Slow Burn

Wayne Beach's storytelling tactics are very particular but eventually effective. Characters are chameleon-like and plot is transparent and convoluted at the same time, reminding a bit John Grisham's novels adaptations. The twists capsizing everything over the last twenty minutes turn the conclusion into a big mess but heat is not lacking at all. Plot reversals and action flashes look like a fusion of "The Usual Suspects" and Hollywoood legal thrillers, besides this political/Court story also handles themes of racial confusion and conflicts. Not a stellar cast, but the movie is overall well acted (Ray Liotta has a pulse as usual).

I rented this on New Year's Eve to counter the boredom of Bowl games, and found the movie to be surprisingly good. There was a compelling and believable storyline (think of "Body Heat" set in a contemporary northeastern city instead of lazy Miami), it was well acted and a real thriller. I especially liked LL Cool J's performance, and Liotta was believable as the White urban politico. I also liked that the movie didn't shy away from comments (however simplistic) about race. Mekhi Pfifer was useful in his role and Taye Diggs was hilarious with his usual witty and sarcastic commentary. The female lead, Blalock also gives a believable performance as damsel in distress. The Desk Sgt. Drown character was quite funny. Comparable (but better) films would include "Double Indemnity" or The "Postman Always Rings Twice". This was a good yarn, well worth the 3 bucks I spent to rent it.

SLOW BURN is a film that has much to like, much promise, and a cast of trusty actors to bring it off. The problem with the result is in director/writer Wayne Beach's hands and especially in the editing job on the completed film. It is like watching a 'follow-the-bouncing-ball' film: there are many surprises and subplots and altered identities that keeping a score card of where the story is going is a bit difficult.

Reduced to the bare bones the plot takes place in a 24 hour period during which District Attorney Ford Cole (Ray Liotta) and his Assistant DA Nora (Jolene Blalock) are in a showdown with a significant crime boss Luther Pinks (LL Cool J). Nothing is as it seems, as irritating flashbacks attempt to prove, and in the end the good guys and the bad guys are difficult to appreciate. There are some excellent performances by reliable actors such as Taye Diggs, Mekhi Phifer, Chiwetel Ejiofor, and Bruce McGill, but the plot depends on a significant point of the confused racial identity of Jolene Blalock's character, and though she acts well, the part would have been better served by an actress like Nicole Ari Parker, to name just one.

The problem with this supposedly enigmatic thriller is that the astute viewer will see through the plot far too early. But given the quibbles, it is good to see these actors at work, especially the underused Ray Liotta. Grady Harp

Ray Liotta as a DA running for Mayor who has trouble when one of his best and brightest assistants turns herself in for shooting someone in self defense. Complicating matters is a drug lord who shows up to tell Liotta things are not as they seem.

Bad make up job on our leading actress aside this is a good but not great little thriller that would have fared better as "made for cable original" where the expectations wouldn't be that high. Give it points for twisting and turning, take one or so back for being only a step or two above most direct to video releases.

Worth a look but late on a Saturday night where this would be perfect fare before bed time.

Here's a film that might have been a classic. The story had all the elements. But the direction could have been better and the main actress wasn't up to the material. The supporting actors didn't help either. With a different cast and a different director this might have been great. That being said, it is still worth a look.