Nightwaves

As the first review said, a total waste of time. Why would anyone make this film, terrible acting and a totally ridiculous plot.

In Boston, Shelby Naylor (Sherilyn Fenn) is a rising writer at her magazine. Her husband likes to spend his spare time listening to the police scanner. Business partner Tom Williams is their friend. The couple gets into a car accident. Her husband is killed and she has extensive physical therapy. Someone breaks into her home. The cop suggests listening to the police scanner which has a tendency of picking up other transmissions. She records the scanner like her husband used to do and may have recorded damning evidence in a murder.

The premise is sorta like Rear Window. Of course, this is nowhere near that classic. Why the cop would suggest eavesdropping on the police scanner is beyond me. It would be more tense if her activity is illegal and hidden. After all, she is listening in on private transmissions. It would heighten the danger and that's what these thrillers need. Every bit of danger needs to be elevated. She should be more disabled for more danger. The cinematography is strictly TV movie level. It's all very flat. Any hope of an intense thriller is drained away. There is no tension in this wannabe thriller.

This is basically a female version of "Rear Window". Sherilyn Fenn stars as Shelby, who loses her husband in a car accident. After his death, she copes by listening to a police scanner. She then overhears a couple arguing. Shelby thinks a innocent woman is dead and following her. Of course nobody believes her. "Nightwaves" is very heavy with clichés. Nothing original happens here. There's one scene where it's supposed to be raining outside and you don't see any rain at all, You hear sound effects. Sherilyn Fenn is okay in this, but she is above TV movie of the week material.

The box art is also very misleading. This is not a "Red Shoe Diaries"-type movie.

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This movie is just a "high-tech" version of Alfred Hitchcock's classic movie, Rear Window. But instead of a man seeing a murder being committed while looking through a telescope, Shelby Naylor (played by Sherilyn Fenn) while using her dead husband's radio scanner hears a husband and wife fighting with each other over a cell phone, and of course, shortly thereafter the woman is found dead. And like Jimmy Stewart in the classic film, Naylor's life is in danger after she reports what she hears to the police.

If this wasn't such a recycled plot, the movie might have been much better as Sherilyn Fenn is a talented actress. But I couldn't give this movie more than a 5 out ten stars for only being so-so. With such a basic plot you pretty much know what's going to happen, so it becomes how well the actors do their jobs along the way, which is nothing spectacular.

Like other comment said the basic idea is obviously taken form Rear Window.But thats where the similarities end.This movie has a much more complicated plot,where the original Hithcock movie didn't have any such ambitions.I think its a job well done,interesting to the end,having seen Rear Window doesn't help you realize what is going on in this movie. Sherilyn Fenn is a good actress with her own star appeal,it would be unfair to compare to arguably the greatest stars Hollywood has ever seen,who were in Rear Window,but Fenn holds her own and is always interesting.A movie deserving a much better rating than 4.9 that is now,i give it a 6.