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7.5/10
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The chronicle of Charles II's time on the throne, his ten-year exile from Oliver Cromwell's England, and his triumphant return.The chronicle of Charles II's time on the throne, his ten-year exile from Oliver Cromwell's England, and his triumphant return.The chronicle of Charles II's time on the throne, his ten-year exile from Oliver Cromwell's England, and his triumphant return.
- Nominated for 1 Primetime Emmy
- 4 wins & 10 nominations total
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Not too sure what the previous reviewer was watching.
Apart from the mildly irritating liberties the writer took with historical accuracy here and there, this is one of the best historical series I've seen for a long time and kept me intrigued for all four episodes. Perhaps the approach was too subtle for some, we had one or two small bits of gore, you could say just enough to convey the brutality of the era.
This however was more about the contradictory elements of Charles's character and how he chose to deal with the constant political threats he lived through which could have swallowed him up at any time. His compassion, tolerance,lust, his fine political judgement, his mixed feelings as he tried to stabilize his country, promote religious tolerance, resist parliament, balance the books and have a good time when he could. The principal players dance around him but do they control him or is he carefully playing them off? It is not about battles, blood or explosive action. It is nevertheless tense and dynamic as friendships, loyalties and political passions spark off each other.
And then, we have Rufus Sewell, seldom has more skilled and effective portrayal of an historical figure been offered. He burns, he frets, he soothes, he controls, he accedes. He acting of great loyalty against all pressures to some and abandonment of allies for political expediency with others, is performed with equally high credibility. He has more character in a few facial movements than many actors could deliver in a hundred lines. A complete and consummate character performance and assimilation of Charles II's persona. The other cast do not fail to provide full but studied portrayals to complete the drama.
The thoughtful mix of setting, inside and out and usual top quality costume etc do not let the production fall below the highest standards. Yet there is no over the top kitch clichéd stuff that many period dramas throw in.
Watch out for any award for Rufus Sewell.
A huge success.
Apart from the mildly irritating liberties the writer took with historical accuracy here and there, this is one of the best historical series I've seen for a long time and kept me intrigued for all four episodes. Perhaps the approach was too subtle for some, we had one or two small bits of gore, you could say just enough to convey the brutality of the era.
This however was more about the contradictory elements of Charles's character and how he chose to deal with the constant political threats he lived through which could have swallowed him up at any time. His compassion, tolerance,lust, his fine political judgement, his mixed feelings as he tried to stabilize his country, promote religious tolerance, resist parliament, balance the books and have a good time when he could. The principal players dance around him but do they control him or is he carefully playing them off? It is not about battles, blood or explosive action. It is nevertheless tense and dynamic as friendships, loyalties and political passions spark off each other.
And then, we have Rufus Sewell, seldom has more skilled and effective portrayal of an historical figure been offered. He burns, he frets, he soothes, he controls, he accedes. He acting of great loyalty against all pressures to some and abandonment of allies for political expediency with others, is performed with equally high credibility. He has more character in a few facial movements than many actors could deliver in a hundred lines. A complete and consummate character performance and assimilation of Charles II's persona. The other cast do not fail to provide full but studied portrayals to complete the drama.
The thoughtful mix of setting, inside and out and usual top quality costume etc do not let the production fall below the highest standards. Yet there is no over the top kitch clichéd stuff that many period dramas throw in.
Watch out for any award for Rufus Sewell.
A huge success.
Wow mark you could at least have come up with your own comment instead of ripping off comments from the newsnight discussion on the BBC web site. Did you watch it yourself or did you have someone do that for you as well? For myself I thought this was superb; well acted and scripted if a little prone to use audience capturing doses of sex (almost certainly included to justify it's Saturday night television slot rather than as any particular desire of the director).
The tracking shot at the end as they walk around the lake was especially well crafted and was for me the perfect way of ending the story as they chose to tell it.
The tracking shot at the end as they walk around the lake was especially well crafted and was for me the perfect way of ending the story as they chose to tell it.
First, those of you who watched this as a three-hour movie with 30 commercial breaks must have seen a royally butchered cut as the R2 DVD is four hour-long episodes.
Second, those who claim that the BBC are not as good as they used to be are, perhaps, not quite fair, but not totally wrong either. I imagine they are comparing Charles II to Elizabeth R; I, Claudius; or The Six Wives of Henry VIII, and yes, it's not as good as they were. But then, neither were the other series the BBC were making at that time.
But if such comparisons are not entirely fair, they are also inevitable. Elizabeth, Six Wives and Claudius were televised plays. They worked due to the interaction of great scripts and great acting. The costumes were icing on the cake; the direction and camera work were capable but never drew attention to themselves. These teleplays continued a dramatic tradition traceable back to Shakespeare. They were *plays*.
