IMDb RATING
4.7/10
3.6K
YOUR RATING
Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life aroun... Read allShortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.
- Won 1 BAFTA Award
- 1 win total
Kenneth Cranham
- Detective Constable Jackson
- (as Ken Cranham)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
4.73.6K
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Featured reviews
Should really turn off the life support on this one!
One description of Trauma is "An event or situation that causes great distress and disruption". Thats exactly what this film did to me because I was distressed from having to pay £10 to see it (two tickets) and disrupted from having to spend a VERY long hour and a half watching it.
As soon as I saw the BBC films logo I knew I was in for something rubbish. Don't get me wrong, some BBC funded films are good but this is just dire. A lot of the set pieces have smacks of Jacobs Ladder about them and about half way through the film I thought thats exactly just what this film was about.
Performances by Colin Firth et al are not bad although being a British film it suffers from the grime and depression that most films from our island seem to conform to.
Disjointed, hard to follow and with an ending that leaves you with a horrid taste in your mouth, Trauma is definitely one to wait either for DVD rental or TV.
As soon as I saw the BBC films logo I knew I was in for something rubbish. Don't get me wrong, some BBC funded films are good but this is just dire. A lot of the set pieces have smacks of Jacobs Ladder about them and about half way through the film I thought thats exactly just what this film was about.
Performances by Colin Firth et al are not bad although being a British film it suffers from the grime and depression that most films from our island seem to conform to.
Disjointed, hard to follow and with an ending that leaves you with a horrid taste in your mouth, Trauma is definitely one to wait either for DVD rental or TV.
"Confused and pretentious."
An unemployed loner (Firth) recovering from a road accident becomes obsessed with a murdered pop star and with the prospect that his wife, supposedly killed in the crash, might not be dead after all.
In recent months we have had two excellent British films released in our cinemas. Geoffrey Rush gave what could well be the performance of his life in "The Life And Death Of Peter Sellers" and "Lock Stock And Two Smoking Barrels" producer Matthew Vaughn made a fine impression with "Layer Cake", his directing debut. "Trauma" is a Warner-BBC co-production that is both confused and pretentious and it seems longer than it's running time. Director Marc Evans fails to generate any suspense and the twist in Richard Smith's screenplay when it comes is hardly worth waiting for. Some moody cinematography from John Mathieson and a good performance from Colin Firth offer a little compensation, but one can't help thinking that this should have been confined to the BBC's airwaves rather than our cinemas.
In recent months we have had two excellent British films released in our cinemas. Geoffrey Rush gave what could well be the performance of his life in "The Life And Death Of Peter Sellers" and "Lock Stock And Two Smoking Barrels" producer Matthew Vaughn made a fine impression with "Layer Cake", his directing debut. "Trauma" is a Warner-BBC co-production that is both confused and pretentious and it seems longer than it's running time. Director Marc Evans fails to generate any suspense and the twist in Richard Smith's screenplay when it comes is hardly worth waiting for. Some moody cinematography from John Mathieson and a good performance from Colin Firth offer a little compensation, but one can't help thinking that this should have been confined to the BBC's airwaves rather than our cinemas.
Post Traumatic Stress Syndrome: The Movie
TRAUMA is one of those films that invokes mixed responses from audiences depending on their expectations: it seems to polarize people into love/hate categories. While not a great movie, TRAUMA has the courage to pose a storyline that is more involved with the interior aspects of a mind altered by physical events. We are asked to observe the world through the eyes of a battered brain which happens to belong to a man with a tattered past. If linear stories are preferred then this is not a film to recommend. For those viewers willing to crawl inside the malfunctioning mind, this film is mesmerizing and full of rewarding moments.
Ben (Colin Firth) is seen in the opening flashbacks driving a car at night with his wife Elisa (Naomie Harris). There is a car crash and Ben awakens from a coma in a hospital, convinced that Elisa is dead. He wanders the hospital, drawn to the morgue where the caretaker (Cornelius Booth) enhances the mystery of the place. Ben learns from the TV room that a famous singer Lauren Parris (Alison David), for whom Elisa has been a dancer, has been murdered. His mind disintegrates and everything that follows is a mélange of delusion mixed with bits of reality that exquisitely define how the post traumatic stress syndrome can be driven to psychosis if not recognized and treated.
Ben leaves the hospital (or does he?) and continues his art career in a vast building undergoing reconstruction (a building that has been a hospital....), befriended by his mate Roland (Sean Harris) and by his landlady 'Charlotte' (Mena Suvari). More flashbacks (mostly childhood memories) occur as Ben talks things out with a 'psychiatrist' (whose face we never see...) and during episodes with channeler Petra (Brenda Fricker) he is informed that Elisa is not dead. Ben becomes a suspect in the murder of Lauren Parris and his chasing after evidence ultimately leads to a series of disasters, a series of metaphors and delusions, all of which find Ben sitting back in the hospital where he started.
