Black

First things first. On Easter Sunday I pondered whether I should go see the film "Black" -- a film about which I had heard nothing in the popular press, until I saw its title on the cinema's Marquee. Not surprising really, since the film appears at this point to have only been released in the specialty Hindi-language Bollywood film circuit in Canada. Which is a real pity because if I had not made an accidental point of presenting myself at a movie-house that was actually screening the picture, as a Euro-heritage native-born Canadian I would likely still be walking around in a typically North American ethno-centric film fog about this excellent picture.

When I initially asked the theatre's ticket clerk what "Black" was about, his description hardly got me excited. It's the story of a teacher who helps a disabled woman. It didn't sound terribly engaging to me. But boy, was I wrong! While I am not a complete stranger to a number of Bollywood-type films, I'm lucky if I see one or two in a year, and at that, it's usually been because someone else has suggested it. While few of these "B" class movies "deserve" screen time in mainstream North American theatres, this is hardly the case for "Black". It is not a "B" class flic.

If only because the film's Director Sanjay Bhansali co-wrote the script, this obviously allowed him to imagine how he might want to capture the story with beautiful emotionally-charged cinematography. And what a sophisticated symbolically packed feast it was at that! Yet backing up the impeccable imagery was an equally top-drawer story. One dimension tells the story of a once well-regarded teacher who has come to the end of his financial, if not his existentially-justified rope, a man whose talents are neither fully recognized or completely appreciated. Then during this 11th hour turmoil, he receives a letter asking for help from the parents of a young deaf and blind girl. Her story is of course equally gripping, a girl effectively trapped in an internal prison in which language, a vital connector within herself as well as to the outside world, is missing. In this sense, both characters need one another, for both are on the common and all too true brink of being "disposable people" - people ripe relegated to become out-of-sight out-of-mind statistics in a faceless institution.

This feature of the story speaks to a possibility few of us care to contemplate, namely: "Who would care for me if everything fell to pieces?". It is a possibility reminiscent of and anchored in a time when as children we depended entirely on our parents for nurturance and love. This I think is what gives this story its privileged access to the inner-recesses of our deep emotional need for interconnection. And because it is a story told as much with emotionally poignant visuals as it is with emotionally gripping dialogue, these have a way of by-passing the usual intellectual filters we erect to both define and "protect" ourselves from one another. This film will have none of that. And the emotionally-forceful performances offered by the male and female leads simply seal our fates, leading us to co-journey with them in their heroic quest to find the light that will illumine us as much as them.

Few are the number of viewers who could experience this film and not leave better people, if only because it succeeds in allowing us to recognize the value of caring for one another as the greatest triumph, if not the most important ingredient in all of our other successes as a species. In short, this film strives to restore one's faith in the value of life and love, and does very well in that task. And what more can anyone ask from any motion picture? It is a work of genius, well executed, and a triumph of film-making, regardless the culture. Which is why I believe it deserves a lofty 10.

My uncle gave up watching Hindi movies as he believed that there was no good Hindi movie after 'Anand'. He started watching bollywood movies again after watching 'Black'. Black is Hindi cinema at it's best. Obviously, Amitabh Bachchan plays the lead in it...who else can? While watching this movie, I laughed, I cried and I enjoyed myself. Amitabh Bachchan trying to show 'bullshit'in sign language and Rani Mukherjee trying to hit the person who bumped into her. Amitabh Bachchan, is inspiring. There's nothing to say about him...as he left me speechless. Rai Mukherjee's performance is by far her best. Watch this movie...it's the best you'll watch in ages!

I saw this movie in first week of its release itself and i liked movie too much ,much more than any Hindi movie till date but i didn't want to compare it with any other Hindi movie. SOme ppl are arguing that this movie is crap or similar words for it but i couldn't find any suitable explanation for saying the movie is not gud enough to be a part of one of the best movies ever. The concept,acting,direction and screenplay was superb. This is one of the few movies which got potential to bind u emotionally with the movie . THe best part was SLB tried something very diff and took huge risk by doing something which was never done before. No songs and very apt music which runs throughout the movie. I do agree that this movie certainly deserves an Oscar and i do agree that it was totally framed for it as the length of the movie, most of the dialogs in English,total British background, Cristian characters but i guess this can bring golden era to bollywood which is already contributing maximum no. of movies(even more than Hollywood) by providing some excellent works. Good work SLB

When the credits started rolling on this movie, my wife and I looked at each other and both spontaneously said "That was one of the best movies I have ever seen". Sure, it was inspired by "The Miracle Worker", with Anne Bancroft and Patty Duke, bit visually it knocks it for six.

Awesome awesome cinematography. Let me say that again. Awesome awesome cinematography. Nearly EVERY shot is a wonder!

Amitabh Bhachchan's acting is his best ever (at least for western audiences), and beats most recent performances from Hollywood.

I don't consider this film a remake, but even if you do, you still need to see it.

Here's very briefly what the movie is about:

It is the story of Helen Keller & Anne Mansfield Sullivan, suitably modified though, to nicely fit into the Bollywood mould.

That however should not take anything away from the three main highlights of the film:

Sanjay Leela Bhansali's Direction, Rani Mukherjee's execution of a difficult role, & Mr. Amitabh Bachchan!!!

Bhansali is best at stories highlighting human struggle. And with this adaptation he comes up trumps once again. He also proves that if you have a great story & just one great actor in a meaty role, you have a hit on your hands. Strange how the so called moguls of Hindi cinema cannot see that!

Rani Mukherjee's performance as the Indian Helen Keller (Michelle) is very commendable. It is just her misfortune that she was pitted against Amitabh Bachchan in the BEST Role (Devraj Sahay) of his life!!!

Mr. Bachchan tends to dwarf everyone. To all those who doubt that he is the GREATEST Actor this country has produced, go watch Black. You will return transformed for life! From the moment he comes on screen, he mesmerizes you. And he holds you till the last frame of the movie. He gives you goose bumps with his performance. And to think that the effort doesn't even show...

Now if only other film makers would give him roles worthy of his calibre as an actor, we could well have our first Best Actor Oscar ever. No kidding. Go see the film!

And Oh! I almost forgot. The little girl who plays the young Michelle is the best child actor this author ever seen! And that includes the Macaulay Culkins & Haley Joel Osments of the world!

Trust me! Go see the film!