Duma

Duma - A story about an orphaned Cheetah and a boy who rediscovers his life after an unfortunate tragedy - A journey that ends with a new beginning.

I often watch films made in America and by American directors that depict African scenes in their movies, and they can never truly portray the African way of life.

Carroll Ballard is one of the first to successfully portray this properly - well, almost :-) He still used the word "Gas" instead of the word "Petrol". Us South Africans never say gas. He also changed the geography of the journey quite dramatically, and at times Xan jumped miraculously 500 km from the East of Botswana to the west of South Africa, and suddenly 5 min later, he jumped 500 km north to the Central North West of Botswana (The Okavango Delta).

But please don't think I am bad mouthing the movie. Everyone is allowed the use of poetic license, and the way that Carroll Ballard did this showcased some of the most beautiful places in Southern Africa, and the world, including Augrabies Falls in South Africa, Sowa Pan and Kubu Island (Part of the largest salt pans in the world, the Magadigadi Pans), the Okavango Delta and many more...

The story is blissfully simple, allowing young children to enjoy this film without asking questions, as well as allowing adults to marvel at the scenes being shown to them.

The photography as far as the filming of the cheetahs goes as well as the African wilderness, was magnificent, as well as the sound effects...they were not artificial, unlike many of the other films made today, which use completely unnatural sound effects for the animals.

A must see for anyone who appreciates a good, heartwarming story, the African wilderness and good, honest, down to earth film making 9/10

This film was a rare pleasure to behold, much like the joy I experienced in September 1993 at the Toronto International Film Festival screening of "SIRGA: L'infant Lion" (yet to be released on DVD in North America although released in Germany a few years ago). There are deeper messages here and these are truly welcome, unlike so much of the swill that passes for family entertainment these days. As much as I enjoyed "Two Brothers" (Jean-Jacques Annaud) recently, I do prefer this film by a director whose last film I enjoyed at the Toronto Festival some 8+ years ago - "Fly Away Home".

The journey taken by the 12 year old boy reminds me somewhat of the journey taken by a slightly younger lad and his sister in the also-compelling early 70s Nicholas Roeg film "Walkabout" which I also highly recommend if you like nature-type films (or should I say "au natural" type films ... ha ha). I rate this one 9 out of 10.

Anyway make sure you get to see this once it comes to your part of the world either theatrically or, likelier on DVD.

This was such a lovely film for everyone, and it seems to be ending its New York run this Sunday, October 16th after just 17 days. Why? Not only did it receive excellent reviews, the showing I attended last Saturday afternoon in the counter-cultural East Village was packed! As a much needed quality family film, "Duma" should have been given a wide release and much more promotion. I rarely go to the movies, and I was waiting and hoping for its release for months.

A wonderful family film with affection, learning, adventure, mystery, and respect between the boy Xan and his cheetah, Xan's father and mother, and Xan's friend Rip. It also has a Prodigal Son theme. The cinematography is exquisite, with the golden cat with the golden eyes and the golden African desert and savanna that seem to stretch on for eternity.

A beautiful, humorous, gentle, poignant, and touching film about love, kindness, and mercy. A genuinely loving family. The courage to grow up. Are these values too truthful for Hollywood, or they too real for the general public?

"Nature breaks through the eyes of the cat." Irish proverb

With the emergence of digitized everything, photography of the actual thing is now the amazement. Splendid is everything visualized in Duma, the story of a young South African boy, Xan (Alex Michaeletos) who brings up an orphaned cheetah, Duma, to the day when his father (Campbell Scott) decides it is perilously close to the time when Duma couldn't survive in the wild.

And so, about the time they are to return Duma to his world, Xan becomes a sort of orphan himself because dad dies and leaves Xan and his mother with a big ranch to tend. As predictable as the right of passage story that ensues with Xan taking Duma back, there is a freshness of simplicity and beauty, joy and sorrow that overwhelms the clichés and makes you eager to go back to animal stories of early film, like Old Yeller, where the pets are as human than their masters and make real the abstract idea of Nature.

An unusual care for lens and animal is palpable from director Carroll Ballard and cinematographer Werner Meritz, unforgettable even. The four cheetahs used for Duma are as often lensed close up as they are in long shots, beautifully stretching their sixty-mile –an-hour legs.

With the consistency director Carroll Ballard showed in the acclaimed Fly Away Home, he weaves the theme of abandonment and reconciliation into every major scene: Even the enigmatic intruder Rip (Eamon Walker) has exiled himself from his tribe and is now returning home, cruising the river with Xan like Huck and Jim. That eventually animals and humans must take up their responsibilities is also present almost from the first frame.

Nothing new here, just a good old-fashioned pet tale, which never is boring for me, a perpetual boy with an English major's tendency to see poetry in a landscape or a cheetah's eye.

"Nature never did betray the heart that loved her." Wordsworth

"Duma" comes along to show us it is possible to create a work of art that combines compassion, intelligence, creativity, and insight. I'm a bit hesitant to even mind some of the comments made by a few people about this film. It is NOT about the people of the country, or a particular point of view. It is supposed to be about a boy and his closest relationship to another living thing on this planet. It is an adventure that doesn't rely on cheap special effects and far fetched ideas that no one but a movie executive find any connection to. It is not about throwing a gimmick in front of our faces and failing to deliver. "Duma" just opens a window to a world that is slowly dying in front of us.

After seeing the film, I couldn't stop thinking about the marvelous nature of the cheetah, as a creature, a friend, another member of this world's wonders. As the film unfolds, we witness other marvels along the way, as our young protagonist finds ways to solve several quests in the story. There were a few instances where I had to catch my breath for the sheer magic displayed on the screen: the vistas, the expressions, the lyrical beauty which was composed by the various parts. It was a universal experience that can reach and touch both adults and children. The best part is that we went back to the primal essence of cinema, the ability to conjure or transports us to the magic that exists in our own world.

"Duma" stands for the soul in us, a part of our world that keeps us going and refuses to let go. An artist, like Mr. Ballard can create this type of entertainment, the kind that allows us to reflect on what is important, leads us to think and to care about where we're going, and what the rewards and consequences might be. This is an important film that, in typical fashion, is being neglected by the moguls of entertainment. Catch it in the big screen to get its full impact, relish it, and pass the word around. Here is a film that earns the title of a classic right away.