A beautiful haemophage infected with a virus that gives her superhuman powers has to protect a boy in a futuristic world, who is thought to be carrying antigens that would destroy all hæmoph... Read allA beautiful haemophage infected with a virus that gives her superhuman powers has to protect a boy in a futuristic world, who is thought to be carrying antigens that would destroy all hæmophages.A beautiful haemophage infected with a virus that gives her superhuman powers has to protect a boy in a futuristic world, who is thought to be carrying antigens that would destroy all hæmophages.
- Awards
- 1 win & 2 nominations total
David E. Collier
- BF-1
- (as David Collier)
Ricardo Mamood-Vega
- Violet's Husband
- (as Ricardo Mamood)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Look, let's be serious. The movie is flashy and fantastic, buried in cgi and special effects, and the plot is rather obscure and strange. What makes the movie good is that it does go over the top. This movie dazzles.
If Mila catches your eye, this movie may be the finest piece that she did around this time. So beautiful.
If Mila catches your eye, this movie may be the finest piece that she did around this time. So beautiful.
It is a little difficult to imagine why this film was released in its current form. It has some potential, the action sequences look a little mundane as we have seen it all before but they are quick and effective. The story is quirky enough to be interesting and some of the backdrops look good.
The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.
It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.
The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.
It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.
Having watched the regular release version I was somewhat confused as to what was going on, though I was able to surmise the base elements of the plot, but when I saw the uncut version with the scenes left in, things made a lot more sense.
The plot seems a bit obscure at first; unless you're sharp, you're not going to be able to follow it. That is all I will say about that.
It's true the acting wasn't magnificent but I really don't know what everyone is complaining about. Plenty of action, yes, and Milla Jovovich looks great. I thought it was a pretty good watch myself, and I am in the minority there. I definitely don't think it's a waste of time, though it is a bit dark. It's now in my DVD collection, in fact.
Rent it, watch the uncut version. Though not my favourite movie of all time, I enjoyed it.
The plot seems a bit obscure at first; unless you're sharp, you're not going to be able to follow it. That is all I will say about that.
It's true the acting wasn't magnificent but I really don't know what everyone is complaining about. Plenty of action, yes, and Milla Jovovich looks great. I thought it was a pretty good watch myself, and I am in the minority there. I definitely don't think it's a waste of time, though it is a bit dark. It's now in my DVD collection, in fact.
Rent it, watch the uncut version. Though not my favourite movie of all time, I enjoyed it.
After having been given repeated warnings about how bad this film is, I went ahead and watched a borrowed copy. About thirty minutes into the film I had reached a decision: I was enjoying it. While certainly not Oscar-winning material, most people apparently were expecting some kind of cinematic masterpiece rather than what they got, an over-the-top comic book-like action set piece with a modicum of plot to tie together the action sequences.
The gunkata sequences, closer to Wimmer's original idea of the form, do not approach the stark and yet orgiastic death-art of Equilibrium, but they're fun all the same. The movie is full of neat, if improbable, gadgetry, from gravity manipulators to disposable paper cell phones. Nick Chinlund chews a satisfactory amount of scenery without stuffing himself down the viewer's throat. Milla Jovovich herself manages to use a two-dimensional role to display probably the most range I've ever seen her give outside of "The Messenger", and she was certainly much more attractive in this movie than in any of the others I've ever watched her in. All these things contribute to what amounted to a popcorn bowl of a film: not something you'd eat for every meal, but a nice snack for a change of pace when you don't want something too substantial.
The problem seems to be that most people can't just shut off their brains and enjoy a romp once in a while. Would this film ever seriously contend for Best Anything? No. But it certainly does not deserve the almost universal slagging it has gotten since its release. Ignore what you've heard, don't expect too much, and you might just find yourself being entertained for an hour and a half.
The gunkata sequences, closer to Wimmer's original idea of the form, do not approach the stark and yet orgiastic death-art of Equilibrium, but they're fun all the same. The movie is full of neat, if improbable, gadgetry, from gravity manipulators to disposable paper cell phones. Nick Chinlund chews a satisfactory amount of scenery without stuffing himself down the viewer's throat. Milla Jovovich herself manages to use a two-dimensional role to display probably the most range I've ever seen her give outside of "The Messenger", and she was certainly much more attractive in this movie than in any of the others I've ever watched her in. All these things contribute to what amounted to a popcorn bowl of a film: not something you'd eat for every meal, but a nice snack for a change of pace when you don't want something too substantial.
The problem seems to be that most people can't just shut off their brains and enjoy a romp once in a while. Would this film ever seriously contend for Best Anything? No. But it certainly does not deserve the almost universal slagging it has gotten since its release. Ignore what you've heard, don't expect too much, and you might just find yourself being entertained for an hour and a half.
In a future totalitarian society, there is a war between humans and the group of beings infected in a government experiment called "hemophages", with enhanced strength and abilities. When the warrior Ultraviolet (Milla Jovovich) is assigned to steal a secret weapon capable of destroying the "hemophages", she discloses that it is actually a boy called Six (Cameron Bright) that has been genetically modified. The maternal instinct of Ultraviolet arises and she fights against the tyrant Daxus (Nick Chinlund) and her mates leaded by Nerva (Sebastien Andrieu) trying to find an antidote and the cure of Six.
"Ultraviolet" is a deceptive movie for many reasons. The first one certainly is the awful screenplay, with a bad story, silly dialogs and no development of the characters. The excessive use of CGI gives the sensation that the viewer is watching a video game, alternating beautiful colorful sequences with very poor special effects, like for example, the motorcycle sequence, when Ultraviolet is chased. I like movies based on cartoons, but Ultraviolet was a great deception. My vote is five.
Title (Brazil): "Ultravioleta" ("Ultraviolet")
"Ultraviolet" is a deceptive movie for many reasons. The first one certainly is the awful screenplay, with a bad story, silly dialogs and no development of the characters. The excessive use of CGI gives the sensation that the viewer is watching a video game, alternating beautiful colorful sequences with very poor special effects, like for example, the motorcycle sequence, when Ultraviolet is chased. I like movies based on cartoons, but Ultraviolet was a great deception. My vote is five.
Title (Brazil): "Ultravioleta" ("Ultraviolet")
Did you know
- TriviaMilla Jovovich has disowned the film, as she was disappointed on how it was handled by Sony, when the studio executives forced Kurt Wimmer to remove over 30 minutes of footage from the original cut. Kurt Wimmer has also disowned the final cut of the film, for not representing his original vision.
- GoofsWhen Six is hanging over the well, he knocks off his left shoe to check the depth of the well. After he is rescued, he and Violet walk through a door and he has his left shoe on.
- Crazy creditsThe opening credits appear in a montage of "Ultraviolet" comic book covers.
The Screen Gems logo appears as a corner-box image on most of the covers, with each cover having a different style logo.
- Alternate versionsThere is an 'Unrated Extended Cut' available on DVD, this version runs to around 94 minutes and drastically improves the comprehensibility of the story. The major addition is of some voice-over exposition from Violet which mentions the affects of 'hemophagia' and more of her own personal story. There are also some alterations to combat scenes which were presumably edited for content.
- ConnectionsFeatured in UV Protection: The Making of 'Ultraviolet' (2006)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Ultravioleta
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $18,535,812
- Opening weekend US & Canada
- $9,064,880
- Mar 5, 2006
- Gross worldwide
- $31,070,211
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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