S21: The Khmer Rouge Killing Machine
Original title: S21, la machine de mort khmère rouge
IMDb RATING
7.2/10
1.2K
YOUR RATING
A unique documentary on the notorious S-21 prison, today the Tuol Sleng Genocide Museum in Phnom Penh, Cambodia, with testimony by the only surviving prisoners and former Khmer Rouge guards.A unique documentary on the notorious S-21 prison, today the Tuol Sleng Genocide Museum in Phnom Penh, Cambodia, with testimony by the only surviving prisoners and former Khmer Rouge guards.A unique documentary on the notorious S-21 prison, today the Tuol Sleng Genocide Museum in Phnom Penh, Cambodia, with testimony by the only surviving prisoners and former Khmer Rouge guards.
- Awards
- 13 wins & 4 nominations total
Nhem En
- Self - Photographer
- (as Nhiem Ein)
- Director
- Writer
- All cast & crew
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I have read the other comments on here and think that many people missed the point. This documentary illustrated the banality of evil very powerfully; it did not preach or try to shove the makers' opinion down the viewers' throat, like SO many other so-called documentaries do. This is not one of those "documentaries" which show edited footage and historical footage as a mere backdrop to put forth someone's opinion. That's what made it so powerful, to see the people who committed this incomprehensible evil and those that suffered it asking their own questions, trying to make sense of it all, trying to justify it, analyzing their roles in real time as the cameras roll. It was very evident that this was the first time many of them had questioned themselves on what they had done. The repetitive re-enactment and explanation of the guard's day to day activities were horrific in their normality. Even after all these years, after all that's happened, these men had no qualms about showing the world their routines, making it obvious that they don't equate their actions directly to the effects it had on their fellow country men and women. One has to remember that the guards were brain washed and indoctrinated by the communists at a very young age. This can be directly equated with what's happening in the world today with militant Islam. They're creating their own amoral killers and fanatics by indoctrinating and brain washing children. If nothing else, this documentary shows how once indoctrinated at a young age with fanatical ideology, all that remains for the rest of that persons life is an empty shell incapable of comprehending basic humanity.
For me, there are other films that deal with the full atrocities of the Khmer Rouge I would have watched one of them. Instead I wished to view the first hand accounts of guards and survivors, and this is what the film gave me.
It doesn't make this a good or bad film on this basis alone, I'm simply explaining on the criteria which I'm judging it.
Bringing together 2 of the 3 surviving prisoners, a few guards, and a doctor from the death factory of S21 to show one of several face to face encounters they have shared, we get the chance to have a front row seat to what they experienced. There were several mentions of these gatherings, plural, that it is clear this is not something the filmmaker took upon himself for the sake of the audience.
We hear of the punishments, the torture, and most upsetting to me the fact the they were coerced and beaten, sometimes treated medically so they would survive the torture until they would give a confession. Yet all admit the confessions were for the simple reason the prisoners were executed. This sent shivers down my spine.
The beginning scene to me was like a scene in a modern motion picture: it frames how we will view the rest of the footage. It succeeded very well on this extent.
I marked this film slightly lower than perfect for two reasons. The first is that there was no outside footage, except for a Kampuchea Loyalty song. Since this was the only outside influence I recall, it threw me out of the context when it played. Second a few scenes would have been handled better in a longer, slightly shorter single scene. The two separate daytime examples one guard gave of his behavior to called prisoners would have really benefited from this treatment. It also would have allowed the single nighttime example this guard gave of his treatments to these walking-dead men and women an added punch.
Overall, still an excellent film, as was Shoah which took the same technique. Don't expect a primer on the Khmer Roige, there are plenty of good ones around.
It doesn't make this a good or bad film on this basis alone, I'm simply explaining on the criteria which I'm judging it.
Bringing together 2 of the 3 surviving prisoners, a few guards, and a doctor from the death factory of S21 to show one of several face to face encounters they have shared, we get the chance to have a front row seat to what they experienced. There were several mentions of these gatherings, plural, that it is clear this is not something the filmmaker took upon himself for the sake of the audience.
We hear of the punishments, the torture, and most upsetting to me the fact the they were coerced and beaten, sometimes treated medically so they would survive the torture until they would give a confession. Yet all admit the confessions were for the simple reason the prisoners were executed. This sent shivers down my spine.
The beginning scene to me was like a scene in a modern motion picture: it frames how we will view the rest of the footage. It succeeded very well on this extent.
I marked this film slightly lower than perfect for two reasons. The first is that there was no outside footage, except for a Kampuchea Loyalty song. Since this was the only outside influence I recall, it threw me out of the context when it played. Second a few scenes would have been handled better in a longer, slightly shorter single scene. The two separate daytime examples one guard gave of his behavior to called prisoners would have really benefited from this treatment. It also would have allowed the single nighttime example this guard gave of his treatments to these walking-dead men and women an added punch.
Overall, still an excellent film, as was Shoah which took the same technique. Don't expect a primer on the Khmer Roige, there are plenty of good ones around.
The Khmer Roug massacres were vicious, to say the least. This documentary informs the audience of this and impresses upon them the torture that only few survived. Without having any knowledge of the history that led up to these events, I left the theater in the same state. I understood that a massacre had occurred, but the extent was not identified in any terms more than abstract death. The narration was slow and rather boring. I practically fell asleep three times during the showing because of the lack of information presented to me and the mediocre filming.
The film also lacked integration of background information regarding the history of the country and expected the viewer to have that knowledge before entering the theater. It was a compilation of two sides coming together to share their stories of pain. Truly, it was a horrible incident, but the continuing narration by the soldiers through every move they made when picking up and delivering a prisoner was rather unnecessary and added about twenty minutes of film that was not needed.
