IMDb RATING
4.7/10
3.6K
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Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life aroun... Read allShortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.
- Won 1 BAFTA Award
- 1 win total
Kenneth Cranham
- Detective Constable Jackson
- (as Ken Cranham)
- Director
- Writer
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Marc Evans directs this superior British made movie about a man who awakens from a coma to discover his wife is dead and he's haunted by images from the past.
Colin Firth is Ben, a traumatised coma recovery victim. He's confused about his life, and as a result of the death of his wife, possibly caused by himself during a road accident he's moved apartment only down the street near where a famous pop singer was murdered around the time of his wife's death. He has no concrete memory of the recent past, so cannot answer the questions his own mind is posing him.
Stricken by nightmares and bizarre visions, Ben is utterly flummoxed and scared by what is happening to him, and to attempt to escape it he teams up with an old art college friend as a work partner. However, add into the mix his intense grief at his loss, and the entry into his life of the lovely Charlotte, played meltingly wonderfully by Mena Suvari, and it is plain to see that he simply doesn't know who or what to turn to in order to truly get his life back on track. There is also the overriding suspicion that the murder of the singer, Lauren Paris, is in some strange way connected to what is occurring to him...
The direction in Trauma is absolutely fantastic. Psychological suspense is the name of the game here, and although it certainly takes a few nods from the likes of Vanilla Sky and Jacob's Ladder, it's unquestionably its own world. It is certainly the type of superb cinematography which disturbs in this sort of movie, hinting at innate 'wrongness' of certain things.
Firth is initially quite hard to accept as the troubled Ben, but you get used to him and in the end he actually convinces quite well. As said before, Mena Suvari is quite delicious as Charlotte, encompassing a sort of Penelope Cruz demeanour as she was in Vanilla Sky. Her warmth, enthusiasm and eagerness shines through at all times.
However, the only flaw I can find with this story is that I am *slightly* confused by what it all meant, and what the conclusion actually entailed. I am writing this review having read absolutely nothing about the movie, so for all I know, it was a terrible film which confused everyone! However, I really got a kick out of it, and although I am a mite baffled by it all, the polish and quality of everything about it shone through, for me, and I will endeavour to read more about it on this very site.
Personally, if you enjoy psychological thrillers (This *might* have been intended as a horror but it was nowhere near the level of scariness a horror should be) with a hint of the supernatural, give this a shot.
Colin Firth is Ben, a traumatised coma recovery victim. He's confused about his life, and as a result of the death of his wife, possibly caused by himself during a road accident he's moved apartment only down the street near where a famous pop singer was murdered around the time of his wife's death. He has no concrete memory of the recent past, so cannot answer the questions his own mind is posing him.
Stricken by nightmares and bizarre visions, Ben is utterly flummoxed and scared by what is happening to him, and to attempt to escape it he teams up with an old art college friend as a work partner. However, add into the mix his intense grief at his loss, and the entry into his life of the lovely Charlotte, played meltingly wonderfully by Mena Suvari, and it is plain to see that he simply doesn't know who or what to turn to in order to truly get his life back on track. There is also the overriding suspicion that the murder of the singer, Lauren Paris, is in some strange way connected to what is occurring to him...
The direction in Trauma is absolutely fantastic. Psychological suspense is the name of the game here, and although it certainly takes a few nods from the likes of Vanilla Sky and Jacob's Ladder, it's unquestionably its own world. It is certainly the type of superb cinematography which disturbs in this sort of movie, hinting at innate 'wrongness' of certain things.
Firth is initially quite hard to accept as the troubled Ben, but you get used to him and in the end he actually convinces quite well. As said before, Mena Suvari is quite delicious as Charlotte, encompassing a sort of Penelope Cruz demeanour as she was in Vanilla Sky. Her warmth, enthusiasm and eagerness shines through at all times.
However, the only flaw I can find with this story is that I am *slightly* confused by what it all meant, and what the conclusion actually entailed. I am writing this review having read absolutely nothing about the movie, so for all I know, it was a terrible film which confused everyone! However, I really got a kick out of it, and although I am a mite baffled by it all, the polish and quality of everything about it shone through, for me, and I will endeavour to read more about it on this very site.
Personally, if you enjoy psychological thrillers (This *might* have been intended as a horror but it was nowhere near the level of scariness a horror should be) with a hint of the supernatural, give this a shot.
One description of Trauma is "An event or situation that causes great distress and disruption". Thats exactly what this film did to me because I was distressed from having to pay £10 to see it (two tickets) and disrupted from having to spend a VERY long hour and a half watching it.
As soon as I saw the BBC films logo I knew I was in for something rubbish. Don't get me wrong, some BBC funded films are good but this is just dire. A lot of the set pieces have smacks of Jacobs Ladder about them and about half way through the film I thought thats exactly just what this film was about.
Performances by Colin Firth et al are not bad although being a British film it suffers from the grime and depression that most films from our island seem to conform to.
