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6.8/10
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In a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the cou... Read allIn a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the country's next president.In a post-Taliban Afghanistan a young woman (Agheleh Rezaie) attends school against her conservative father's will, hoping to learn more about democracy to fulfill her dream of being the country's next president.
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Having loved 'The Apple' I was very much looking forward to seeing this, and though it has some very sad and beautiful moments as a whole I thought it lacked a sense of purpose. Having just seen the marvellous 'Osama', although perhaps a little unfair to compare it, that was more straight forward and had a far more emotional pull. The director does get amazing performances from the non-acting cast but occasionally the lack of experience does tell and you sense their just repeating what they've been told to say without really knowing why. It also felt a bit too long and would have been better without some scenes which were too similar to others. Not as good a film as 'The Apple' but worth seeing as there are some nice moments and it still manages to have a sense of humour despite the obvious terrible hardship these people have endured. (6/10)
In "At Five in the Afternoon", we follow the fortunes of a young woman in Afghanistan and her family. Nogreh is caught between two worlds. On the one hand, she attends a school where the teacher encourages girls to become doctors, engineers and even President. At the same time, Nogreh must wait until she steps out of her father's home before she lifts the veil of her burka and trades flat-soled shoes for high heels.
Nogreh is a very idealistic and ambitious young woman who emulates Benazir Bhutto of Pakistan and dreams of being President of her own country some day. Yet she has been kept in a state of childlike naivety and ignorance about politics at home and abroad, due to the teachings of the Koran, Shariah (Islamic law) and the Taliban.
It is exciting to hear the young girls debate the status of women in their country. But the film is also sympathetic and understanding toward the old Afghanistan, symbolized by Nogreh's father. He bewails that "Blasphemy has overrun the city" and the world, as he knew it, has ceased to exist. To add pathos to the situation, he feels he can confide his feelings only to a dumb animal -- his donkey, who "knows nothing but hay".
The film's title echoes a recurring verse from Federico Garcia Lorca's poem, "Lament for Ignacio Sanchez Mejia", about the goring of a bullfighter. Like Lorca's poem, "At Five in the Afternoon" is clouded over by a somber atmosphere of tragedy, death and despair. Yet the film remains remarkable for its astonishingly hopeful -- and indeed radical and revolutionary -- vision of hope for Afghanistan and indeed all of the Arab world.
Nogreh is a very idealistic and ambitious young woman who emulates Benazir Bhutto of Pakistan and dreams of being President of her own country some day. Yet she has been kept in a state of childlike naivety and ignorance about politics at home and abroad, due to the teachings of the Koran, Shariah (Islamic law) and the Taliban.
It is exciting to hear the young girls debate the status of women in their country. But the film is also sympathetic and understanding toward the old Afghanistan, symbolized by Nogreh's father. He bewails that "Blasphemy has overrun the city" and the world, as he knew it, has ceased to exist. To add pathos to the situation, he feels he can confide his feelings only to a dumb animal -- his donkey, who "knows nothing but hay".
The film's title echoes a recurring verse from Federico Garcia Lorca's poem, "Lament for Ignacio Sanchez Mejia", about the goring of a bullfighter. Like Lorca's poem, "At Five in the Afternoon" is clouded over by a somber atmosphere of tragedy, death and despair. Yet the film remains remarkable for its astonishingly hopeful -- and indeed radical and revolutionary -- vision of hope for Afghanistan and indeed all of the Arab world.
10WCS02
This movie tugged at my heartstrings delivering an unforgettable portrayal of Afghan life. It's a 10 out of 10, poetically revealing modern life in a city relegated to Neanderthal living conditions after the Taliban was sent packing.
The Film's title is the title of an extraordinarily relevant poem, recited twice during the film.
Though a tough way to learn Farsi (it's subtitled - phew!) "At Five in the Afternoon" awakened me to the plight of the poor souls coping with the rubble and 19th century technology.
The film describes (teenaged) Noqreh's life as she attends school and struggles to discover her role in society now that "any" job is within her reach. She decides to become the country's President.
