The Pirates of Penzance

I like the bit about the model of the modern major general.

This is the theater cast that prompted the movie, also starring Linda Ronstadt, Kevin Kline and Rex Smith. I always felt the movie was rather cheesy, even by '80s standards. Kline shines as the Pirate King. He mugs well with the audience, and has some wonderful business, often involving the pit orchestra. (The stage was built partly around the pit, which makes for some wonderful interaction.) Smith and Ronstadt both have pop/rock roots, and it shows. Smith at least has some theatrical bona fides, having debuted in "Grease." Still, musical theater is nothing if not camp, and Smith and Ronstadt are both sufficiently campy in this production. (I note, with some glee, that they had to key most of Ronstadt's arias a third or more.) We bought this version because it was the only one available (all the others had been "returned to vendor!") and were pleasantly surprised. I'd seen the movie and had to quell my gag reflex through most of it. This works much better as the theatrical version from whence it sprang 120 years ago. Still fresh; still funny. See it!

...is that I can't take a time machine back so that I can be there for this performance. The tape is technically sub-par, but it's not that bad. There's a bit of a machine hum for a few minutes and there's a little gargliness in part of the finale. But it's absolutely worth it. I'm a big fan of the film version, but it's like the difference between a blow-up doll and a live person. Patricia Routledge gives a great performance. And in the live show, you realize that Rex Smith has a HUGE voice. This performance is so lively, and the audience is having such a great time. I rented it and then promptly went to Amazon and bought it.

I have this version of the DVD, and in spite of the warnings of the'technology of the day', if enough finances and talent were thrown at restoration, it would make a fantastic experience. Others have stated the short comings. I am distracted by the poor video and audio quality.

I have just finished watching the movie version, with Angela Lansbury. Again, others have noted the short comings of the movie VS the Central Park production. I must say, though that Ms. Lansbury did a very decent job.

So, which one is better, in MHO? This version, by far. For one thing, which has not been mentioned, in the movie version many songs were shortened or eliminated all together. This stage version is COMPLETE! You get all the wonderful words and music created by G & S. The movie also seems a little 'over the top'. Now I realize that this play is meant to be hammed up, but the actors mugged it up a lot more, and there were disturbing sound effects inserted when all you really needed was the actor's expressions. So, bottom line, in spite of the poor production, i'll keep my Central Park production, and forget the movie version.

Let's straighten out a few points in previous comments first. This is the video of the original stage production, which started at the Delacourte (outdoor) theatre in New York's Central Park (it was free!) and then moved to Broadway (indoors) with a slightly different cast and then was made into a proper film - again with minor cast changes.

Patricia Routledge originated the role of Ruth but was replaced on Broadway by Estelle Parsons. In the film, the role of Ruth was taken by Angela Lansbury. This was the only principal role recast in any incarnation of the Park/Video, original Broadway, or film version. I don't know why Routledge and Parsons were replaced.

The smaller character of Samuel was also re-cast on Broadway (Stephen Hanan took over). Oddly, when the film was made, the original Broadway cast recorded in a New York studio singing the soundtrack, but finances prevented those playing the smaller roles from actually going to England to do the filming. English actors played Kate, Edith, Isabel and Samuel, lip synching to the original Broadway cast.

This 1980 video isn't quite as technically bad as some claim. The percussionist is practically a major character and a love duet between Frederic and Mabel turns into a trio with the conductor in the middle. But all in all it is certainly watchable. It is unfortunate that a jet passes over the park just when the singers launch into the a capella "Hail Poetry", but the sound is not all that bad. I had to jack up the volume on my home theatre a bit to compensate.

Having seen the original cast live on Broadway, I was happy to finally see Routledge in the role of Ruth. She does a bit of ad libbing here and there but is very good. PIRATES was her last New York musical after appearing in a string of flops including a disastrous 1976 musical called 1600 PENNSYLVANIA AVENUE where she played all the first ladies. After PIRATES she returned to England and...well, the rest is television history. The Samuel in this video is much more operatic than his Broadway replacement Hanan. The incredible George Rose is in top form here while the later film version is better for the other principals, who had three years to perfect their roles.

This video also gives us the complete Act One. The film version fades out before Ruth's final plea to Frederic. Other differences (vocally and visually) between the Park (this video) and Broadway/Film are minimal. If you are a G&S purist, this Wilford Leach version is not for you. But it has become the standard interpretation of PIRATES in stage productions everywhere.