IMDb RATING
7.9/10
4K
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The story of the punk rock band The Ramones.The story of the punk rock band The Ramones.The story of the punk rock band The Ramones.
- Awards
- 2 nominations total
Dee Dee Ramone
- Self - Dee Dee Ramone
- (as Douglas Colvin)
Joey Ramone
- Self - Joey Ramone
- (as Jeff Hyman)
The Stooges
- Themselves
- (archive footage)
Ramones
- Themselves
- (archive footage)
- (as The Ramones)
7.93.9K
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Featured reviews
10m0ntse
Excellent
what a laugh I had watching this film ! It's ridiculous that a band like The Ramones haven't got a proper DVD with their videos etc etc . . . and the documentary even though hasn't got any video as such has great interviews with Dee Dee (Uber Cool he is and funny as . . .) Johnny ( never though he was such an idiot), Joey ( a darling that never said anything bad about anyone), Marky and the rest of the musicians...and Areturo Vega the designer of their logo and official Ramones website and merchandising.
The early footage from the CBGB (1970 ish) it's incredibly funny and endearing along with arguments on stage that will make you laugh till you die, they were really excellent.
I am just a fan of this band and I will always have them close to my heart for their music, their attitude, their sense of humour and above all they cheer me up when I am down and this film just made me feel even closer to them.
The early footage from the CBGB (1970 ish) it's incredibly funny and endearing along with arguments on stage that will make you laugh till you die, they were really excellent.
I am just a fan of this band and I will always have them close to my heart for their music, their attitude, their sense of humour and above all they cheer me up when I am down and this film just made me feel even closer to them.
At the least, for Ramones fans, it's more informative and entertaining than 'We're Outta Here!'
There are two groups of people that will go see this film, and I can recommend the film to both groups on different reasons, though one group will more than likely out-weight the other. For the punk-rock or hard rock fan, The Ramones mean a lot even before walking into the theater. In their arena they have, at last perhaps, elevated to the level of The Beatles for their style of music- they gave hope and aspirations for millions of kids all across the world who felt down in the dumps in their life, or maybe just wanted to learn how to play rock and roll without having to flip through a Led Zeppelin notebook. And unlike England's punk scene (and other facets of the NY punk scene of the 70's), as the film shows, they never restricted themselves to writing songs about politics and hardcore societal issues (though they did sometimes). A lot of their best songs were love songs (some of them ironic "I don't wanna walk around with you", some kinda sweet "I wanna be your boyfriend"), and wrote enough pop tunes for three bands. They were real, they were raw, and for the fan of the Ramones who may know a lot about them or may be more or less just a casual observer with one or two CD's, the revelations and tales about Joey, Johnny, Dee-Dee, Tommy, Marky, CJ, etc., it's life. Often very funny, as well as sad, weird, shocking, and enlightening in a way. Certainly as much of an enthralling document of rock and roll as well as the psychology.
Then for the other audience, the ones who know of the Ramones strictly from their songs being played on car commercials or in the ballpark ("Blitzkrieg Bop" and "I wanna Be Sedated" have become hits like those The Beatles and The Stones had for their time). For the non-fans, the kind that just 'walk in' from off the streets of Manhattan or LA or wherever you see it (if you're seeing it in it's theatrical run) and just want to see a compelling and involving documentary, the film still delivers the goods. The filmmakers Jim Fields and Michael Gramaglia assemble their interview footage and concert footage in a fascinating, grunge style, with the digital look corresponding with the subject matter as being about the "under-ground" of the times. The music selections, much like clips of speeches in a political documentary, inform the fan or non-fan on what they were like musically, and feature some of their finest live and non-live tracks ("Judy is a Punk", "Teenage Lobotomy", "Loudmouth", "Mama's Boy", "California Sun"). Now, if you go into the theater and you already don't like the Ramones, it's hard to tell if you'll be turned on to them after two hours in the dark. But one thing is for sure, is that End of the Century bravely captures a rock and roll story without pulling punches, and like The Filth and the Fury, it gets its sprawling story across in a limited time. (strong) A