Charles II, on the other hand, as well as other historical dramas done by the BBC these days, has abandoned its dramatic lineage for cinematic aspirations, especially as technology becomes more affordable. I don't consider this a bad thing, though I do think it failed, just as many teleplays of the golden era failed in their attempts. There's nothing wrong with bringing direction, camerawork, production design, etc. to the fore. Unfortunately, the scripts suffer, at least in this case. The viewer is innundated with flashy techniques like handheld cameras which achieve nothing other than making the show look modern, or a seven-minute long single take near the end of the final episode which contained about three minutes of dialogue that actually advanced the plot or developed the character in meaningful ways.
Is it worth watching? Yes. But don't compare it the greatest costume dramas ever made. Take it for what is, and it's a fine drama.
Second, those who claim that the BBC are not as good as they used to be are, perhaps, not quite fair, but not totally wrong either. I imagine they are comparing Charles II to Elizabeth R; I, Claudius; or The Six Wives of Henry VIII, and yes, it's not as good as they were. But then, neither were the other series the BBC were making at that time.
But if such comparisons are not entirely fair, they are also inevitable. Elizabeth, Six Wives and Claudius were televised plays. They worked due to the interaction of great scripts and great acting. The costumes were icing on the cake; the direction and camera work were capable but never drew attention to themselves. These teleplays continued a dramatic tradition traceable back to Shakespeare. They were *plays*.
Charles II, on the other hand, as well as other historical dramas done by the BBC these days, has abandoned its dramatic lineage for cinematic aspirations, especially as technology becomes more affordable. I don't consider this a bad thing, though I do think it failed, just as many teleplays of the golden era failed in their attempts. There's nothing wrong with bringing direction, camerawork, production design, etc. to the fore. Unfortunately, the scripts suffer, at least in this case. The viewer is innundated with flashy techniques like handheld cameras which achieve nothing other than making the show look modern, or a seven-minute long single take near the end of the final episode which contained about three minutes of dialogue that actually advanced the plot or developed the character in meaningful ways.
Is it worth watching? Yes. But don't compare it the greatest costume dramas ever made. Take it for what is, and it's a fine drama.
It's a great movie, even for a person who's not much into the history. Makes one think about political and social processes that one witnesses today, and reasons behind global decisions that are often hidden.
Rufus Sewell is excellent as Charles, royal but still very human, which just makes you feel an affection for the person he portrays. Rupert Graves is extremely convincing as Buckingham. The movie has an excellent pace, a very appropriate one for a historical drama, and never boring, which is (honestly) a rare thing to find in the genre. Also, makes you want to dig into the history of the period, which I did.
Overall, very much worth seeing.
Rufus Sewell is excellent as Charles, royal but still very human, which just makes you feel an affection for the person he portrays. Rupert Graves is extremely convincing as Buckingham. The movie has an excellent pace, a very appropriate one for a historical drama, and never boring, which is (honestly) a rare thing to find in the genre. Also, makes you want to dig into the history of the period, which I did.
Overall, very much worth seeing.
5-628
You cannot help but be impressed by the production values of this potentially great BBC series. However, the scenes jump quickly, characters come and go quickly and overall the story is hard to follow unless you read up on the history of the reign of Charles II. Either the editing has been so severe that the continuity has been damaged or the producers have assumed that viewers are fully aware of the history. Either way, a narrative would have helped to fill in the considerable gaps.
That said, the sets are impressive and the acting is first-class. With better continuity, this could have been an impressive tele-movie. In the form that it was presented on TV, it just misses the mark unless you already know your history.
That said, the sets are impressive and the acting is first-class. With better continuity, this could have been an impressive tele-movie. In the form that it was presented on TV, it just misses the mark unless you already know your history.
Did you know
- TriviaShirley Henderson's elaborate hairstyle for Catherine's arrival initially took two hours to create.
- GoofsJust before the sequence concerning the smallpox epidemic, we get a brief look at The King's upper right arm and can clearly see a smallpox vaccination scar.
- Quotes
Nell Gwynn: [after being mistaken for Charles' Catholic mistress Louise de Kéroualle] Good people, you are mistaken; I am the Protestant whore.
- Alternate versionsThe version shown in UK was titled "Charles II: The Power & The Passion" and its original running time is 235 minutes. It was broadcast on TV by BBC in four parts, as it is also on the UK DVD distributed by BBC. The longer UK version has also been released in many European countries (Finland, Netherlands and more) and Australia. The version shown in USA on A&E was titled "The Last King" and has a running time on 188 minutes, cutting it down by almost 40 minutes. The DVD released by A&E in USA is the shorter version.
- ConnectionsReferenced in The Making of 'Charles II' (2003)
- How many seasons does The Last King have?Powered by Alexa
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