Toolbox Murders

This remake was surprisingly enjoyable, despite the low IMDb rating, and perhaps Tobe Hooper's best work since The Texas Chainsaw Massacre. Mix some elements of Polanki's Apartment Trilogy with some from TCM, and throw in a few inventive, violent kills à la the original Toolbox Murders, and you have a rather enjoyable horror movie. Also adding to it is the good performance from up and coming horror starlet Angela Bettis. The killer was pretty cool too; I liked how giddy he was after sprinkling lye on some guy's face, held down by a vice, Casino style! I can only wish I enjoyed my work so. Of course, it's not a flawless movie. The plot maybe could have used a bit more work but if you just go with it, it's really a minor complaint. The DVD has two commentaries (one with Hooper!), deleted scenes (mostly more graphic shots of the kills), a short interview with Hooper, and some trailers, including the great one for High Tension! I'm glad I bought it, despite a hefty $20 tag.

Director Tobe Hooper once entered the horror-hall of fame at the top position back in 1974 with his undeniable masterpiece of imaginative terror, the Texas Chainsaw Massacre. Ever since that, his career only went downhill. In the nineties he simply…well…sucked with a repertoire of titles like The Mangler and Crocodile. The tide seems to be turning a bit now, as his version of the Toolbox Murders is surprisingly decent and well made. This is a remake of a vicious 70's slasher that is overall gory and disgusting (the original was even included in the `video nasties' – list of banned horror movies in the U.K) The plot and motivations of the murdering nut are slightly different in Hooper's version of the Toolbox Murders. The story is about a young couple that moves to Hollywood and homes in an old, spooky building. Inhabitants of this building – mainly wannabe actors and other scum – brutally die one by one…As the title implies, the butchering is achieved by hammers, drills, screwdrivers and a bunch of other tools. And I bet you can imagine how badly things can get messed up if you're using tools on people, no? Indeed, this films is rather gory and extremely violent with a few gruesome killing-highlights such as a (semi-)decapitation with a sawing machine! Angela Bettis, the girl who stole every horror fan's heart since `May', plays the screaming heroine who slowly gets to the bottom of the murder mystery. She receives good feedback from the beautiful Juliet Landau (Martin Landau's daughter) . The script and story-development isn't always logical and most of the interior shots are under-exposed. Also, the Toolbox Murders seems to give the impression we're guessing fro the identity of the killer initially…like a good old-fashioned ‘whodunit' slasher, but the mystery and detective aspects abruptly come to an end as the plot opens up a little more. Far from being an intelligent (or even clever) horror remake, Tobe Hooper's film is entertaining and perfectly suitable for an evening of scares and loud yells.

I like bad horror movies. But at the end of this film I was left with a "huh?" resounding in my brain. Just unanswered questions:

1.) The old guy, Charlie (?). How did he know about the killer? Why was he allowed to live?

2.) The killer- okay so he "clawed his way" out of his mother's body. Then what? He was in a fire? He drank Ponce de Leon's fountain of youth juice? Whats with the face and the homicidal tendencies?

3.) Why was Ned and Byron allowed to live so long?

4.) Did Saffron eventually die, nailed to the ceiling? Or was she finished off later on?

5.) If there was no apartment 4 on any floor, why did they make their attempts to "hide" that so obvious? Why not just make the former #5 apartments #4's?

6.) Why doesn't Angela Bettis eat?

I just wish we had more of an understanding of the killer, instead of some quickly thrown in nonsense about a "pagan" spell (and once again spreading the negative stereotype of the pentagram). And what did the symbols have to do with anything? It seemed that she was following a map, but it looked to me like she was just finding the symbols and looking at them.

This Hollywood Egyptian showing apparently was the US opening of this very scary and shock-filled treat, and a part of the theater's annual Sci-Fi and Horror festival. The audience was obviously enjoying Tobe Hooper's return to his roots with this superb version of the old cult gore flick from the late 70s of the same name. Tobe Hooper himself was present and gave some insight into the whole development and storyline of the film, and he got an outstanding reception. The first film to ever make me really jump was the original "Texas Chainsaw Massacre", and this one is only the second one to do it, and I've seen practically every horror film made in the years between. With that being said, I suggest that if you're ready for a scare, this will deliver. It has some of the good elements from other Hooper films that were good but missed the mark somehow, like The Funhouse. In fact, the killer in this flick seems to be part Leatherface and part Funhouse mutation, with a whole lot of new stuff too. Argento has an equal in Tobe Hopper with this American "giallo" film, Toolbox Murders.

Nell and Steven move into a run-down Hollywood apartment in the middle of being renovated. They soon realize that the landlord, maintenance man, and other tenants are a strange bunch. Nell finds herself delving into a mystery of the building when one of her neighbors goes missing. This is an excellent and unique slasher. Considering the last movie I saw by Hooper was about a CGI crocodile, I think it is fair to say he is back in the game. Unfortunately, there are plot holes galore that should have been worked out, the pacing is somewhat uneven, and the ending is a big let-down. But the murder scenes are nasty, the atmosphere is creepy, the set is awesome, and the jump scares are worthy. The "city of broken dreams" theme is effective even though most of the film takes place within the claustrophobia of the apartment building. The performance by Angela Bettis ("May") really anchors the movie. This lady brings a sense of dignity and classiness to the horror genre and I think she could become a real genre pioneer. All horror fans should check-out this movie.

My Rating: 7/10.