Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

"One more time", I'm gonna try to spread my love for this movie.

This film is magical, the soundtrack is wonderful, you get the feeling you're lifted up in the air, it's like you're "aerodynamic".

The story might seem quite simple, basically it's a "digital love" story where the hero will have to be "harder, better, faster, stronger" in order to rescue the woman of her dream and her music band (the "Crescendolls") from an evil record producer.

The animation by Leiji Matsumoto is just so beautiful; for instance, the "nightvision" you get of the town on Earth (probably inspired by Tokyo) is breathtaking.

But, the real "superheroes" of this movie are the Daft Punk. These guys understood that a good music could lead to an "high life", they know how to move us, how to reveal "something about us". Let them take you on this space journey, whether it's on the "voyager" shuttle or not, you'll find it "veridis quo". It's a "short circuit" (only 68 min, the length of the "Discovery" album) but in the end, when you find "face to face" with yourself, you can only feel like you would want some more, like it could never have been "too long".

This is freakin' tremendous stuff. I love Daft Punk - and I loved their Discovery album. This is basically an animated manga film to the Discovery album - and if you think this sounds crazy - well it doesn't as everything makes sense! If you are a Daft Punk fan - then you probably saw the first three or four video clips for the singles on TV (One More Time, Aerodynamic, Digital Love and Harder Better Faster Stronger) - and it tells a short story of a rock and roll band from outer space get kidnapped by some evil looking guys and get taken to Earth. But all hope isn't lost - as a funky guy in a Gutair rocket ship attempts a rescue mission. There isn't any dialogue - it is all cartoon with a Daft Punk soundtrack! The story tends to fit the mood of the music (of course!) and this really does have an intriguing story of mystery and music. All of the characters and artwork is very stylish in a 1970's-1980's Japanese cartoon sort of way (reminds me of Voltron!). So if you are a Daft Punk fan, a anime / manga fan - or just a fan of things different or cool - then get a copy of this today!

Okay so its just an extended music video, but so what? If you were intrigued by the One More Time video, or even just liked the sound of that track, you'll get something from INTERSTELLA 5555. The retro-nostalgic 70's and 80's japanimation style perfectly fits Daft Punk's "old-school electronica" music. The story is dialogue free but tells a remarkably dense tale, characters are well-defined, and there is some great comedy (Daft Punk's cameo at the awards ceremony).... but at the end of the day, its all about the music baby - before, I only really knew Daft Punk from their 2 major singles, now I want to rush out and buy the album!

I am a big Daft Punk fan. Actually, a huge one. I play the Discovery album on a loop, all day, quite regularly. So when my friend first informed me about this movie, I was ecstatic. I immediately borrowed it, and the magic began.

It tells a fairly simple and predictable story. But when you watch it, you won't care. The music and art are expressive and captivating. They alone carry the film, as there is no dialog anywhere to be found. You will never miss the dialog, I can promise you. Instead, you will be dancing, then on the edge of your seat. You'll laugh, you may cry. But you will be left stunned.

A tip: watch the 'extras'. Many amusing scenes are merely random bystanders doing silly things.

Though on the surface, this is nothing but a long music video, in truth, it is an epic musical journey.

In its way a remarkable film, and a genuine one-off, which deserves to be better known amongst animation lovers. Co-director Leiji Matsumoto, who during his long career in anime has been associated in one capacity or another with such cheesy epics as Space Battleship Yamato, the Harlock Saga, Star Blazers & etc, worked with Daft Punk (a French two-man band specialising in electronic rock) on this unique feature. Deliberately recreating the extreme glam stylisation of the 1970's/early 80's Japanese animation style, albeit done with more fluidity and detail which modern day budgets and software allow, Matsumoto has married image and sound to hypnotic effect in a movie which in effect is both unique and unforgettable. A "digital love story" of a kidnapped technoband - who incidentally travel together in a Scooby-Do like 'Mystery Machine' as events unfold - and an evil music impresario (echoes of the obscure Toomorrow here (1970) - anyone seen that?). Despite some snipes at pop exploitation, there are no great depths here story-wise, although there are dark elements, such as the painful burial of a deceased major character. But the characterisation is not important, as it was not what the creators were after, leaving the graphic designs and timings to unfold. What makes the film so great is the peculiar manga-music hybrid that results, as the stylised visual design and editing rhythms join with a contemporary soundtrack (the entire film is wordless outside of lyrics)in a way which is both culturally nostalgic as well as being strikingly modern in effect. The plastic surface which results entirely transcends the original pulp manga inspiration. In short it's a film which sounds naff but, somehow, works. As an achievement the result is miles ahead of the director's previous, briskly produced juvenelia and ought to be required viewing.