King of the Corner

Peter Reigert has been a treasure to film buffs as far back as Animal House,Crossing Delaney and wonderful other character parts that have made his presence on screen feel like an old friend. Like many others, I had the privilege of seeing a preview of this movie followed by a short interview with the man himself. He minimized his involvement in the film, as being little more than someone who 'knew people in the industry, and 'they needed me to make a couple of phone calls'- But Reigert earned his presence in this film and was dead on as the man in the middle of a mid life crisis, walking through his life much like his dad. Self examination doesn't come easy for his character, but when it does, Reigert unleashes a poignant and emotional performance. Kudos to Eli Wallach. Listen carefully, there is dialogue here that sets this movie apart and gets all of us thinking.

I am a film student at Columbia College in Chicago, recently I had the chance to view a screening of King of the Corner. My God was it Hilarious and greatly acted. King of The Corner has to be the best movie I have seen in a long time. This is the type of movie the reeks true American Filmic Artform, and kicks the basic Hollywood nonsense right in the prunes.

It is the story of a middle aged Jewish man named Leo that is facing a mid life crisis in work, his marriage and his relationship with his father. In every circumstance, the result was a very smart, funny and intelligent climax. I don't want to talk too much about the story for fear of giving too much away and I am also not a great "critical writer" so I don't want to turn anybody off to the film. But I will say that the cast and the performances were unbelievable. Eric Bogosian plays a Rabbi in probably the funniest role i have ever seen him. Dominc "Uncle Junior" Chianese from the Sopranos is perfect in his role of a funereal director, Jake Hoffman is perfect as a weasely occupational subordinate, Rita Moreno and Beverly D'angelo are both perfect in smaller roles that fit in perfectly. But one of the best comedic performances I have seen in a long time, was Pete Riegart the director who was excellent in the title role.

I really cannot believe that he pulled it off as a writer/ actor/ director! But he did this with flying colors and I am pretty sure this film will be the first in a series of really good films with solidly built characters and plot. You will laugh and laugh hard.

I had the privilege of attending the screening for this small yet universally meaningful film.

I hope it gets as much distribution as possible, because the actors' remarkable performances bring life to "normal everyday" characters that really remind us of human qualities we can all relate to in our own way.

Humorous bits and pieces keep the film light and tasteful, making it an easily enjoyable hour and twenty minutes.

I recommend this to those looking for an entertaining, worthwhile film.

Keep an eye out especially for the character of Betsy--a notable performance.

Peter Riegert's film, King of the Corner, based on Gerald Shapiro's work, Bad Jews and Other Stories, offers a remarkable glimpse into one man's struggle to balance the demands of dealing with an aging parent, raising a teenager daughter, remaining faithful in his marriage, maintaining some sort of credibility at work, as well as coming to terms with his own past choices. I absolutely loved the way in which the central metaphors worked in the film--Frost's poem "The Road Not Taken," the image of the "bad Jew" dancing around the idol while Moses is receiving the stone tablets, and the story of Leo's father playing "King of the Corner" in the swimming pool. These sorts of symbolic connections give this movie a measure of humanity and much more depth than you would find in a typical Hollywood film.

Riegert's performance was wonderfully low key. Leo doesn't whine, he doesn't rant (except maybe in the scene with the focus group), and he doesn't degenerate into farce (except maybe in the scene when he confronts his lover's husband). For the most part, he remains sensitive and thoughtful as he tries to put his world back together. The highlight of Riegert's portrayal is the scene at his father's funeral. It was an emotionally charged scene, a scene that many actors would have been tempted to overdo, that was played perfectly by Riegert.

This is truly wonderful film. Eli Wallach, Rita Moreno, Beverly D'Angelo...everyone does a terrific job. If you want to see a warm, thoughtful film about real people trying to come to terms with real issues in a sometimes crazy world, then this is a film you shouldn't miss.

First-time feature director Peter Riegert gathered a great ensemble cast for this combination of two short stories from Gerald Shapiros's wonderful book "Bad Jews" (recently featured in NPR interviews) about a middle-aged salesman and his family coping with aging parents, rebellious teens and former high school crushes from years past. Some of the products Leo (Riegert) does focus groups for are outrageous (a voice changer for phones that makes you sound like Gregory Peck, an alarm that scares off burglars with a pre-recorded family quarrel). His protege, Ed (Dustin Hoffman's son, Jake, described in the original screenplay as "looks like a young Dustin Hoffman" - what were the chances?) starts pushing for Leo's job while Leo's dad (Eli Wallach) steals scenes as a querulous curmudgeonly senior. Eric Bogosian is a welcome addition as a free-lance rabbi who makes Leo confront his father's legacy (best clerical scene-stealer since Rowan Atkinson in Four Weddings and a Funeral), and Mamma Mia! Rita Moreno, Isabella Rossellini and Beverly D'Angelo competing as "mature" sex symbols of the year! At today's Mill Valley Film Fest screening Peter said he'll open in NY & LA at least (March 2005)and build from there. A charming low-budget labor of love that may have to earn a reputation by word of mouth (unless someone from Miramax is paying attention- are you there, Harv?)...