Then for the other audience, the ones who know of the Ramones strictly from their songs being played on car commercials or in the ballpark ("Blitzkrieg Bop" and "I wanna Be Sedated" have become hits like those The Beatles and The Stones had for their time). For the non-fans, the kind that just 'walk in' from off the streets of Manhattan or LA or wherever you see it (if you're seeing it in it's theatrical run) and just want to see a compelling and involving documentary, the film still delivers the goods. The filmmakers Jim Fields and Michael Gramaglia assemble their interview footage and concert footage in a fascinating, grunge style, with the digital look corresponding with the subject matter as being about the "under-ground" of the times. The music selections, much like clips of speeches in a political documentary, inform the fan or non-fan on what they were like musically, and feature some of their finest live and non-live tracks ("Judy is a Punk", "Teenage Lobotomy", "Loudmouth", "Mama's Boy", "California Sun"). Now, if you go into the theater and you already don't like the Ramones, it's hard to tell if you'll be turned on to them after two hours in the dark. But one thing is for sure, is that End of the Century bravely captures a rock and roll story without pulling punches, and like The Filth and the Fury, it gets its sprawling story across in a limited time. (strong) A
Respectful Tribute
I've been a Ramones fan since the release of their first album. The first song I learned to play in 1978 when I joined my first decent punk band was "Now I Wanna Sniff Some Glue". But I've never been the kind of fan who felt the need to know a great deal more about the bands I loved. With most of the Ramones gone, and knowing that this documentary had been well received, I decided it was time to reacquaint myself with these old friends of my youth.
Obsessive troubled shy liberal giant Joey. Laid-back easy-going drug addict Dee Dee. Angry driven tough guy neocon Johnny. Alcoholic Marky. Intelligent and over-sensitive Tommy. The core members of the Ramones could not have been more different people. To create a sense of unity, they cultivated a trademark look and gave themselves the surname Ramone. Then, in 1975, they basically invented American punk and inspired a whole generation of DIY rock and rollers. For the next 20 years, this disparate group would behave more or less as if they really were a band of brothers.
All five of the core members, and even CJ and Ricky, speak very openly about the band and their frustrations with the U.S. music industry, and there is plenty of music, including some rare early live stuff, to keep the film rolling. In addition to what the Ramones say about themselves, the film offers a very strong vision of the personalities that drove the band. Johnny comes across as honest, incredibly forceful and domineering - and the sheer volume of words he presents could leave you with the impression that he dominates the film. He does not. Dee Dee, who did not even stay with the band through the 1990s, got equal time. And even Tommy, the often absent founding drummer and later producer, might have been given equal time. Joey - never a great talker - is so quiet off-stage that he will leave you wishing for more.
This retrospective documentary is not an expose, but rather a respectful tribute. Framed around the band's induction into the Rock and Roll Hall of Fame, the film spends a great deal of time discussing the band's failure (in their own eyes at least) to achieve commercial success in the U.S.A. As somebody who was involved in Punk Rock from its beginnings in the U.S., I found this surprising. After all, the Ramones had more commercial success than virtually any American punk band of their generation, and, long before they broke up, achieved the status of a legend. If anything, this more-or-less constant theme is the most monotonous aspect of the film.
The documentary is good and very much worth watching for Ramones fans. The directing, editing and cinematography are not particularly innovative, but they get the story across in a straight-forward way. The Ramones were never boring, but this documentary, at times, gets pretty close.
Highly recommended for Ramones fans. Others may wish to avoid.
Obsessive troubled shy liberal giant Joey. Laid-back easy-going drug addict Dee Dee. Angry driven tough guy neocon Johnny. Alcoholic Marky. Intelligent and over-sensitive Tommy. The core members of the Ramones could not have been more different people. To create a sense of unity, they cultivated a trademark look and gave themselves the surname Ramone. Then, in 1975, they basically invented American punk and inspired a whole generation of DIY rock and rollers. For the next 20 years, this disparate group would behave more or less as if they really were a band of brothers.
All five of the core members, and even CJ and Ricky, speak very openly about the band and their frustrations with the U.S. music industry, and there is plenty of music, including some rare early live stuff, to keep the film rolling. In addition to what the Ramones say about themselves, the film offers a very strong vision of the personalities that drove the band. Johnny comes across as honest, incredibly forceful and domineering - and the sheer volume of words he presents could leave you with the impression that he dominates the film. He does not. Dee Dee, who did not even stay with the band through the 1990s, got equal time. And even Tommy, the often absent founding drummer and later producer, might have been given equal time. Joey - never a great talker - is so quiet off-stage that he will leave you wishing for more.