Disjointed, hard to follow and with an ending that leaves you with a horrid taste in your mouth, Trauma is definitely one to wait either for DVD rental or TV.
As soon as I saw the BBC films logo I knew I was in for something rubbish. Don't get me wrong, some BBC funded films are good but this is just dire. A lot of the set pieces have smacks of Jacobs Ladder about them and about half way through the film I thought thats exactly just what this film was about.
Performances by Colin Firth et al are not bad although being a British film it suffers from the grime and depression that most films from our island seem to conform to.
Disjointed, hard to follow and with an ending that leaves you with a horrid taste in your mouth, Trauma is definitely one to wait either for DVD rental or TV.
I watched this all the way through, though I cant pretend I liked it. The overwhelming impression of this movie was confusion. I had zero idea of what the hell was going on. All the effects of a shocker movie were there, the insects,the momentary glimpses of things undetermined, to raise the tension, the creepy caretaker, the muted colouring, the mutilated corpse, flashbacks, the almost abandoned building which was an ex hospital with, handily, a morgue in the basement ! etc etc. For me a movie must have entertainment value, there was none here, the story was nasty all the way through. Acting ? Colin Firth, Mena Suvari... first class as you would expect when you manage to acquire actors of their standing you want to put them in a better vehicle than this movie.
An unemployed loner (Firth) recovering from a road accident becomes obsessed with a murdered pop star and with the prospect that his wife, supposedly killed in the crash, might not be dead after all.
In recent months we have had two excellent British films released in our cinemas. Geoffrey Rush gave what could well be the performance of his life in "The Life And Death Of Peter Sellers" and "Lock Stock And Two Smoking Barrels" producer Matthew Vaughn made a fine impression with "Layer Cake", his directing debut. "Trauma" is a Warner-BBC co-production that is both confused and pretentious and it seems longer than it's running time. Director Marc Evans fails to generate any suspense and the twist in Richard Smith's screenplay when it comes is hardly worth waiting for. Some moody cinematography from John Mathieson and a good performance from Colin Firth offer a little compensation, but one can't help thinking that this should have been confined to the BBC's airwaves rather than our cinemas.
In recent months we have had two excellent British films released in our cinemas. Geoffrey Rush gave what could well be the performance of his life in "The Life And Death Of Peter Sellers" and "Lock Stock And Two Smoking Barrels" producer Matthew Vaughn made a fine impression with "Layer Cake", his directing debut. "Trauma" is a Warner-BBC co-production that is both confused and pretentious and it seems longer than it's running time. Director Marc Evans fails to generate any suspense and the twist in Richard Smith's screenplay when it comes is hardly worth waiting for. Some moody cinematography from John Mathieson and a good performance from Colin Firth offer a little compensation, but one can't help thinking that this should have been confined to the BBC's airwaves rather than our cinemas.
It sometimes gives masterpieces:of course "spellbound " comes to mind.But "Spellbound " was made at a time when screenplays were elaborate and there was no place for vagueness.
"Trauma" turns on the ambiguousness: nightmares,hallucinations, shrink consultation,medium,investigation,TV news,it's hard to find your way through this muddled plot.It borrows sometimes from "Jacob's ladder" ( the nightmare (?) in the hospital)but its conclusion,unlike Adrian Lyne's work, does not make much sense.
A man (Colin Firth,28 in the movie,actually 44 when the movie was made)has lost his wife in a road accident and he was at the wheel.At the same time ,a female pop star is murdered.The widower suffers from amnesia and when he tries to find back his past, it will be nothing that he expected of course...
As for Colin Firth,why don't you watch "another country" or "apartment zero" instead?
"Trauma" turns on the ambiguousness: nightmares,hallucinations, shrink consultation,medium,investigation,TV news,it's hard to find your way through this muddled plot.It borrows sometimes from "Jacob's ladder" ( the nightmare (?) in the hospital)but its conclusion,unlike Adrian Lyne's work, does not make much sense.
A man (Colin Firth,28 in the movie,actually 44 when the movie was made)has lost his wife in a road accident and he was at the wheel.At the same time ,a female pop star is murdered.The widower suffers from amnesia and when he tries to find back his past, it will be nothing that he expected of course...
As for Colin Firth,why don't you watch "another country" or "apartment zero" instead?
Did you know
- GoofsIn one of the late scenes in the morgue/basement when Ben is talking to Charlotte the boom mic is clearly visible in the top right of the picture
- Crazy creditsThe end of the credits have two unusual cast listings: The first is "Featured Ants" (in order of Appear"ants") which is a list of sixty of so names all beginning with A. This is swiftly followed by another small list of 5 "Stunt Ants".
- ConnectionsReferenced in Death Row (2007)
- How long is Trauma?Powered by Alexa
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- Travma
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Box office
- Gross worldwide
- $258,191
- Runtime
- 1h 34m(94 min)
- Color
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