that it's nothing more than typical Tarantino movie name dropping, which really is only partly true. For a very low budget first attempt this isn't too bad, and it does at least show some future potential of what was yet to come.

Well I finally saw Quentin Tarantino's "film school", which is what's left of his 70 minutes long debut, never officially released (saw it on a bootleg DVD), film My Best Friend's Birthday (35 minutes). This worth watching stuff that is just for fans of Tarantino; for me QT delivers here, not quite because of his direction, not quite because of his cast but just because of his dialog and his participation as the main character, radio disc jokey rockabilly Clarence Pool (the birthday of the title is the one of Clarence's best friend). Basically Clarence Pool is the best thing of the 35 minutes, and Tarantino doesn't deliver a truly fantastic performance but his character has pretty much the best dialog, he is fun. The 35 minutes are very fragmented: we have first Clarence at work, we have stuff at the K-BILLY radio station and we have three other characters (two K-BILLY workers and the guest of Clarence's show). It's both very funny and not quite funny, for instance is hilarious when Clarence recalls certain reaction that he had when he was a 3 year old kid but is not quite all the stuff with the other two dudes, except when one gives cocaine to Clarence (and Clarence sniffs, not hesitating because of his guest)…it's poorly made but nevertheless fun! The other fragments mainly involves Clarence's best friend Mickey (played by Craig Hamann, who also wrote the film together with QT), the girl that supposedly will give Mickey a truly great birthday and that began doing her current job thanks to Nancy Allen in Brian De Palma's 1980 film Dressed to Kill (Misty is her name, played by Crystal Shaw) and Clarence's girl. Aside of a sort of funny fight with Misty's black pimp the scenes with Mickey are uninteresting just as the scenes involving Clarence's girl, even the very last fragment with Clarence and Misty is mostly not good (yet there are some cool lines and for QT fans may be interesting hearing from Clarence that he "has a food fetish"), well basically after the first fragment at the radio station the stuff I really liked comes from Tarantino's character: a really nice talk with a clerk about Elvis, Marlon Brando, Chaplin's swan song, The Beatles, Colonel Parker and stuff ("you see the same cake?", that was hilarious!). My Best Friend's Birthday is not a Tarantino thing that I would like to see a lot, basically once is good enough, funny bits, some memorable lines, let's re-watch True Romance

Clarence Pool, a radio DJ, is planning a birthday party for his best friend, Mickey Burnett. However, his great intentions and best efforts don't always work out as planned.

Written and directed by and starring Quentin Tarantino, this should have been his first film. However, the second and final reel of the film was lost in a fire and the complete version was hardly ever viewed. What remains is and incomplete movie of about 36 minutes (technically making it a short).

Hence it not been counted among Tarantino's movies (plus, wouldn't you rather say that Reservoir Dogs was your debut film?).

What remains isn't bad, though isn't great either. The first thing that strikes you is that it is a comedy. Tarantino's dramas always have an element of comedy about them, due to the clever, stylised dialogue but this is a pure comedy, not an action-drama with comedic elements. Moreover, it works, mostly. Tarantino takes the clever dialogue and moves it from entertaining filler to centre stage. Add in some physical gags and you realise that Tarantino may have a gift for comedy (though I'm glad he ended choosing a different cinematic path).

There's also a stoner-slacker aspect to the whole thing which reminds me of Clerks. Tarantino could have been Kevin Smith before Kevin Smith was Kevin Smith!

(This said, I have no idea what path the second half of the movie took, so it could have ended more like the Tarantino we know and love).

In addition to the clever dialogue, there's another Tarantino trademark: long discussions about movies or music. Always entertaining, and edifying.

As mentioned, not great though. The plot is a bit disjointed. Tarantino was clearly still learning his art as a director and editor: the scenes are quite choppy. The whole movie has an overly rough-around-the-edges feel to it.

Also, difficult to rate a movie highly when you're only able to see half of it!

You can, however, see glimpses of what was to come. As mentioned, the sharp dialogue is there. In addition, some of the plot details remind me of True Romance.

Just wish that the whole movie had survived. But then Tarantino would have already made 10 movies and, due to his self-imposed quota, would now be in retirement, so maybe it was for the best!

Needless to say, due to the movie being in this state it is in, this is really only for Tarantino fans, to see where it all began and complete the collection.

SPOILERS AHEAD

To those who wonder how I discovered My Best Friend's Birthday, I found this video on ebay, and it was definitely worth the money despite the deteriorated quality of the copy. This is filmmaker Quentin Tarantino's first independently funded film, and from what was assembled (the film wasn't completed and this can be seen since a couple of plot points are left un-answered at the end of 40 minutes) I can tell that it was one of those well-intentioned (if slight) signs-of-things-to-come.

Clarence Pool (Tarantino, with a full-on "Elvis Man" look) is a disc jockey at K-BILLY Radio (Reservoir Dogs' music conductor in a sense), and is planning to give his friend Micky Burnett (co-writer Craig Hamann) a call-girl for his birthday party (a story later re-used for True Romance). This is used as more of a signpost for the film to follow as the characters, in particular Clarence, go off on riffs of Dialog - the "I'd f*** Elvis" speech is in its first revelation - and it's often very funny. Even a kung-fu fight between Mickey and the call girl's pimp (Al Harrell) is executed with the similar sense of dark hilarity that has made Tarantino the pro he is now. Truth be told, the film isn't without its shortcomings for a budget of so little, and a couple of the scenes really don't work at all. Yet for what it's worth it's a small ruby of underground cinema.

Based upon seeing what little footage remains of this movie, I don't think that the full-length version would have been a great movie. What's seen here is a jumble of different scenes that each advance the story very little. Tarantino clearly didn't yet have a full grasp of more proper ways to plot and execute a story. Still, despite this (and the very primative production values and acting), the footage is a fascinating cinematic document of sorts. The movie is full of ideas (and dialogue) that Tarantino later polished up and reused in other movies (primarily TRUE ROMANCE.) So while this is mostly amateur hour as a *movie*, it is very entertaining as a cinematic notebook.