The two hours and eight dollars I spent on this film would have been better spent on a pony ride. I recommend picking up a book before going to this movie, that is if you choose to do so. Beware that going in without being informed about the Khmer Roug massacre will result in you leaving with the same amount of knowledge with the addition of numerous tragic stories to amplify your interest, but it delivers nothing of substance.
The film also lacked integration of background information regarding the history of the country and expected the viewer to have that knowledge before entering the theater. It was a compilation of two sides coming together to share their stories of pain. Truly, it was a horrible incident, but the continuing narration by the soldiers through every move they made when picking up and delivering a prisoner was rather unnecessary and added about twenty minutes of film that was not needed.
The two hours and eight dollars I spent on this film would have been better spent on a pony ride. I recommend picking up a book before going to this movie, that is if you choose to do so. Beware that going in without being informed about the Khmer Roug massacre will result in you leaving with the same amount of knowledge with the addition of numerous tragic stories to amplify your interest, but it delivers nothing of substance.
I got to see this film at a special screening at the Alliance France in Manila, the French embassy's cultural center. Many of the small audience in the screening room (the copy screened was a DVD) did not bother to finish the film.
For myself, I found the film a flawed but powerful experience. One major flaw is, as other reviewers have pointed out, its cold opening. In other words, it assumes you already know what S-21 is and what the Khmer Rouge are. Without this valuable background information, which the documentary does not provide, the viewers may be lost at first.
It is also kind of dry, since the movie takes place only within the walls of S-21, involving only the few survivors of the prison and some of their former jailers. Essentially they spent the entire film talking. There is no attempt on the part of the director to make it more cinematic.
However, the patient viewer will soon find him or herself immersed in the horrors of the Khmer Rouge as detail after detail of the atrocities committed in the prison emerge. The handful of survivors go through mementos of the prison, including logbooks detailing the tortures committed against inmates, along with some of those who worked in the prison, including a guard and a doctor. The question the survivors constantly ask their former jailers is: How? How could you do these things? And they have no answers.
The most chilling scenes in the film involve a former prison guard recreating in an empty cell the routine he took with the prisoners, bringing them food, water or a container to pee in, threatening them with a beating if they don't go to sleep or cry too loudly. Its throughly disturbing to see, even if there are no actual prisoners there.
S-21 is not for everybody. But if you're already familiar with the Khmer Roune and this part of Cambodian history, the documentary may be worth watching to deepen your understanding of this dark period of history.
For myself, I found the film a flawed but powerful experience. One major flaw is, as other reviewers have pointed out, its cold opening. In other words, it assumes you already know what S-21 is and what the Khmer Rouge are. Without this valuable background information, which the documentary does not provide, the viewers may be lost at first.
It is also kind of dry, since the movie takes place only within the walls of S-21, involving only the few survivors of the prison and some of their former jailers. Essentially they spent the entire film talking. There is no attempt on the part of the director to make it more cinematic.
However, the patient viewer will soon find him or herself immersed in the horrors of the Khmer Rouge as detail after detail of the atrocities committed in the prison emerge. The handful of survivors go through mementos of the prison, including logbooks detailing the tortures committed against inmates, along with some of those who worked in the prison, including a guard and a doctor. The question the survivors constantly ask their former jailers is: How? How could you do these things? And they have no answers.
The most chilling scenes in the film involve a former prison guard recreating in an empty cell the routine he took with the prisoners, bringing them food, water or a container to pee in, threatening them with a beating if they don't go to sleep or cry too loudly. Its throughly disturbing to see, even if there are no actual prisoners there.
S-21 is not for everybody. But if you're already familiar with the Khmer Roune and this part of Cambodian history, the documentary may be worth watching to deepen your understanding of this dark period of history.
I saw this documentary at the Toronto International Film Festival. The film offered powerful testimony from jailers that perpetrated torture and killings. As well, this film elicits the expected emotions from survivors. It was stunning to listen to members of the Khymer Rouge speak so candidly about their inhumanity and also portray themselves as victims that had been simultaneously coerced and indoctrinated into this movement. Very similar to ideas heard in Nazi Germany with the Holocaust and later at the Nuremberg trials. i.e. I was just following orders, I had no choice, or indoctrination similar to fascist propaganda. As powerful as this documentary was, I believe that the extensive testimonies that filled an entire film, limited the effectiveness of the genre. By filling the film with nothing but testimonies, the documentary became repetitive and detracted from the impact it could have had. Jailers acting out the daily routine of checking cells and the lengthy reading of forced admissions of guilt occasionally dulled the impact of other powerful testimony(Sometimes less is more). The director Rithy Panh searched for answers from the jailers, but the standard responses: "i was following orders" etc. would not suffice. He was looking for larger answers on the nature of humanity and what causes people to do such atrocities. The responses from the Khymer Rouge were unacceptable for Panh and he never got the answers that he seemed to need to start the healing process. I believe that more background into the history of Cambodia would have answered some of those questions. No one will ever adequately answer questions on the nature of humanity, but an investigation into the movement would have given many viewers insight into this horrific historical event. At the same time it would have made the testimony more powerful. The barrage of testimony almost made the atrocities seem common. The balancing of information and background with testimony, would have made this all the more powerful. Many people have a limited knowledge of events in Cambodia when compared to Nazi Germany or the Stalinist Purges and yet it is equally disturbing in both scope and sheer evil. I was hoping to be educated and informed whilst being numbed by the inhumanity. For the most part that did not happen. Nevertheless, the documentary is still well done. Much of the testimony is shocking, particularly the mass burials. A film that is well worth two hours of your life to watch, but not for the faint at heart.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- S21: The Khmer Rouge Death Machine
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $22,606
- Opening weekend US & Canada
- $7,302
- May 23, 2004
- Gross worldwide
- $23,550
- Runtime
- 1h 41m(101 min)
- Color
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