The Pirates of Penzance

The Pirates of Penzance (1980 TV Movie) was directed by Wilford Leach and Joshua White.

Pirates with Kevin Kline as The Pirate King and Linda Ronstadt has to be great, right? Wrong.

This was a recording of a live performance in the Delacorte Theater in Central Park. Whoever filmed appears to have been an amateur--the definition and colors are terrible.

The stage is small and the mini-orchestra is smaller. The CD reminded me of a high school production filmed by a proud parent. Sort of a historical record rather than an musical treat.

The movie has an excellent IMDb rating of 8.0. Apparently, people were willing to overlook the dismal production values. Kline and Ronstadt really are great. On that basis I rated it 7. If you're a real Gilbert & Sullivan fan, you'll probably want to see it. If G&S isn't your thing, pick a different operetta or a different production of this one.

I saw this production of "The Pirates of Penzance" in and around 1982 in San Francisco. The only member of the cast not accounted for was Kevin Kline, who I believe was off filming "Sofie's Choice" at the time. His role was assumed by James Belushi during Kline's absence, who did a superb job of portraying the Pirate King that year. I had a great time seeing this production, and seeing this preserved performance brings back warm and welcomed memories.

This version of Pirates is exceptionally well acted, but, as the foreword on the DVD states, the print is limited by the technology at the time. I've seen the DVD on both high-res (definition) and on regular NTSC monitors, and, believe it or not, it actually looks better on older TV's (for which the technology of the recording was made). The result being that on a high definition TV set the hot-spots and washed out colors look even more distorted than they actually are on the master. Even so, on a regular television the image quality bounces from good to not-so-good, depending on the camera being used. The center camera (number 2 camera?) wasn't properly white balanced, and the washed out brights show, giving a real unprofessional look to the TV production. In fact, during the performance, the operator tries to stop down the camera, but the only result is sloppy camera work, forever preserved on DVD. Whoever coordinated this thing clearly didn't do their homework.

The same goes for the audio. For some reason the high fidelity of today's top of the line audio systems, for all their bells and whistles to enhance music and general audio, just don't deliver a clear sound of the performance. For some strange reason (probably because contemporary audio components try to "create fidelity" in source material where there is none) the regular old TV speaker delivers a clearer sound. Note; it's not a higher quality sound, but sound where both lyrics and dialogue are easily understood. On a digital stereo or home theatre the cast sounds very muffled by all the tonal enhancements, making the songs sound unintelligible. If you must view it on your home theatre system, then do yourself a favor and grab a book of lyrics. Otherwise you'll be left high and dry when the songs roll around.

But, if you can get by all the video and audio shortcomings (a lot to ask for) you should have a good time watching one the most memorable productions of Gillbert and Sullivan's Light Opera (or operetta, whichever term you prefer). Linda Ronstadt as Mabel plays the innocent young waif, who falls for the young dashing Frederick, played by Rex Smith. The performances are perfectly melodramatic, with a couple of contemporary nuances to make them really stand out for modern audiences. Each set of characters delivers an excellent performance; the daughters, the police troop/pirate-band, and of course the leads.

There're two mis cued gags, but the fact that they weren't laughed at is more the fault of the audience than the actors: Ronstadt's vocal competition with the local birds, portrayed by a flautist, seemed to fly over the head of the audience. And Tony Azito (the Police Sargeant) failed to get a laugh on his "...most perplexing" line, again probably because the audience's mind was on something else, or they didn't understand the context of the reference.

As you may know this particular production was so popular that a film was made, using most of the original cast. That is save for Patricia Rutledge of "Keeping up Appearances" and "Hetty Wainthropp Investigates" fame, who was replaced by Angela Lansbury (God knows why... most likely because Lansbury was probably a name the American public could identify with, and hence haul in more movie goers for more box office dollars). The film, from what little I saw of it, did little to enhance or give credit to the stage performance. The stage production was popular for a reason. The film bombed for similar reasons.

Part of the reason for that is because plays, particularly ones like "The Pirates of Penzance," really need an audience that can appreciate good theatre. That, and the era of the musical was dead back in the 70's and 80's (one or two exceptions). "The Pirates of Penzance," and specifically this production, was a smash hit on the theatre circuit. It was a thing that really couldn't be reproduced in a cinematic venue.

Fortunately the good folks at Kutlur Video have put together what is probably the only surviving TV broadcast version of this light opera, onto VHS and DVD. If light opera isn't your thing, then you may want to scope out the "teen-sexploitation" comedy version, starring Kristy McNichol, entitled "The Pirate Movie." That version lacks both music and charm of, what was then, THE NUMBER ONE stage production to see. "The Pirate Movie" is okay, but is more or less an attempt to cash in on teenage dollars (and cheaply, I might add).

Unfortunately the DVD of this legendary production of "The Pirates of Pezance" is priced around thirty smackers. A bit pricey for a reprint of a twenty-year-old 3/4" broadcast master, but, if you're like me and saw the original 1980's production, the performances more than worth the money.

I have this version of the DVD, and in spite of the warnings of the'technology of the day', if enough finances and talent were thrown at restoration, it would make a fantastic experience. Others have stated the short comings. I am distracted by the poor video and audio quality.

I have just finished watching the movie version, with Angela Lansbury. Again, others have noted the short comings of the movie VS the Central Park production. I must say, though that Ms. Lansbury did a very decent job.

So, which one is better, in MHO? This version, by far. For one thing, which has not been mentioned, in the movie version many songs were shortened or eliminated all together. This stage version is COMPLETE! You get all the wonderful words and music created by G & S. The movie also seems a little 'over the top'. Now I realize that this play is meant to be hammed up, but the actors mugged it up a lot more, and there were disturbing sound effects inserted when all you really needed was the actor's expressions. So, bottom line, in spite of the poor production, i'll keep my Central Park production, and forget the movie version.

I like the bit about the model of the modern major general.

An orphan Fredric is hours away from being 21 years old. Soon his indentured to pirates (due to a misunderstanding) will end and he can then hunt the pirates down. In addition, Fredric has just discovered what young women look like and has fallen for Mabel Stanley, daughter of the Major general. All of this is about to change.

I have always enjoyed the variations of "The Pirates of Penzance." Among my favorites is this Broadway Theater Archive from 1980. It was recorded at the New York Shakespeare Festival (a live performance in NYC Central Park.) The cover of my copy of the DVD Release date : October 22, 2002, looks like the standard cover of the series. It is distributed by Kultur. Run time 2 hours and 2 minutes.

You need to know that this film has all the strengths and weaknesses of a stage production vs. The Movie. The sound sometimes comes and goes and you have to listen closely to understand much of the singing. It helps to know what you are watching in advance. On the positive side, I have always appreciated the minimal scenery of the stage and marvel at how so many can do so much with so little. This is an excellent film for those living in a culturally deprived area and to hold others until they can see the real thing again.

Just so you know this is not a movie. So many of the players push the envelope with their variation on the Gilbert & Sullivan theme and music. Speaking of music the stage surrounds the orchestra so you can watch them and occasionally the audience. Linda Ronstadt as Mabel has a surprisingly high voice at first and I assume is on purpose soon she settles down and you would think that the play was made just for her. Kevin Kline adds the over the top energy needed to keep this fast passed play going. When all is said and done you will be exhausted from listening and laughing.

Next you will want to track down "Pirates of Penzance" - Anthony Warlow, David Hobson, Australian Opera.