Stage Beauty

I had heard of the film through tadbloid and celebrity headlines of how Billy Crudup left his seven month pregnant girlfriend, Mary-Louise Parker, for Claire Danes. I wasn't interested in the film, but then my sister got the DVD for her birthday. I saw it for the first time over the week and I have been watching it over and over again. What a beautifully written story about acting, gender, theater, illusion, romance, and discovery of one's own identity. During the Restoration of England under the reign of King Charles II, women were finally given the freedom and right to perform on the stage whereas before the decree it was illegal and obscene for a woman to perform on stage.

Ned Kynaston (Billy Crudup) is the greatest actor and the most beautiful "woman" of the English stage. He played several women's part and his most famous is the role of Desdemona in William Shakespeare's Othello. He is studied, admired, loved, and envied by his dress keeper, Maria (Claire Danes). She watches from the wings and longs to act and she does so behind Kynaston's back and in low pubs before a royal official, the Duke of Buckingham (Ben Chaplin). Then the chain of events unfold as Maria is introduced to Charles II (Rupert Everett) and his mistress Nell Gwyn (Zoe Tapper) who then declares that women will be given the freedom to perform in theater.

As Maria's fame rises and women are playing more and more of the female roles, Ned Kynaston (the last of his kind of actors) is casted aside. As an actor and as man, Kynaston had learned to suppress all masculinity in order to gain the grace and beauty of a woman. He knows only how to portray women and he is lost in learning to play male roles. But then again Maria is unable to play the role of Desdemona as a real woman. Both Kynaston and Maria fall in love and into passion as they learn from each other their own sexual identities and to channel their femininity and masculinity.

I fell in love with the film's story and with the performances of Billy Crudup and Claire Danes. As Kynaston, Crudup reveals vulnerability and strength as a man who discovers himself as a man (and a very hot one at that) through the role and eyes of being a woman. As Maria, Danes is beautiful and real: those tears are real! She can cry on cue and with the heartbreak of a real woman in love and envious of the man she loves. Maria is a strong, forthcoming, and in way a modern actress ahead of her time. She is not an "Eve" from All About Eve, she is a Viola Delesop from Shakespeare In Love, but real. The love scene between Danes and Crudup is sexy, tender, and passionate showing that explicit sex and nudity is not always necessary. They look into each other's sides and truly learn from each other as man and woman.

This is a highly recommended film for those who love acting, period pieces, or just if you want to see a really good film, "Stage Beauty" is very much the film to watch.

This movie has the blessing of the flawless direction of Richard Eyre, who knows a lot about kings and queens. The screen play is adapted by the author of the play, Jeffrey Hatcher. Surprisingly, these two men have been able to create a film that is not only visually satisfying, but it also is an adult entertainment.

This movie gives us a glimpse of how theatre functioned in England up to the times of Charles II. The female roles of all plays were portrayed by male actors. The school of acting in that era was an artificial one where actors relied in gestures and affectations that would be laughable today in a serious drama, but that was the way it was the accepted Method then, nothing to do with Stanivslaski, or Strassberg.

The leading figure of that theatrical world was Ned Keynaston, who was the most famous Desdemona of his time. There must have been a lot of gay men that were attracted to that world, as was the case with Mr. Keynaston, who might have been bisexual, although that comes as a secondary subplot. This actor is greatly admired by all, including the dressing assistant, Maria. This girl loved to be in the theatre, but could not, because only men were allowed. So instead, she goes to a second rate company that puts on plays in a pub and emerges as Margaret Hughes, an actress in her own right who will challenge Keynaston's Desdemona and makes that role, her signature role as well.

Claire Danes, as Maria, or Margaret Hughes, has never been better! She shines as the girl whose ambition is to be on stage. She is wonderful in the part. Ned, played with gusto by Billy Crudup, shows an unexpected range, although he has done theatre extensively. Both of these actors takes us back to London and make us believe that what we are watching.

A glorious English cast behind the two American principals are gathered to play effortlessly the theatrical figures of the time, and also the King and his court. Ruper Everett, as King Charles II, is hilarious. The scene in which he plays in drag with his mistress, Nell Gwynn, is one of the best things of the movie. Also, Richard Griffith, as lecherous Sir Charles Sedley, gives a stellar performance. Ben Chaplin, as the Duke of Buckingham, reveals the ambiguity of the men that were attracted to those early thespians.

Thoroughly enjoyable because of Richard Eyre's direction and eye for detail.

Stage Beauty is another adaptation of a play. Yawn? Well don't, because it also happens to make a highly successful transition from stage to screen thanks to the genius that is director Richard Eyre.

It tells the tale of Ned (Billy Crudup), a young actor who specialises in portraying women on stage. In a world where only men are allowed to tread the boards, Ned's "Desdemona" (from Shakespeare's Othello) is the closest thing 17th century audiences get to femininity in theatre. However, a young upstart in the form of Maria (played by Clare Danes) wants to change all that. She has a passion for drama and unfortunately the bisexual Ned. With the help of King Charles II (Rupert Everett), she may just get her wish, changing theatre forever, and hopefully pick up Ned on the way.

When thinking of the themes of the film, many people dismiss it as a clone of Shakespeare in Love. This is unfair- the film is more thought provoking, substantial and better acted than the aforementioned Oscar snaffler. It explores themes of sexuality and gender with insight and intelligence as well as telling (and, in fact enthralling us with) a love story. As previously referred to, the acting is exceptional, especially the two leads (Danes and Crudup) who shine. The supporting cast is strong too, with Richard Griffiths as a heterosexual prequel to his role in Withnail and I, Tom Wilkinson brimming with quiet intensity as Betterton and Everett hamming it up wonderfully as the King.

Even if it does end on a slightly trite note (not to give too much away, but its' "birth of method acting" shtick irritates), Stage Beauty is a funny, heart-warming and occasionally quite cerebral meditation on love and art. What more could any theatre, or film lover for that matter, want? And don't say Shakespeare In Love!

Stage Beauty is an unbelievably ambitious production, and with so many provocative themes running simultaneously it's definitely not boring. What I liked the most was the way the sexual ambiguity was portrayed - most of those scenes had a playful touch, so as not to get drearily heavy-handed, but I also felt a lot of the veering between seriousness and comedy was awkward where it should have been smooth. Rupert Everett's droll turn as the King was perfect, and Claire Danes has never been more passionate and radiant. Billy Crudup's role was the most difficult, of course, and he handled it commendably. My favorite scene is the one where the two of them are in bed, and she's asking, "who are you now?" (the man or the woman, based on the position) - a brilliant scene which depicts the ridiculousness of gender-stereotyping with wit and charm to spare.

He is exquisite, Billy Crudup I mean, but not as a woman. Strangely enough he is more feminine as a man than he is as a woman. Look at him in "Almost Famous" perfect. Shaped like a flamenco dancer, rhythmic, sexual, casually overpowering. In "Jesus's Son" just by waking up at the beginning of the film, he, his character, gets you. Here he seems at odds with the feminine aspect of his character. His Desdemona is a performance. What perhaps I'm saying is that I admired the performance but I didn't feel it. I was aware of its quality but I couldn't taste it, as I have done with previous Billy Crudup creations. Another strange thing, Clare Danes. I think she's one of the most interesting actresses of her generation and here you enjoy her enormously when she's on but her character is now a blurry dot in my memory. What remains most vividly in my mind is Rupert Everett's sensational turn as King Charles. All said and done, try not to miss it.