2LDK

2LDK is an exceptional short film that combines the prodigious talents of two little-known actresses (Maho Nonami and Eiko Koike) with that of a marvelous director (Yukihiko Tsutsumi) in what turns out to be a surprisingly powerful, sometimes hilarious, and always provocative thriller.

I found the first half of the film, in which there is a lot of one-on-one conversation between the two women--combined fluidly with each woman's private thoughts--to be an absolute riot to watch. 2LDK offers marvelous insight into human nature and even the Japanese culture, reminding one that regardless of social conventions few people say what they -really- mean. Nonami and Koike both play their parts extremely well and with complete credibility. Amazingly, the film was shot in only a week's time despite the fact both women developed high fevers during the filming but carried on during the most physically demanding scenes without a break. I also found it fascinating to hear both actresses express having felt a certain amount of real-life animosity and antagonism towards one another during the making of the film. Great stuff.

In the second half of the film things become much darker as niceties are set aside and the two women let their true feelings show. Small disagreements become egregious offenses and events escalate rapidly to a remarkable, if not entirely unpredictable, ending. The 'weapons' the two use against each other are for the most part household items and as such make the battle even more engaging and intense.

I don't believe there is anyone who can't appreciate--or even completely relate with--the feelings both expressed and provoked in 2LDK; if you've ever had to live with someone you didn't much care for but tolerated in the name of keeping the peace--all the while letting your retributive fantasies 'evolve' from time to time--this film is guaranteed to produce plenty of smiles.

Highly recommended.

My mouth dropping constantly throughout the movie in shock until finally I just left it hang open. Very creative and original. Unfortunately some others walked out!?

I was curious what 2LDK meant after the film: in general it is a 2 bedroom apartment with living room, dining room and kitchen in Japan. The setting of the whole film.

I caught this at a double bill showing with another film, and truthfully watching this film is amongst the best joys I've had for a long while. Film centres round two ambitious girls one night in their shared flat who are aiming for the same sole role in a film. The girls are like chalk and cheese together, yet they appear to grudgingly tolerate each other at first, although each dislikes the other intensely and try to tease and annoy the other subtly. But as the tension gets cranked and the stress levels rise, the Chinese wall between them comes down and the rivalry becomes physical.

The action comes thick and fast in this not overly long film, but the acting is wonderful from the two girls, and the dialogue is sharp. Frighteningly, it is as real as life itself and will remind many (including myself!) of what it is truly like living with others (its not like "Friends"). This film is like a proverbial brick being thrown at your head, but it is fun, like a "Tom and Jerry" movie with humans in many ways.

Compared to many films coming from the Asian extreme range, this is a little dilute in comparison, so if you are curious about them, yet don't think you can stomach the stronger themed films, then this is a great entry point. Wicked fun, yet violent at times, but you will certainly be entertained. A cool night out! No classic, but very worthy of attention, and I will definitely be looking out for the directors future work as it comes out.

In essence this is a very simplistic and minimalistic movie. It's entirely set inside one apartment and only 2 actresses can be seen on screen. Also the story in its core is very simple and straight-forward but very well- and effectively executed.

The story plays out wonderfully. It's about two young aspiring actresses, who share an apartment and are both in the race for the same role. They clearly don't like each other very much to begin with but they are friendly to each other, since they realize they have to simply put up with each other and make the best of it. They are often tiny annoyances between the two, which should be very recognizable for those who once shared an apartment with another person. However things soon start to escalate more and more between the two.

Because of the extremeness and over-the-top aspects of the movie and its story, you could also really take this movie a comedy. Not that it will make you laugh out loud but the way it's build up and plays out really reminds you of the structure of a comedy. It makes this a very entertaining and pleasant movie to watch.

It's besides well shot by Yukihiko Tsutsumi. You have to remember that the entire movie is set in just one apartment but yet the director manages to never make any of the scene's look alike and the movie also never starts to repeat itself. Granted, that this is also partly due to its very short running time (70 minutes).

A great, short, enjoyable movie to spend some time on.

8/10

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1st watched 7/11/2006, 7 out of 10(Dir-Yukihiko Tsutsumi): Creepy, yet entertaining chicks taking jealousy to the extreme flick. What this movie is, is a no-holds barred representation of what would happen if two women were filled with jealousy and hatred towards one another and had no conscience whatsoever to keep them from going to extreme measures to put the other away permanently. It starts off slowly as the characters are introduced 1 by 1 after returning home from their respective acting auditions for the same role for an upcoming coveted movie. They share an apartment that consists of 2 Bedrooms, A living room, A dining room and a kitchen; thus the title, 2LDK. We're initially tricked into thinking that the horror aspect of the movie is going to come from outside sources instead of from within. We are then shown thru the character's thoughts that anger is heating up quickly and builds to an overflowing point that never lets go until the end of the movie. At times, the extreme violence tends to pull you away from the screen but the director(Yukihiko Tsutsumi) then promptly grabs you back in as if he knows how you're going to react. This Japanese movie goes places deep within the hearts of characters that Hollywood only barely scratches at the surface. Many times in American movies it's turned into a blood-and-guts fest only without any probing into the characters. This movie is much more than that and for this reason it's a pleasurable(kind of) viewing experience if you can last thru to the very end, despite the graphic violence.