Americano

AMERICANO is the story of three Americans spending their last "free" days traveling in Europe. They only have a few more days before they return to the States to start their jobs, pay their debts, and enter the "real world". Reminiscent of THE MOTORCYCLE DIARIES and THE PUFFY CHAIR, AMERICANO is about discovering the individual. Chris (McKinley) has a good job lined up but is reticent about returning after meeting the enigmatic Riccardo and beautiful Adella. Ryan and Michelle inspect the depths of their relationship. With a beautiful score, the film puts us into the running of the bulls in Pamplona. Chris and Ryan and filled with excitement and anticipation; Chris is inspired by Hemingway, ready to jot this adventure down in his journal. Fate appears in the form of the disappearance of his backpack, and now his plans start to fall apart. Upon meeting the local Adella and being urged to live his life, not the on expected by him, by Riccardo, Chris begins not only a pursuit of Adella but of his own soul and character. Ryan and Michelle, as they begin to near their return to the real world, begin to question their own lives together and what is real vs. simple contentment. The music is extraordinary. While it is a little tough to believe these actors are post-college age, the acting is top-notch for an indie film. The romantic scenes between Chris and Adella are exquisite.

Kevin Noland makes a fine debut in both writing and directing this colorful, insightful, low-key exploration of the age old Apollonian Dionysian conflict. For a first film, despite some minor technical glitches (overexposed photography at key moments, a soundtrack that eats the dialogue before it is audible), Noland proves himself a keen observer of life, of philosophy, and of character studies. He is definitely an artist to watch.

Chris McKinley (Joshua Jackson in yet another fine performance) has just finished college and is ending his summer holiday in Spain with only three days before he returns to an important corporate position in the US. He is traveling with two friends, Ryan (Timm Sharp) and Michelle (Ruthanna Hopper) who are lovers, and they end their holiday in Pamplona, Spain just as the festival of the bulls is happening. Chris' backpack is stolen and with it his passport, credit cards, all semblances of civilization..., and he plunges out of despair into the wildness of the running of the bulls. He meets two important influences: American expatriate bar owner Riccardo who spouts forth 'live for the moment' concepts, and the beautiful and intoxicating Adela (Leonor Varela) who embodies all that is fascinating about the beauty of Spain. The four young people set out on a hike to fly fish, carouse, and live with nature, and this excursion into Spain's gorgeous countryside affects the foursome: Ryan and Michelle decide to part ways and Chris and Adela...well, the story has a fine ending! Noland respects the viewer and offers his tale of discovery with minimal dialogue, some terrific music, exciting footage of the running of the bulls and bullfights, and some hallucinogenic views of nature. Both Joshua Jackson and Leonor Varela light up the screen. Ruthanna Hopper (Dennis Hopper's daughter) not only acts well, she also has been part of this project since its inception, is one of the producers, and adds a credibility to the story. So despite the occasional technical flaws, this is a little film of joy, a celebration of discovery the important facts of living. Grady Harp

This is an awful failure of a film, one of the worst I have seen in a while. The acting is absolutely abysmal, the story-line a bore, the characters self-absorbed zeros I would never want to meet anywhere, not even at a garage sale. Don't waste your time or money. Let's face it: films about ugly, ego-maniacal young Americans in Pamplona are a wasted effort. The story, told eons ago, doesn't bear repeating. Hemingway did it already, and he did it in a masterful way that the script writer for this film can never hope to match. This film might have been passably interesting had the story been about a critical juncture, occurring somewhere other than a stereotypically red and white bedecked Pamplona, in which the protagonist has to face real dilemmas far more profound than the tawdry "finding one's self" bromide tendered here. A DVD worth labeling and tossing as GARBAGE.

This movie is about three friends, a couple and their writer friend Chris who travel around the world to find themselves and the truth. When they reach Spain their adventure heats up when they meet Adella. Adella and Chris are instantly attracted to each other, she decides to give him a taste of Spain.

From food, beautiful places, music (the soundtrack is absolutely amazing!), and even the famous San Fermin (Pamplona Bull Run). But my favorite scene must be the scene when Adella played by Leonor Varela seduces Chris played by Joshua Jackson. Such a beautiful scene and the song is super hot.

Writer/Director Kevin Noland's debut feature, Americano, starts out large and loud, with a birds-eye view of a Spanish crowd packed into a plaza like conquistadors on a gold-bound ship. It is the annual Pamplona running of the bulls festival, and the anticipation and jubilation rise on the air in a celebration of the very Spanish tradition that culminates in a series of duels between matadors and their bull partners. Americano is rife with metaphor, utilizing both Spanish festival traditions and the surrounding land and cityscapes to hammer home the theme of finding oneself at the crux of a life changing moment.

Joshua Jackson plays Chris, a twenty-something whose days at the festival are the last before returning to the States for a career in a possibly lucrative, but soul-deadening office. With his two friends Ryan (Timm Sharp) and Michelle (Ruthanna Hopper) in tow, the three are in high festival mood when Chris' backpack is stolen. Suddenly, the future looks even closer, and Chris begins having doubts about going back to the States. Here, I feel alive he writes in his journal, as he participates in the mad dash running of the bulls, escaping into the stadium where the bright sunshine overwhelms Chris in his ecstasy (no matter that the film was overexposed for that particular scene...the sentiment is there).

At a curious ex-pat bar owned and operated by an eccentric (Dennis Hopper) who shouts bizarre and cryptic sayings like "Be very wary of the con...the Ameri-con...Americano!", Chris meets the vivacious Adela (Leonor Varela), a beautiful actress who takes to his plight and invites them all to her villa, set in the wide sweeping vista of an Iberian paradise. Here Chris really takes to heart his impending future and begins to question what he wants out of life. His friends too, begin to see cracks in their own self-built wall of security, and suddenly their lives have become a bit more complicated.

If the plot sounds hazy and indistinct, that's because it is, but not to its detriment. While a bit more structure might be helpful to create a sense of the whole, Americano dwells not on the outward events, but on the inward spirit and thought of its characters. Using Hemmingway's The Sun Also Rises as Chris' guidebook and the film's thematic conceit, Kevin Noland displays no urgency in presenting his vision of the anxieties and enthusiasm of young adulthood, its trials, its secrets, and its ambivalence. We aren't given easy answers, but the questions posed are introspective, to be taken in softly and quietly, with a sincerity of expectation for seeking out what's right and real and true.

In the end, Americano is a finely tuned, though technically flawed in some respects, film with fine performances from Joshua Jackson and Dennis Hopper, though the revelation is Leonor Varela, who injects her character with a sense of the sublime, an earthy angel with a taste for the dangerous and exotic, but not without a sense of home. Timm Sharp supplies some good comedic moments, and though understated and slightly old for the part, Ruthanna Hopper shows she's a capable actress. Noland's direction is subtle. The film suffers from a few technical problems, including poor ADR sync and a few scenes where footage appears overexposed. However, these should not be cause to miss a wonderful debut from an ambitious and talented writer and director.