Dev

This Film was a real experience of what can go on inside the police force. Beautifully presented with Kareena Kapoors best acting so far made it a film to watch. The film which depicts the tortures of muslims and hindus in India was really heartfelt and the film has a message which films seldomly give.

The mistreating of hindus and especially muslims in the film really makes your eyes water. The films gives a message of justice (Insaaf) and how people should fight for their right and freedom till there last breath. Amitabh is as always a terrific performer. Not to mention the film does have some emotion and controversy between Kareena and Fardeen but we have all seen that before and it's nothing new. This is the One FILM THAT shouldn't be left out!

Well, there are a lot of movies that have been made about the Hindu-Muslim conflicts in India, and this is one of them. What is refreshing is the honesty some film-makers put into their stories - something John Matthan started with 'Sarfarosh'. 'Dev' is perhaps the most open about the issue.

The story is about an honest cop, Dev (sounds clichéd, but is actually much more than just that!), who just believes in doing his duty. Various factors hamper his 'mission' in life - factors which all of us can relate to, such as others' ambition, greed for power, skewed ideologies and plain sycophancy. I'm sure many have faced these at our places of work! It is this basic story, set into the current Hindu-Muslim situation in India - references to Gujarat are made, the police is hand-in-glove with politicians instigating violence etc etc. Various layers are added, in the form of personal loss to the good guy (and the bad guy!), misguided youth (a very well managed sub-plot, which is seamlessly integrated into the main story) and the inevitable romance (also well integrated into the story)!

The scripting is brilliant to say the least. With Dev (Bachchan) & Inder (Om Puri) on opposite sides of the fence on the issue of Muslims in India, their discussions are frank, open and thought provoking. (How well both of them acted is something I shall get into a little later!) This is an issue many of us would have debated with someone or the other at some point in time. All those arguments are brought out into the open - more frankly, candidly and clearly than ever before. All the exchanges are most thought provoking. Both sides feel fully justified in their stand on the issue, and for a long while, the viewer is left to choose the side he/she prefers. But then, Nihalani finally shows us where he stands, as the story unfolds further.

Nihalani really works his magic here. He goes back to his Tamas days, when Om Puri carried his mother on a push cart ('thela'). Here, he has Fardeen doing the same with Kareena, in an almost identical situation. He also re-visits the famous Banquo's ghost scene from Macbeth. Exceedingly well done!

Amitabh Bachchan stupefies me. He has totally re-invented himself as an actor. The angry young man is anything but that now! 'Young' went quite a few years ago (he's a grandfather now, for god's sake!), and the anger has given way to a smoldering frustration. He no longer raves and rants like he used to (it was the need of the hour when he did that). Here, he gives a truly natural performance - he comes across as just another guy, dwarfed by the system yet refusing to give in to it. He carries on from where he left off with 'Khakee'.

Om Puri is excellent as usual. It was 'paisa-wasool' all the way whenever Amitabh and Om Puri shared screen time together! Rati Agnihotri plays a small role, and fits the character well enough. Kareena is very attractive in a plain-jane look. Fardeen Khan seems to be in the industry only because of his lineage, and attractive looks. He is clearly mis-cast, as he seems to have been in every movie that I have seen him in so far. I wonder if there will be an Indian re-make of 'Mannequin' where he can play title role! And only the title role - the come-alive character would need expressions!

Kudos to Nihalani to bring out new and unknown faces - Kareena's friend is especially good. Unfortunately, I do not know the actress' name... Ehsaan Khan, though decent, resorted to over-acting in emotionally charged scene. I'm sure he can improve over time.

All in all, this is a very good movie and it is the script and the acting which really carry it through!

I generally don't watch movies these days, due to the age (68) and not very good health. But when on very rare occasions, I get a chance to watch a movie and to my luck, it turns out to be a master piece. In this process, first I watched Page 3 (by Madhur Bhandarkar), and then Satta (again by Bhandarkar) and after viewing these movies, I realised that I indeed was missing some thing in life. Last night (8 July), I happened to watch Dev (starring Amitabh Bachchan, Om Puri and Kareena Kapoor) and realised how great director Govind Nihalani was. After watching such great movies, one feels that there is no dearth of good talent in the country. Amitabh Bachchan and Om Puri are great assets to the film industry in India and their work needs no introduction or word of praise. Om Puri is such a versatile actor that to compare him with the acting skills of Amitabh would surely be doing injustice to both of them. After watching the movie, one feels ashamed to be living in India where religion always plays a dirty role. But India is not the only country to suffer from this malice. The late Amrish Puri (as Chief Minister of the state), exhibits his acting skills in great style, though his role is very small. Kareena Kapoor though still very young, plays the role of a matured person and quite admirably. I wish every one who has not watched this movie, to do so at the earliest.

I was completely taken aback by watching this movie. A film like this comes once in a blue moon. This film explores the convoluted politics and conflicts between Hindus and Muslims, who are like puppets being "handled" by the corrupt national government. For the first time, I am seeing a movie whose subtext doesn't label each character as good or bad. All shades of gray are present in almost every character and in each event. Most of each character's decisions are partially justified and partly immoral, yet they all increase tensions and further flare up the fighting. Misunderstandings pile up on one another and result in absolute chaos. With each subsequent effort comes near certainty of death and destruction and a hint of optimism as the characters struggle for justice. Amongst so much violence and anarchy, I found it very interesting that the fighting's strength lied not in the muscle. Rather, the true valiant heroes were the city's women who stood up for their rights. Govind Nilhani did an excellent job directing. All the artists performed extraordinarily. Pointless songs were not forced into the movie, and the few short ones that were there further enrichened the movie. The aftermath/"ending" in this film is very realistic. It is not clear or definite by any means, but it does not need to be. Amitabh, one of the best speakers ever, gives a beautiful monologue that displays the theme of the movie: It does not matter whether we win or lose. We must be true to ourselves and not give up our struggle for the pursuit of justice.

I have always enjoyed movies from this director. Thakshak was excellent as well. Dev is no different. Many intelligent, thought provoking conversations between Mr. Bacchhan and Mr. Puri (sadly, director felt that they needed alcohol to speak their minds). Both were excellent, by the way. Acting from the two vets was of highest standard. Kareena and Fardheen were okay in comparison. I did not feel that the story presented only one side of the story or that what it presented was "ardh satya"- Dev and Tej are narrators who present the two sides of the story.

A rare break from the overdose of formula movies from Bollywood.

8/10