Nina's Tragedies

A lonely, bookish 14 year old boy, Nadav is infatuated with his Aunt Nina, his mother's younger sister. When her husband is killed in a terrorist attack only a couple of months after their marriage, Nina is devastated. Fearing the worst, Nadav is sent by his mother to be with her. So begins 'the happiest days of his life, so far.'

The problem is that Nadav, in his innocence and naivety, believes this to be the beginning of something much more. Nina herself is oblivious to this, seeing only a loving nephew and young boy. Seen through Nadav's eyes, we witness the slightly bizarre reality of the world around him – Nina coming to terms with her grief, his parents dealing with their separation and his father's illness, his best friend (Menachem – a much older man) dealing with his budding relationship with Galina.

While under-stated, Nina's Tragedies is a genuine mix of comedy, pathos, anger and sadness (but thankfully avoiding melodramatic pitfalls), has fully-rounded characters, a tight script and a uniformly excellent cast. It is understandable why the film won eleven Israeli Film Awards in 2003 (including Best Feature).

I enjoyed the movie, and laughed out loud, particularly at some of the surprises, which I will not reveal here. Nadav (the boy) is the narrator, and while events in his life may play important roles, the movie really centers around Nina. At the start of the movie we learn that Nadav's father died, and that he was given Nadav's diary, which is the source of our story. The movie finishes at Nadav's father's funeral, with some degree of hope, in spite of Nina's misfortunes. Nina is unlucky in and/or makes bad choices in her relationships, along with suffering from some genuine tragedy and some misinterpreted comic coincidences. I understand why it won several awards in Israel, and would enjoy seeing it again. The movie deliberately begins and ends with the father's death and funeral as it is about beginnings, endings, life, death, despair, and hope.

I just saw this at the San Francisco Jewish Film Festival and loved it. It didn't feel like most movies I've seen lately. It didn't try to make the main character change for the better. It accepted all the flaws and moved on, focusing on the story. I loved all the connections and the fact that it's advertised to be "a very sad comedy" is exactly right. it is hilarious at some parts, and you want to cry at others, but it works. it's real. i loved it. beautiful cinematography and acting. Another thing i liked about the movie was it was genuinely from a little boy's point of view. when he has the dream with the man's voice becoming a telephone ring, that was priceless and clearly something that a little child would dream because it would be stuck in their heads. great movie. see it :)

This is a truly great film, perhaps the first Israeli film to enter that category. It is, at once, funny and sad, raucous and sensitive. It beautifully encapsulates the bizarre realities of life in modern Israel, and vividly captures the many moods and faces of Tel-Aviv. Woody Allen would have been proud, even in his heyday, to have produced such a humorous and moving piece. And the acting is just terrific.

I am quite frankly amazed that 3 people found Gadi I's comments ("A nice movie! nothing more") helpful. I cannot comprehend why he finds the Nadav character to be "negative" for "peeking at his aunt" - Anat Zorer is drop-dead gorgeous, and if I had had an aunt who looked like that when I was a post-pubescent teenager, I wouldn't have been able to STOP "peeking" at her! To say that the movie is "just not that good" beggars belief.

Whether you are Israeli or not - and even if you have never been to Israel - if you haven't seen this movie, what are you waiting for?!

This film is much more sophisticated than the average Israeli movie, with a thoughtful script, excellent production values, and decent acting. It even unfolds slightly out of sequence, an arty touch that some might find confusing, though everything comes together nicely at the end. It's not just a good movie by Israeli standards, but by any standards. With movies like this one, and Broken Wings, the Israeli cinema is demonstrating a new level of vitality and professionalism.

This movie is narrated by Nadav, a pubescent boy who has a crush on his beautiful aunt, but the focus isn't on young lust as capsule descriptions might lead you to believe. It's much more about the difficulty of growing up and coming to terms with the problems of the adult world, and with the human frailties of your loved ones. And his family is a wacky bunch. Dad has dropped out and joined a bunch of religious fanatics/ecstatics. Mom is a flighty fashion designer who has a new boyfriend every week. And aunt Nina is a recent widow whose grief sometimes separates them, and sometimes brings them closer.

In his struggle to understand the adult world, Nadav occasionally turns to peeping through windows, a practice the director tries to portray as an offshoot of his sensitive, inquiring mind. Some viewers may find it a bit creepy, particularly because of his partner in crime, a socially inept adult named Menahem (played with great comic effect by Dov Navon). But that, too, is a small part of the plot, and since we're peeping at the same things he is, we're in no position to cast stones.

Along with the problems of adult life, the film portrays lots of the small moments that make it so rich and interesting as well. These incidents in the lives of the various characters may be absurd, but they also have the ring of truth about them.

Nadav acts childishly throughout the film, refusing to talk to family members he loves, but that he feels have betrayed him. He comes around in the end, though, and in the heartwarming climax he accepts them with their faults, just as he comes to see that they also accept him with his.