An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
David O'Hara
- Donnchadh
- (as David Patrick O'Hara)
Hans-Martin Stier
- Kurseval
- (as Hans Martin-Stier)
Jamie Thomas King
- Anwick
- (as Jamie King)
Wolfgang Müller
- Rothgar
- (as Wolfgang Muller)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
pallid tale of unrequited love
Like "Romeo and Juliet," "Tristan and Isolde" is a tale of forbidden love set in the Middle Ages (although it far predates Shakespeare's work both in setting and in origin). In this case, the two young lovers are separated along national lines, with Tristan a young Briton, and Isolde nothing less than the princess of Ireland. As their two countries do battle against one another, the benighted couple tries desperately to make their love work in a bitterly hostile world.
This is a handsome, well-crafted film, glorious to look at but tedious to sit through. Since we've seen so many of these tales already, it's a little hard for us to work up much passion for this one - even if, as we're told, the fate of an entire kingdom hangs on this relationship. Moreover, there is such a profusion of Angles, Saxons, Irish etc. running around on screen that it is often difficult to distinguish one from the other and to know just who is fighting whom (or who is allied with whom) at any given moment.
James Franco and Sophia Myles make for a fairly bland, conventionally modern young couple, but Rufus Sewell provides a subtle, sympathetic performance as the man who both raises Tristan and marries Isolde.
If Medieval romances are your cup of tea, by all means check out "Tristan and Isolde," but there are far better tales of unrequited love around than this one.
This is a handsome, well-crafted film, glorious to look at but tedious to sit through. Since we've seen so many of these tales already, it's a little hard for us to work up much passion for this one - even if, as we're told, the fate of an entire kingdom hangs on this relationship. Moreover, there is such a profusion of Angles, Saxons, Irish etc. running around on screen that it is often difficult to distinguish one from the other and to know just who is fighting whom (or who is allied with whom) at any given moment.
James Franco and Sophia Myles make for a fairly bland, conventionally modern young couple, but Rufus Sewell provides a subtle, sympathetic performance as the man who both raises Tristan and marries Isolde.
If Medieval romances are your cup of tea, by all means check out "Tristan and Isolde," but there are far better tales of unrequited love around than this one.
A Timeless Love Tale Beautifully Retold!
One of the great love stories from the medieval courtly romances, "Tristan and Isolde" has received many different treatments from medieval poets such as Gottfried of Strasbourg to the haunting opera by the nineteenth-century German composer Ricard Wagner. In each of the versions of the story, there are new and different plot details in this tragic love story.
In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.
In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.
There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.
In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.
In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.
There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.
Not applicable.
In response to comments disparaging this film for neglecting to use music from the opera-- that hardly seems relevant. This story was written long before Wagner's work existed, and it would be foolish to demand that his music be a part of the film. It seems to be of greater significance that the film neglects certain elements of the original texts, although as an entirely different art form, the film has every right to take its liberties. It is unfair to credit or discredit any film based on its relationship to other works of art. It is important to appreciate and discredit this film within the context of the art form in which it functions.
Great story, thought provoking
I have to admit that I do not remember much about this story from my college Western Civ class, but I enjoyed this director's work in other films, so I took a chance. What a lovely film! The story is well told, paced well, and full of thought provoking moments. I found the leads, particularly Sophie Myles, who plays Isolde, to be mesmerizing in their roles. The supporting cast is also terrific. I know this won't be for everyone, but it's also not strictly a chick flick. There's plenty of war scenes, adventure, action, etc. to keep those action film fans happy, and yet there's a lot of good love stories, and not just between the two leads as you might expect. I recommend this one!
Tragic Lovestory with plenty of Action
Tristan and Isolde is one of the most enjoyable films I've seen this year. I saw it in a preview screening without knowing anything about the film or the myth. I expected a mediocre romance, only hoping that it would be set in an interesting medieval setting and that my girlfriend would enjoy it. Well it is a story of love, but also so much more. The film has a dark undertone to it and every character is torn between hard choices of power, loyalty, friendship and in Tristan's case, love. There is plenty of both tragedy and love and although very dramatic I never felt it was being too sentimental. The battle scenes are very well done. Although realism is sometimes sacrificed for dramatic impact, this works very well for the film. Most importantly there are no invulnerable heroes. Everyone is in immediate danger of mutilation and death, making the fight scenes more intense. The casting of Tristan, Isolde and Lord Marke is perfect and most of the supporting cast do an equally great job. The absence of any Hollywood superstars makes the film all that much better. Enjoy.
Did you know
- TriviaThe first known written version of the Tristan and Isolde story was done in France around 1235 by two men calling themselves Luce de Gat and Helie de Boron. Scattered references have been found to a lost older source, brought to France by English exiles. In some versions of the story, Tristan is called Tristram, and Isolde is called Iseult or Yseult, among other spellings.
- GoofsIn the scene when the barons are gathered, Marke addresses one group as the group from York. Since this movie is set just after the Roman withdrawal from England, York would have still been known as Eboracum.
- Quotes
[repeated lines]
Isolde: [reading] My face in thine eyes, thine in mine appears, And true plain hearts do in the faces rest; Where can we find two better hemispheres Without sharp north, without declining west? Whatever dies, was not mixed equally; If our two loves be one, or thou and I love so alike - that none can slacken, none can die.
- SoundtracksDark Moon, High Tide
Written by Simon Emmerson / Martin Russell / Davy Spillane
Performed by Afro Celt Sound System
Courtesy of Real World Records Ltd./Virgin Records Ltd.
- How long is Tristan + Isolde?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Tristán e Isolda
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,734,633
- Opening weekend US & Canada
- $6,583,135
- Jan 15, 2006
- Gross worldwide
- $28,047,963
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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