Shortbus

What everyone will hear about "Shortbus" is that the sex is real and explicit. Yes, this is all true. But so is the emotional journey the characters go through.

Far from being crude or offensive, Shortbus is fresh, insightful, celebratory -- and, most importantly, focused on the fully realized people, not just the bodies, who bare their flesh and feelings on screen. Like Michael Winterbottom, who made the explicit "9 Songs," writer/director John Cameron Mitchell says he wants to show true human sexuality as part of his story. Unlike "9 Songs," which seemed to focus on 1/8 of the full human experience of relationships (concerts and sex), Mitchell's "Shortbus" approaches 9/10 of the authentic experience of being human, being miserable, looking to come to joy, and exploring funny, sensual, and affectionate avenues to get there.

Is "Shortbus" provocative? Yes. Is it explicit? Yes! And these are good things in these politically authoritarian times.

Shortbus (2006) written/directed by John Cameron Mitchell (Hedwig and the Angry Inch) is truly not for the easily offended. It is the film like nothing I've seen before and I've seen many films. It should be named Real Sex and the City or Every Thing You Always Wanted to Know About Sex But Were Afraid to Ask had not the latter title been taken already by Woody Allen. Actually you don't have to ask anything - you will get more information and graphic answers that you ever would hope for. This is the film where the graphical sex scenes are in abundance, they are extremely explicit. John Cameron Mitchell means business, and he gets down to it. By his own words,

"In the old days, when you couldn't show sex on film, directors like Hitchcock had metaphors for sex (trains going into tunnels, etc). When you can show more realistic sex, the sex itself can be a metaphor for other parts of the character's lives. The way people express themselves sexually can tell you a lot about who they are. Some people ask me, "couldn't you have told the same story without the explicitness?" They don't ask whether I could've done Hedwig without the songs. Why not be allowed to use every paint in the paint box?" John Cameron Mitchell

But after the initial shock, you realize that there are ideas, feelings, the attempt to understand the important things - what do we want? What is sex for us? How to understand ourselves first of all, how to communicate your desires, how to fulfill them? Shortbus is totally honest; it does care about its characters, and tells their stories of struggling with all sorts of existential difficulties, sexual or not, without condescending, with the equal dozes of sweetness, wit, and understanding. The film was made by a talented filmmaker. The beginning scenes would certainly grab your attention while introducing a viewer to few New Yorkers whose lives will be intertwined later. The music score and the songs are nice and set a melancholic mood, they provide a welcomed rest for the passengers on the Shortbus. The cast that consists mainly of non-professional first time performers, did a convincing job. It is not porn, it is an independent dra-medy that uses sex scenes to answer many questions about life.

The DVD includes the documentary Gifted and Challenged: The Making of 'Shortbus'. I found the Making... quite interesting and a lot of fun.

Set in modern-day New York City, a heterogeneous group of straights, gays and transgenders find common ground at Shortbus, an underground salon where people are free to explore their most carnal sexual desires with random hookups and nightlong orgies – sometimes even finding bits of wisdom along the way.

The superb cast of characters of John Cameron Mitchell's "Shortbus" powerfully draws the viewer in to each of the characters' lives and problems. Sofia (Sook-Yin Lee), a sex therapist who's never had an orgasm, seeks out ways to overcome her "pre-orgasmic" dilemma, profoundly affecting her marriage. James (Paul Dawson), a former male escort battling depression, goes to ultimate extremes when he can't even seem to feel happiness with his loving and devoted partner of five years, Jamie (PJ DeBoy). Struggling artist Severin (Lindsay Beamish), who succumbed to work as a dominatrix, seeks to have a meaningful relationship with someone – anyone.

Yes, the on-screen sex is real. And there's lots of it. But rather than displaying sexually explicit scenes for the sake of cheap titillation, "Shortbus" is provocative with an actual purpose. We're not in Hollywood anymore.

While sex is a main focal point in the film, it is not the sole one. "Shortbus" deals with all manners of human relations. Not stressing one form over another, it shows how sex, friendship and love continually intermingle. Because one's comfort level with their sexuality mirrors how one relates in all other relationships, showing the raw and carnal aspect of each character so explicitly works beautifully to accurately convey their motivations and struggles.

In a touching conversation, an old man identifying himself as the former mayor of New York says to the young and naive Ceth (Jay Brannan), "People come to New York to get laid ... People also come to New York to be forgiven." The latter can also be said for those who elect to see this film. Whether dealing with sexual oppression, struggling with sexual desires deemed socially deviant, seeking redemption for having already been there and done that, or feeling generally unaccepted for being who you are, the redemption value in this film is tenderly perceptible. "Shortbus" lets us know that gay, straight, bi, transgender, whatever – we all just want to feel accepted.

This film is an unabashedly sexually charged and frank look at people, their relationships and how sex is intertwined into it.

The treatment is both naïve yet incredibly sophisticated—even while showing very intense sexual scenes, it doesn't sugarcoat or judge them, but merely explores them in a way that most American cinema is afraid to do.

It is as one of the actors says "Voyeurism is Participation" (or somewhat close to that). Simply by viewing it, we explore the actors interconnected relationships and hear the their stories in a way that makes us care about them and recognize their bruised humanity in ourselves, our friends and our neighbors (or at least as I have witnessed out my window) Somewhat close in spirit to "The Dreamers" but with a dash of neurotic comedy. Not so slapstick like "Another Gay Movie" but with the same laugh out loud, pee in your pants humor that had had the audience both fantasizing and roaring out in laughter at the same time.

First of all I am a "straight" man so I wont let this cloud my review of this film...

I found this movie hard to watch at times but the fact that this was toted as "real" sexuality peaked my interest in the first place. I thought I knew what I was getting myself into but even my own preconceptions were shot to hell by this.

If you have a problem with the interactions of 2 or more of the same sex partners then this is NOT the movie for you... But if you can keep an open mind then it may be something that may give you some insight into the homosexual culture.

Like most people I had seen sex in one form or another already on screen but that was something that was somewhat scripted... This movie was as real as you could get without seeing it live I guess would be its best compliment.... But its not all about just throwing people out there to have sex and film it.

There are deeper subjects that John Cameron Mitchell tackles, such as fears of not being loved as you once were by your partner, trying to achieve orgasm that a lot of women might have a problem and just finding true love....

As I said about the car wreck, even though the film made me incredibly uncomfortable I found myself trying to open my mind to other things so I kept looking back at the film, to see what the message thats trying to be portrayed to those with a closed mind...