A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.
- Awards
- 1 win & 1 nomination total
Yôji Tanaka
- Yûji Tôyama
- (as Yoji Tanaka)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
6.751.6K
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Featured reviews
Interesting but repetitive haunted house flick.
I saw the American remake before seeing "Ju On" and had mixed feelings about it. After seeing this original Japanese film, I can't really say that it is much better. Actually, I'd even say that the remake was more effective in terms of atmosphere. This original has the better story, and the audience isn't slapped in the face with a stupid "root" as they are in "The Grudge" (although, maybe that is fleshed out in the other "Ju On" movies, which I have not seen). The chronology play was interesting and fresh, but this is so important to the director, then there should have been more inclusion of time indicators. After awhile, the movie gets really boring--different people being haunted and attacked by the same ghosts in the same way, over and over again. I realize this is the point of the movie, but it doesn't make for a very entertaining time. My Rating: 6/10.
Disappointing
Before the film started, I read some quotes from famous American directors praising the Grudge and calling it one of the most frightening films of all time. I was a little nervous about seeing it, but excited that it had gotten such positive attention from filmmakers. That moment before the film started was much more frightening than anything in the actual film. To be generous, I have to say that some of the attempts to scare the audience are innovative. Sadly, nothing here is scary. I had a really hard time caring and was confused by the disjointed and tangential structure of the film. Sometimes the lack of logic in a horror film can work it's benefit. Not the case here. Seeing this film reminded me of why I hate formulaic slasher films. sure, there are some interesting things here, but nothing really gells. I love Asian horror films in general, but this seemed slight compared to the films of Miike, Nakata, K. Kurosawa and the Pang brothers which are getting easier to find in neighborhood video stores.
I thought it would be scarier..
I remember when the American version came out everyone was saying how trash it was and that the original was soo scary! They lied.
I found it an enjoyable enough film but the story is unnecessarily convoluted. I did kind of wish it was scarier though!
I found it an enjoyable enough film but the story is unnecessarily convoluted. I did kind of wish it was scarier though!
Very fine horror tale
It's hard for me to actually be frightened by movies. They have to be realistic in a way that I could believe it would happen to me, and this film "Ju-On: The Grudge" is one realistic movie. This is a haunted house tale with a twist, nothing like "The Changeling," "The Innocents," or films of that caliber, this movie is haunting on a higher level. Everyone who comes in contact with the house gets attacked by the blue ghost of a boy who's mother was murdered. The ghosts in this movie are very realistic and very scary. Definitely recommended.
Wasting No Time
I watched the American version of "The Grudge" with Sarah Michelle Gellar some years ago and liked it a lot. Today I got a chance to see the Japanese original. Even though I saw it second and it doesn't have the same production value as the American version, I still liked it.
"Ju-On" bucked the trend a bit that you see with just about every movie dealing with hauntings or poltergeists; they jumped to level ten with the ghosts. 99% of horror movies involving a specter start off very slowly like the ghost is working up the nerve to fully scare the victim. In "Ju-On," because there are multiple victims, the tortured soul wastes no time. You have to appreciate a ghost who wants to get things done promptly.
"Ju-On" bucked the trend a bit that you see with just about every movie dealing with hauntings or poltergeists; they jumped to level ten with the ghosts. 99% of horror movies involving a specter start off very slowly like the ghost is working up the nerve to fully scare the victim. In "Ju-On," because there are multiple victims, the tortured soul wastes no time. You have to appreciate a ghost who wants to get things done promptly.
Did you know
- TriviaThis film is actually the third installment of the Ju-on series, and the first to get a wide theatrical release. It was preceded by two low budget films from 2000 known as (Ju-on: The Curse (2000) and Ju-on: The Curse 2 (2000)), whose storylines are continued in this sequel.
- Goofs(at around 1h 18 mins) When Rika wakes up in bed to a room full of yowling black cats, several of the cats are obviously statues. Some of them are even clearly replicas of the same statue.
- Alternate versionsIn the Technical Specifications link for the film, there are two versions of this film listed, one with a runtime "1 hr 32 min (92 min)" and another clocking in at "1 hr 43 min (103 min) (original cut)".
- SoundtracksKagi ga akanai
Music by Hiroyuki Hamamoto
Lyrics by Kei Noguchi
Performed by Suitei Shôjo
Courtesy of Epic Records Japan
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $325,680
- Opening weekend US & Canada
- $25,446
- Jul 25, 2004
- Gross worldwide
- $3,661,430
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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