Separate Lies

Emily Watson and Tom Wilkinson together - what a treat! With Rupert Everett and Linda Bassett rounding off the supporting roles to the foursome of lies and intrigue. Yet at the heart of it all, each character maintains a streak of decency - moral conscience held up in spite of obvious contradictions. "Contradictions are the source of all movement and of all life." How true these words are. Watson's Anne Manning is at the core of this intrigue - she's the central conscience that the other three latched on. She is the decency undeterred.

The circumstances of lies are to each its own: one to defend one's professional name; one to hold back due to family/partner pressure; one simply don't want to face the consequence; one ironically can't believe the truth and lies to save friendship. These are all precarious situations. There lies the intrigue - fascinating to watch how each tackles truth and lies. Contradictions, indeed. In spite of the seeming dishonor, decency and heart remain strong.

The treatment of the subject involved and how each of the character behaves are masterfully delivered simple with clarity. It's not sensational or complex as another film "Where the Truth Lies" 2005. Credits due to Fellowes' writing and the nuanced performances of both Watson and Wilkinson. There is warmth somehow that comes through the seemingly boldface or frustratingly hidden lies. Beneath it all, human frailty not excluded, they meant well. And following along with the story, the turn of events provided satisfaction and smiles to how the two Manning's seem to have grown and matured in their relationship.

You might say there's no obvious action drama or thrilling scenes in "Separate Lies," yet the intrigue is there and it will hold your attention. The deserving production efforts include cinematography by Tony Pierce-Roberts (a veteran to the Merchant-Ivory films) and music by Stanislas Syrewicz, with mood and tone reminiscent of composer Zbignew Priesner (of filmmaker Krzysztof Kieslowski's Trois Couleurs, especially: Bleu 1993.) This is a British film you just might not want to miss.

Emily Watson (Anne, the wife): Breaking the Waves 1996 debut; Hilary and Jackie 1998; The Luzhin Defence 2000; Gosford Park 2001; Punch-Drunk Love, Red Dragon, Equilibrium in 2002.

Tom Wilkinson (James, the husband): The Full Monty 1997; The Governess, Rush Hour (as villain) in 1998; In the Bedroom 2001, Normal (HBO cable movie) 2003, Eternal Sunshine of the Spotless Mind 2004, recently as Father Moore in: The Exorcism of Emily Rose 2005 opposite Laura Linney.

Rupert Everett (Bill): He is simply delightful in "My Best Friend's Wedding" 1997 opposite Julia Roberts and marvelous in "An Ideal Husband" 1999 d: Oliver Parker, an Oscar Wilde play. Recently as Sherlock Holmes with Ian Hart as Dr. Watson, in PBS Mystery: Sherlock Holmes and the Case of the Silk Stockings 2004 TV.

Linda Bassett (Maggie): she was very effective as Ella Khan opposite Om Puri in "East is East" 1999.

Fellowes's directorial debut takes us into a tangle of complex adult relationships. His story unfolds after an accident takes place which is followed by a web of lies. Fellowes gets to the point right from the very beginning. The wonderful score and cinematography set the tone. Fellowes uses less close-ups as he stresses on the full body gesture of his actors. I also liked his attention to detail and the subtle nuances of his actors, notice his choice of location and props which are all a relevant part of the scenes. I must further add that the authentic locations are quite breathtaking.

He has wisely chosen gifted actors like Tom Wilkinson and Emily Watson to play the key roles. Wilkinson is at his best while the sublime Ms. Watson downplays her part with grace and complete ease. Hermione Norris has an effective presence. The always dependent Linda Bassett stands out. Rupert Everett looks a little awkward but is quite adequate.

At first glance, 'Separate Lies' may not appeal to all as it's quite easy to miss some of the important details and misinterpret the nuances of the actors. However, on second viewing, I was able to appreciate the film on a much deeper level. On an additional note, the director's commentary is a brilliant bonus. Fellowes provides some great insights into 'Separate Lies' and he has put a lot of efforts into its making.

I wish there were more films about middle aged people. The intellectual journey and the twists and turns of life's moral highway make interesting viewing. There seems to be a different standard of judgement on women who have extra marital affairs than on men. Amy Watson's hurtful and humiliating behaviour towards her husband seems to pass without comment. Reverse the roles and one could expect a torrent of condemnation towards the man. If she found her husband boring and judgmental she could could have told him so, left and waited for a no doubt large financial settlement upon divorce. The country and London scenes are wonderfully authentic and rich while the autumnal weather adds to the melancholy background superbly. The ending is perfect, so in tune with real adult life.

Another popular screening for a British picture at Coalville's Century Theatre. A well crafted, solid drama with an ever developing plot and ongoing 'twists in the tale'...as the lies piled up! A masterclass of acting by a flawless cast, well marshaled by first time director Julian Fellowes. Outstanding performance, as usual, by Tom Wilkinson but good turns by all concerned including supporting actors Linda Bassett and John Neville. Our audience was engrossed by this film, which includes a couple of shock incidents which really make you 'jump'. A good tight production at around only 80 minutes, probably produced on a very limited budget, but a success, which should see Fellowes directing again for the big screen. Some publicity for the film seemed to suggest it was set in the 50s (as per Nigel Balchin's novel)but obviously this is not the case. Recommended viewing.

The successful, honest and methodic lawyer James Manning (Tom Wilkinson) works in London and is living in the country with his beloved wife Anne (Emily Watson). Anne decides to have a party at their home, and the husband of their housemaid Maggie (Linda Bassett) is hit by a car at the same time nearby her house and Maggie witnesses that a Land Rover caused the accident. James associates the scratch on the car of his acquaintance Bill Bule (Rupert Everett) with the accident, and forces him to confess and promise to go to the police on the next morning. When he arrives home, Anne tells him that she was driving the car; further, Bill is her lover. James changes his opinion and decides to support the lie, while a persistent detective is investigating the case and the list of guests.

"Separate Lies" is not a bad movie, but the behaviors and the way of life of the characters are too British, at least follow the stereotype. It is almost unbelievable the way and fair-play that James Manning accepts his situation of cuckold, no matter how much he loved his wife. Further, he lies, what would be unacceptable for his ethical standards and rules of living. Anne Manning is a real bitch, betraying a man that loves her for a crook. I cannot see this story with Italian, Brazilian or any other Latin people. In the end, the truth, the betrayal, the corruption, the moral are blurred in a hypocrite dirty lie. My vote is six.

Title (Brazil): "Mentiras Sinceras" ("Sincere Lies")