Hollywood Wives: The New Generation

It was The New York Times that termed Marlon Brando and Al Pacino the rescuers of bad films. Well, as with many things The Times had it dead wrong. The person who actually deserves that title is Robin Givens. And she abundantly proves that she merits it in "Jackie Collins's Hollywood Wives: The New Generation." The only other factor concerning "Generation" that makes it worthy is a generous display of female skin (Best example: During one scene where Robin's character, Kyndra, and Farrah Fawcett's character, Lissa, are getting "a midnight massage," we- -hurrah!--see more of the former's smokin' bod than the latter's). But, again, Robin is present and, again, she is just about the only worthwhile element of this stinker. Despite the thinnish characterizations, the mostly-amateurish dialogue, and the crawling pace, Robin's uptown charm, her svelte sexiness, and her keen intelligence shine through and, along with the considerable amount of exposed female bodies and a smattering of incisive dialogue, prevent "Generation" from achieving absolute badness. Really, the producers of "Generation" should have told her what Candace Bergen told the clutch of TV-newswomen guest-stars after they appeared on her "Murphy Brown" sitcom: "You saved our ass."

Lissa, Taylor and Kindra are married female celebrities who get together for lunch and talk about their lives. Each one has a daughter. Two of the three are having problems with their marriage because one spouse (or perhaps both) is unfaithful. Lissa's daughter wants to get married anyway. But she discovers she is attracted to her fiance's brother, so ... could she end up following the lead of the celebrities?

I know Farrah Fawcett is considered a good actress, but I don't think this is exactly her best work. Her performance seemed okay to me. I liked hearing her sing, but I don't know if it was her. Dorian Harewood gave a better performance, but he wasn't on screen much.

There is a kidnapping during the movie's second half, which makes it a little more exciting and changes the movie's tone. But mostly the idea seems to be to show as much skin as network TV will allow (though the 'NYPD Blue' level of nudity is not reached) and to curse as much as possible (again, 'NYPD' allows words we didn't hear). I was truly surprised when one character said 'Son of a ....' (What, did they finally reach their quota and they couldn't say any more bad words?) I couldn't believe what Half Pint from 'Little House on the Prairie' actually said. But then it wasn't explicit.

One good thing about this movie: at least some of the characters learn what is really important in life. That is something they were having trouble with at the beginning of the movie, when everyone seemed to be interested only in advancing their careers as much as possible, having all the finer things in life, getting pleasure from wherever regardless of who gets hurt.

Boy did this movie suck. And not in that bad movie/campy way that I thought it would. It took itself much too serious. And having Farrah Fawcett play a women who is the world's most successful actress/singer? The scene where she is recording a song is too funny. She's suppose to be this huge pop singer and the song was really lame, and obviously it was not her singing. And Fawcett, even though shot through tons of gauze, was certainly not looking her best, but everyone kept saying how she was soooo beautiful and talented and gorgeous. And her "acting" in this movie was atrocious. She has the same look for pensive, fearful, angry, happy and contemplative. It's like, "I'm so sad, look at my pretty, curly, blond hair.

And the rest of the cast is no better. Robin Givens is the self centered diva, but really has nothing to do except have lunch with the other characters, act like Samantha on Sex in the City, and realize at the end how much she really loves her daughter. Boring!

And Melissa Gilbert can't act either. She looks good but that's it. And her storyline was the only one that was somewhat interesting/funny. This movie might of been a little better if they got rid of the lame kidnapping storyline. I thought this movie would be about the lives of the famous and wealthy in Hollywood, but the last part of it looked like a cheesy Diagnosis Murder episode. And it's painful to watch Farrah try to act like she's upset.

I'm sure this remake was listed as a drama but I found myself laughing more then not. Farrah Fawcett looks like she has had her face lifted so many times she cant even smile anymore. I would rather sit through the first version 10 times then to have to watch this again (unless I need a good laugh)

I've always loved Farrah Fawcett, ever since I've seen "The Burning Bed", a couple of months ago I heard that she was going to do a movie for T.V., so I came on the internet and went here to IMDB, when the movie came on I thought it was not the best, but what commercial t.v. movie is?, the only thing I liked about it was Farrah Fawcett, she was really good in it, she looked different, but I still loved her in this movie, I gave it a 7 because I thought 8-10 was too much, if this was a motion picture it probably would be a 2 star movie, but anyway I liked it, I even taped the movie for myself.