A cerebral and existential story of Tamla, a kitten from the Planet of Cats, who sets out to solve the mystery of her birth.A cerebral and existential story of Tamla, a kitten from the Planet of Cats, who sets out to solve the mystery of her birth.A cerebral and existential story of Tamla, a kitten from the Planet of Cats, who sets out to solve the mystery of her birth.
- Awards
- 2 wins total
Featured reviews
Forget plot. Dispel any notions of linear progression. This is animation simply for the purpose of animation, and it sort of works. This does have a few problems however--I felt it was about ten minutes too long. And the shades of black and white do become a little tedious after awhile (though there is alleviation in the strategic use of colors throughout).
One of the attributes of the movie, the one that could either draw viewers in or send them running, is its tendency to drift in a kind of dream-logic (I feel that animation works well with that sort of surrealistic play) with no regard towards traditional structure. The character design is simple, yet oddly emotive, and the music is dreamy enough to get lost in.
This movie makes me wonder what the next step in these kinds of animation projects is going to be.
One of the attributes of the movie, the one that could either draw viewers in or send them running, is its tendency to drift in a kind of dream-logic (I feel that animation works well with that sort of surrealistic play) with no regard towards traditional structure. The character design is simple, yet oddly emotive, and the music is dreamy enough to get lost in.
This movie makes me wonder what the next step in these kinds of animation projects is going to be.
While cute and enjoyable, the movie is no walk in the park. The art is fabulous and the plot can be challenging at times. Like most existential movies it will take some time and further viewings to get the most out of it. But the pleasure is all ours as watching this is both moving and entertaining. The best parts are areas where the music melds perfectly with the visuals and the plot. Luckily this happens often. I respect this movie most of all because it isn't lazy. The artists and crew come up with original stuff but they don't hide behind endless wierdness and confusion. This is up there with 2001 in terms of nearly towing the line perfectly between chaos and good old fashioned wierdness. There is a good backbone here, not just a cloud of ideas.
I attended a screening of Tamala 2010 at the Egyptian Theatre in Hollywood. The directors, t.o.L. (trees of Life), and animator were present for discussion after the film. It was two years ago, so my memory might be shaky, but I can fill in some information about the production of the film.
t.o.L. is an enigmatic multi-media creative duo (a man and a woman). While they work with animation, illustration, and graphic design, their primary focus seems to be music, and they composed and performed all of the music for the film.
All of the animation was done by one (!) man. He labored for nearly four years animating Tamala 2010. From his comments, it sounds like the directors fed him information about story and scenes, bit by bit, which he would use to animate segments. He usually did not know what was coming next while animating a segment. After the initial character design and style was established, he was left with complete control over his work.
Responding to a question from an audience member, the directors admitted that the idea for "Minerva" was based on "Tristero" from Pynchon's novel "The Crying of Lot 49".
The directors also indicated that they are very interesting in marketing merchandise based on Tamala 2010.
While the film is visually and conceptually interesting, it is disjointed, lacking a smooth flow. This is probably a result of the "make it up as you go" approach to direction and animation. The film could have been more satisfying if it had been planned out more carefully from the beginning.
The music provides continuity and holds the film together, which leads me to believe that music is t.o.L.'s primary interest.
t.o.L. is an enigmatic multi-media creative duo (a man and a woman). While they work with animation, illustration, and graphic design, their primary focus seems to be music, and they composed and performed all of the music for the film.
All of the animation was done by one (!) man. He labored for nearly four years animating Tamala 2010. From his comments, it sounds like the directors fed him information about story and scenes, bit by bit, which he would use to animate segments. He usually did not know what was coming next while animating a segment. After the initial character design and style was established, he was left with complete control over his work.
Responding to a question from an audience member, the directors admitted that the idea for "Minerva" was based on "Tristero" from Pynchon's novel "The Crying of Lot 49".
The directors also indicated that they are very interesting in marketing merchandise based on Tamala 2010.
While the film is visually and conceptually interesting, it is disjointed, lacking a smooth flow. This is probably a result of the "make it up as you go" approach to direction and animation. The film could have been more satisfying if it had been planned out more carefully from the beginning.
The music provides continuity and holds the film together, which leads me to believe that music is t.o.L.'s primary interest.
In the same whimsical frame of mind as the Japanese classic "Funeral Parade of Roses," Tamala 2010 is a surreal journey into the world of cats and product placement. Is that weird enough? My partner wanted to leave the theater the whole time, but I thoroughly enjoyed every minute of this flick. If you can suspend your "Western" need for plot and coherence, sit back and enjoy the fabulous animation (black and white tip o' the hat to Disney's "Steam Boat Willie"), crazy situations and fantastic soundtrack. Any film which takes place on another planet and includes both Hello Kitty drag queens and a mention of the Loch Ness Monster is OK by me. Even if you hate this film, YOU WILL NEVER FORGET IT!
A strange, wonderful, dark, cute movie. One of my favourites of all time.
Tamala 2010 is a joy to behold, and defies categorization.
If you want to go see something different, this is it.
Tamala 2010 is a joy to behold, and defies categorization.
If you want to go see something different, this is it.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Tamala 2010
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,386
- Opening weekend US & Canada
- $3,386
- Apr 4, 2004
- Gross worldwide
- $3,386
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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