This retrospective documentary is not an expose, but rather a respectful tribute. Framed around the band's induction into the Rock and Roll Hall of Fame, the film spends a great deal of time discussing the band's failure (in their own eyes at least) to achieve commercial success in the U.S.A. As somebody who was involved in Punk Rock from its beginnings in the U.S., I found this surprising. After all, the Ramones had more commercial success than virtually any American punk band of their generation, and, long before they broke up, achieved the status of a legend. If anything, this more-or-less constant theme is the most monotonous aspect of the film.
The documentary is good and very much worth watching for Ramones fans. The directing, editing and cinematography are not particularly innovative, but they get the story across in a straight-forward way. The Ramones were never boring, but this documentary, at times, gets pretty close.
Highly recommended for Ramones fans. Others may wish to avoid.
Liked it a lot
I'm a fan of the Ramones, but not an hard core 'owns every LP' fan. That said - I found this doc very informative. Some of the B&W footage from CBGBs is fascinating, and the interviews with the band members were great though often conflicting. The late Dee Dee in particular is highly entertaining. The print that I saw had a fair bit of white text over sections of live footage, but my guess is that this will be removed for the final print or (hopefully) DVD. Johnny comes across as one tough-minded SOB, but I get the impression that without him the band wouldn't have functioned at all.
Great rocumentary, lots of fun
"End of the Century" is a great rocumentary that's lots of fun to watch. Speaking of watches, I never looked at mine once during the entire 110 minute runtime. I regret now that I missed the Ramones on their many stops in L.A., I had always thought of them as cartoonish and eternal, some day I'd go and see them play (but they broke up before I had that chance). At least I can see them in this great rock documentary! This movie has it all, from footage in their early days to the very end, where the band is weary of the road and each other and just don't care anymore. It's fascinating to watch their story, how they start out as innovators, and end up as fossilized cartoon characters who always looked and dressed exactly the same as they did on their first album.
The Ramones' influence on rock 'n' roll and punk rock cannot be underestimated. A case could be made that Johnny Ramone is the most influential living guitar player (he is alive at the time I write this, though I know he has been battling cancer). The interviews with Johnny Ramone are great, I got the impression that the band would have fallen apart years before it did if he hadn't been in it to make it work. The movie also shows many insightful interviews with other band members and various managers and hangers-on. The impression I got was that The Ramones were a unplanned phenomenon that invented punk as we know it, even though they never achieved commercial success in the US (at least on the level they thought they deserved). This is one of the few documentaries that I've seen on the big screen that was big-screen worthy, especially the concert footage. A stunning movie about one of the greatest bands ever (think about that!).
The Ramones' influence on rock 'n' roll and punk rock cannot be underestimated. A case could be made that Johnny Ramone is the most influential living guitar player (he is alive at the time I write this, though I know he has been battling cancer). The interviews with Johnny Ramone are great, I got the impression that the band would have fallen apart years before it did if he hadn't been in it to make it work. The movie also shows many insightful interviews with other band members and various managers and hangers-on. The impression I got was that The Ramones were a unplanned phenomenon that invented punk as we know it, even though they never achieved commercial success in the US (at least on the level they thought they deserved). This is one of the few documentaries that I've seen on the big screen that was big-screen worthy, especially the concert footage. A stunning movie about one of the greatest bands ever (think about that!).
Did you know
- Quotes
Danny Fields: [regarding Joey] And all of a sudden, girls were paying attention to him. Girls who weren't on medication.
- ConnectionsFeatures Punking Out (1978)
- SoundtracksBlitzkrieg Bop
Written by Dee Dee Ramone (as Douglas Colvin) and Tommy Ramone (as Thomas Erdelyi); also credited Joey Ramone (as Jeffrey Hyman) and Johnny Ramone (as John Cummings),
Performed by Ramones
Published by WB Music Corp. (ASCAP)
o/b/o/ Itself and Taco Tunes, Inc. (ASCAP)
Courtesy of Sire Records
By Arrangement with Warner Strategic Marketing
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Конец века
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $391,950
- Opening weekend US & Canada
- $18,422
- Aug 22, 2004
- Gross worldwide
- $391,950
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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