The zesalots may be gone ... but there's plenty of cranky, old, conservative men (her father among them) who long for the "good ole'days". The country's problems (among them: live buried mines, religious extremism, the absence of basic social commodities - water / education - after several wars) serve as the antagonist as Noqreh's father carts her and her extended family across the Afghan dustbowl in search of her brother, The film moves slowly and deliberately, but I guarantee you'll be paid for your time investment with a once in a lifetime education about Afghanistan.
I hope you find a copy or a showing, and allocate the 2 hours to let it wash over you and take hold.
The Film's title is the title of an extraordinarily relevant poem, recited twice during the film.
Though a tough way to learn Farsi (it's subtitled - phew!) "At Five in the Afternoon" awakened me to the plight of the poor souls coping with the rubble and 19th century technology.
The film describes (teenaged) Noqreh's life as she attends school and struggles to discover her role in society now that "any" job is within her reach. She decides to become the country's President.
The zesalots may be gone ... but there's plenty of cranky, old, conservative men (her father among them) who long for the "good ole'days". The country's problems (among them: live buried mines, religious extremism, the absence of basic social commodities - water / education - after several wars) serve as the antagonist as Noqreh's father carts her and her extended family across the Afghan dustbowl in search of her brother, The film moves slowly and deliberately, but I guarantee you'll be paid for your time investment with a once in a lifetime education about Afghanistan.
I hope you find a copy or a showing, and allocate the 2 hours to let it wash over you and take hold.
Was not the sanction against Taliban led by the US to bring dawn into Afghanistan? Noqreh goes back and forth between her father, who believes neither education nor jobs are necessary for women, and the school, where teachers encourage female students to have any job, even the president.
Her family generously offers the place they live to the refugees coming back from Pakistan. Soon they have to go out from there, and without food, the dream of becoming the president fades out. Her white shoes become useless.
It seems the whole of the movie is a poem. That a high school girl dreams to become the president is a poem too. Maybe it is the best way to describe the world Noqreh lives in, which is at five in the afternoon, not in the morning.
How can the country, where just seeing the face of woman is sin, be open to the world? The country which was destroyed and lagged a long way behind the world by men, who are taught as superior creatures than women. Only the belief that God never dies supports them. Tough I have my belief as a Christian, I never want to shut myself away into the world of illusion.
Her family generously offers the place they live to the refugees coming back from Pakistan. Soon they have to go out from there, and without food, the dream of becoming the president fades out. Her white shoes become useless.
It seems the whole of the movie is a poem. That a high school girl dreams to become the president is a poem too. Maybe it is the best way to describe the world Noqreh lives in, which is at five in the afternoon, not in the morning.
How can the country, where just seeing the face of woman is sin, be open to the world? The country which was destroyed and lagged a long way behind the world by men, who are taught as superior creatures than women. Only the belief that God never dies supports them. Tough I have my belief as a Christian, I never want to shut myself away into the world of illusion.
I loved the characters of the movie - the people were really *there* you could see them. Even though I did not understand the language and the subtitles were in French (which, since I am not very proficient in French, I had trouble reading sufficiently fast), I did appreciate the emotions conveyed by the protagonists. This movie might be a bit slow for some people - however I found the timing just right. A minor gripe is the sound - the recording is not particularly good and a lot of scenes are completely silent, apart from the audible tape hiss. The result is a a minor loss in atmosphere (The crackling of the fire, the sputtering of the lamp, the shifting under the blanket, the shallow sleeping breath, all could have added a lot to the silent scenes, if they were added at the barely-audible level).
Apart from that, it is very good. Check it out.
Apart from that, it is very good. Check it out.
Did you know
- TriviaSamira Makhmalbaf had difficulty casting the lead role of Nogreh because many women refused to appear on camera without their burqa. Agheleh Rezaie was her second choice after the initial woman she cast dropped out after Makhmalbaf said she would have to show her face to the camera.
- ConnectionsFeatured in Joy of Madness (2003)
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- $515,144
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