Set in a world with memory recording implants, Alan Hakman is a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in d... Read allSet in a world with memory recording implants, Alan Hakman is a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.Set in a world with memory recording implants, Alan Hakman is a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
- Awards
- 1 win & 4 nominations total
Tarek Bishara
- Hasan
- (as Thom Bishops)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The plot is timely and intriguing, providing lots of food for thought as to the perhaps not-too-far future prospects of technology and our own legacies.
I agree the relationship between Williams' character and his love interest was too sketchy. With a few extra minutes expanding on those two, the film might have been more fleshed out. Overall, I enjoyed the movie. It really gave us pause to reflect on the pros and cons of the "Zoe Implant" and "rememories." Appreciated the intense acting abilities of Williams and Caviezel; otherwise, the movie might have lagged even more.
I thought the angles of the camera shots were interesting.
I agree the relationship between Williams' character and his love interest was too sketchy. With a few extra minutes expanding on those two, the film might have been more fleshed out. Overall, I enjoyed the movie. It really gave us pause to reflect on the pros and cons of the "Zoe Implant" and "rememories." Appreciated the intense acting abilities of Williams and Caviezel; otherwise, the movie might have lagged even more.
I thought the angles of the camera shots were interesting.
I don't completely understand the negative reviews of this film because I thought films (except for documentaries) legitimately use the "willfull suspension of disbelief" to accomplish their goals of entertainment. Granted, not everything in this film makes perfect logical sense and could have been written just a little better (or maybe suffers the fate of all literature to film shortcomings) but I absorbed the film as a morality/ethics dilemma rather than a logical tale of facts and relationships. I do concede the ending left me a little wanting for resolution.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
It's the kind of film provoking many ethical questions about life, death, privacy and so on. Omar Naim's direction gives a glimpse into possible science discoveries and paths; its strong originality consists of showing how the state of civil rights could be threatened if these futuristic odyssey came true. The whole film is based on a steady premise, very solid performances and an impressive visual style, though special effects are not as special as one could think (given this title and this plot). Robin Williams is now accustomed to playing such frightening and alluring roles; after "Insomnia", "One hour photo" and this flick "Dead Poets Society" is now a far memory.
Well, I just saw The Final Cut over the weekend and I am finding myself very disappointed in the movie. From the previews I had imagined something a little different with a lot more action that what took place. There were certain scenes that I felt were good and like them, but all in all I would rather have waited to just rent the movie than to have gone to see it in the theaters. It was a pretty slow moving movie when I was expecting more suspense and action. Robin Williams did a great job in the part, just to clarify. Once again, it was just my view of the movie as a whole that I did not like. The overall plot was good and the storyline had a great theme but as I watched, I just became more and more disappointed. Then at the end, it just kind of ended. To me, I was left with the feeling that there should have been more than just a sudden ending like it had.
Set in a world with memory implants, Robin Williams plays a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
Did you know
- TriviaThe Zoe implant records all visual experiences in a person's life. In Greek, Zoe means "life".
- GoofsThe paper announcing Bannister's death states that he was 54 when he died. But, when Alan loads his implant for the first time, it states that there are 544,628 life hours to review. That number of hours would make him over 62 years of age.
- Soundtracks4 Seasons/Spring
(1725)
Written and Composed by Antonio Vivaldi (as Vivaldi)
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic)
Published by Extreme Music Library PLC
Courtesy of Extreme Production Music
- How long is The Final Cut?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Más allá de la muerte
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $551,281
- Opening weekend US & Canada
- $226,296
- Oct 17, 2004
- Gross worldwide
- $3,222,439
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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