Did any of this story really happen, or was it the fabrication of a mind traumatized to the brink of breaking? That is left for the viewer to decide. Though plagued with some static moments and a lot of conversation buried in background music and sounds, Director Marc Evans with writer Richard Smith take us on a suspenseful journey, made all the more bizarre by some extraordinary camera work and tremendously inventive settings. Not a movie for everyone, but for those willing to enter the Post Traumatic Stress Syndrome mind, this case study is rewarding. Grady Harp
Ben (Colin Firth) is seen in the opening flashbacks driving a car at night with his wife Elisa (Naomie Harris). There is a car crash and Ben awakens from a coma in a hospital, convinced that Elisa is dead. He wanders the hospital, drawn to the morgue where the caretaker (Cornelius Booth) enhances the mystery of the place. Ben learns from the TV room that a famous singer Lauren Parris (Alison David), for whom Elisa has been a dancer, has been murdered. His mind disintegrates and everything that follows is a mélange of delusion mixed with bits of reality that exquisitely define how the post traumatic stress syndrome can be driven to psychosis if not recognized and treated.
Ben leaves the hospital (or does he?) and continues his art career in a vast building undergoing reconstruction (a building that has been a hospital....), befriended by his mate Roland (Sean Harris) and by his landlady 'Charlotte' (Mena Suvari). More flashbacks (mostly childhood memories) occur as Ben talks things out with a 'psychiatrist' (whose face we never see...) and during episodes with channeler Petra (Brenda Fricker) he is informed that Elisa is not dead. Ben becomes a suspect in the murder of Lauren Parris and his chasing after evidence ultimately leads to a series of disasters, a series of metaphors and delusions, all of which find Ben sitting back in the hospital where he started.
Did any of this story really happen, or was it the fabrication of a mind traumatized to the brink of breaking? That is left for the viewer to decide. Though plagued with some static moments and a lot of conversation buried in background music and sounds, Director Marc Evans with writer Richard Smith take us on a suspenseful journey, made all the more bizarre by some extraordinary camera work and tremendously inventive settings. Not a movie for everyone, but for those willing to enter the Post Traumatic Stress Syndrome mind, this case study is rewarding. Grady Harp
Amnesia strikes again..
It sometimes gives masterpieces:of course "spellbound " comes to mind.But "Spellbound " was made at a time when screenplays were elaborate and there was no place for vagueness.
"Trauma" turns on the ambiguousness: nightmares,hallucinations, shrink consultation,medium,investigation,TV news,it's hard to find your way through this muddled plot.It borrows sometimes from "Jacob's ladder" ( the nightmare (?) in the hospital)but its conclusion,unlike Adrian Lyne's work, does not make much sense.
A man (Colin Firth,28 in the movie,actually 44 when the movie was made)has lost his wife in a road accident and he was at the wheel.At the same time ,a female pop star is murdered.The widower suffers from amnesia and when he tries to find back his past, it will be nothing that he expected of course...
As for Colin Firth,why don't you watch "another country" or "apartment zero" instead?
"Trauma" turns on the ambiguousness: nightmares,hallucinations, shrink consultation,medium,investigation,TV news,it's hard to find your way through this muddled plot.It borrows sometimes from "Jacob's ladder" ( the nightmare (?) in the hospital)but its conclusion,unlike Adrian Lyne's work, does not make much sense.
A man (Colin Firth,28 in the movie,actually 44 when the movie was made)has lost his wife in a road accident and he was at the wheel.At the same time ,a female pop star is murdered.The widower suffers from amnesia and when he tries to find back his past, it will be nothing that he expected of course...
As for Colin Firth,why don't you watch "another country" or "apartment zero" instead?
v. disappointed
Not a horror movie, which I wasn't really expecting, but not a spooky psychological thriller, which I think it was supposed to be. What was it? confusing. This movie tried so hard to find its place, but just wandered around & around. I found myself using the repeat button to go back and see if there was something I had missed, to make sense of what followed. There were a few good scenes, a couple good jolts -and I do like Colin Firth - but the movie just couldn't find its rhythm and stay there. There *was* some good acting, but not enough to make me care about the characters. There *was* some dark atmosphere, but it wasn't sustained. There *was* some shock value in the end, but not enough. Can I have my 88 minutes back, please?
Did you know
- GoofsIn one of the late scenes in the morgue/basement when Ben is talking to Charlotte the boom mic is clearly visible in the top right of the picture
- Crazy creditsThe end of the credits have two unusual cast listings: The first is "Featured Ants" (in order of Appear"ants") which is a list of sixty of so names all beginning with A. This is swiftly followed by another small list of 5 "Stunt Ants".
- ConnectionsReferenced in Death Row (2007)
- How long is Trauma?Powered by Alexa
Details
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- Travma
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Box office
- Gross worldwide
- $258,191
- Runtime
- 1h 34m(94 min)
- Color
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