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American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who li... Read allAmerican journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who live there.American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who live there.
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Great scenes, great setting, decent story, mediocre direction...
Rum Diary (2011)
If you're looking for the craziness of later Hunter S. Thompson, you'll find shreds of it here. In a way this is a more cogent movie than say "Fear and Loathing " but it's also a bit prosaic beneath the wilder stuff that peppers the surface. Johnny Depp stars and runs the show in his usual strong if uninspired way as a new, hard-drinking reporter with a failing English language newspaper in Puerto Rico.
There is a true surface here that's pretty amazing--the cars, the low down rot of the apartments, the racism between the rich white Americans and the indigenous Puerto Ricans. The depth you might expect and want here is slim, however, even though all the pieces are in play for a great drama--a charming troubled writer in a land filled with prejudice and violence and great natural beauty. It pushes the clichés too hard, and it's generally agreed (even by Thompson) that the material is weak and "rambling." The movie doesn't rearrange it enough to make it work.
You can in a way watch this for those surfaces, if you don't need too much more. There are several secondary characters who do their best to be a bit insane, including Giovanni Ribisi as a drugged out waif of a reporter, something like what Thompson himself might have become later in life. (See of course the Depp in the imperfect 1998 "Fear and Loathing in Las Vegas" for a sense of the famous freewheeling selfish addled sometimes brilliant Thompson.)
The director here also adapted Thompson's book and if he gets the credit for the nice ambiance of the film he also gets the burden of how clunky, choppy, and sometimes slow it is, even with such exciting material. It's not a horror, it's watchable, but you'll flag here and there. Even the end, without giving a thing away, is a bit deflating.
If you're looking for the craziness of later Hunter S. Thompson, you'll find shreds of it here. In a way this is a more cogent movie than say "Fear and Loathing " but it's also a bit prosaic beneath the wilder stuff that peppers the surface. Johnny Depp stars and runs the show in his usual strong if uninspired way as a new, hard-drinking reporter with a failing English language newspaper in Puerto Rico.
There is a true surface here that's pretty amazing--the cars, the low down rot of the apartments, the racism between the rich white Americans and the indigenous Puerto Ricans. The depth you might expect and want here is slim, however, even though all the pieces are in play for a great drama--a charming troubled writer in a land filled with prejudice and violence and great natural beauty. It pushes the clichés too hard, and it's generally agreed (even by Thompson) that the material is weak and "rambling." The movie doesn't rearrange it enough to make it work.
You can in a way watch this for those surfaces, if you don't need too much more. There are several secondary characters who do their best to be a bit insane, including Giovanni Ribisi as a drugged out waif of a reporter, something like what Thompson himself might have become later in life. (See of course the Depp in the imperfect 1998 "Fear and Loathing in Las Vegas" for a sense of the famous freewheeling selfish addled sometimes brilliant Thompson.)
The director here also adapted Thompson's book and if he gets the credit for the nice ambiance of the film he also gets the burden of how clunky, choppy, and sometimes slow it is, even with such exciting material. It's not a horror, it's watchable, but you'll flag here and there. Even the end, without giving a thing away, is a bit deflating.
'Heres to Pretty women, with dirty thoughts'
I adored the novel, The Rum Diary and as an aid worker I related to many of the character's struggles. Although the film does stray quite a bit from the book itself, I think it's a perfect homage to Hunter S Thompson. The language still reeks of his Gonzo fury writing and manages to transport the audience into a drunken rant, as well as secretly educating them on the struggles of a free press. It had me laughing out loud on more than one occasion, as well as the packed out cinema that I viewed it with.
I rated this movie a 9 and the last film I rated that high was The Shining. I personally think this film was perfect. The leading actress/actors were perfect and the supporting cast phenomenal, especially Giovanni Ribisi. The only problem with this film in my opinion is that if you are not a fan of the gibbering, artistically nervous tone of most of Thompson's work, this film may be too heavy for you. Although it's easier to follow that Fear and Loathing (which scrupulously stuck to the dialogue from the novel Fear and loathing), many would find the dialogue bizarre.
Personally I loved every minute of this film and think it's already truly underrated.
I rated this movie a 9 and the last film I rated that high was The Shining. I personally think this film was perfect. The leading actress/actors were perfect and the supporting cast phenomenal, especially Giovanni Ribisi. The only problem with this film in my opinion is that if you are not a fan of the gibbering, artistically nervous tone of most of Thompson's work, this film may be too heavy for you. Although it's easier to follow that Fear and Loathing (which scrupulously stuck to the dialogue from the novel Fear and loathing), many would find the dialogue bizarre.
Personally I loved every minute of this film and think it's already truly underrated.
A Tribute Well Paid
There are 2 kinds of reviews that can be done for this movie. First, by those who have read Hunter already and second by those who choose to know Hunter after watching this movie. I am the second type. I haven't read any of Hunter's books and hence a pure movie critique this! A sensible movie well made by director Bruce Robinson. Johnny Depp central role of Hunter Stockton Thompson is totally justified. This is the kind of cinema any movie lover would want to cherish. What impressed me first is the different and detailed perspective of Puerto Rico by, should I say, a mainlander? The movie goes in it's own pace never to appear slow. But what influenced me most is the fact that this movie is so close to reality even to the present day and a pretty practical closure. Somehow, it made me happy. Now, I am in bit of a hurry to jot this down, as I need to watch more Hunter movies.
"Are they not complimentary?"
Plot Summary Now if your the sort of person that needs a definitive story line and thick plot to enjoy a film then this probably isn't for you. Its more a 'fly on the wall' view of a young journalists struggles in a failing newspaper. Paul Kemp(Depp) is a young man trying to make his way in a new place, making new friends and enemy's along the way.
What I thought of it I wasn't sure what I would think of this film, I new it has some great actors, such as Johnny Depp and Giovanni Ribisi, but the concept of the film was a strange one. I was pleasantly surprised, the director Bruce Robinson has done a great job with this film, which was always going to be a very tough job being adapted from a novel by Hunter S Thompson and technically having next to no strong plot.
The film itself is stunning, the locations are amazing and well shot, and the editing style and shots work brilliantly with the type of film and more importantly with Johnny Depp, who has a massive screen presence in everything he does, including 'The Rum Diary'.
This film has everything I want to see in a good movie, strong characters, great sets and brilliant comedy, along with meaning. It really makes you think about society and life nowadays and how primarily, nothing has changed in the way the world goes round and the sort of corruption and manipulation that still goes on today all around us, as it did back in the fifties, only less obviously.
On a lighter note, this film is hilarious and great to watch more than once, there is something rather satisfying about watch a man drink huge amounts of high octane rum and have to deal with the consequences the next morning, something that makes you happy its not only you.
Summary In all I thought this was a very enjoyable film for anyone to watch and have a good laugh at while loving everything about the characters. The acting is scintillating and exciting.
I highly recommend this film to all, one to watch ..... 7/10 Stars*
What I thought of it I wasn't sure what I would think of this film, I new it has some great actors, such as Johnny Depp and Giovanni Ribisi, but the concept of the film was a strange one. I was pleasantly surprised, the director Bruce Robinson has done a great job with this film, which was always going to be a very tough job being adapted from a novel by Hunter S Thompson and technically having next to no strong plot.
The film itself is stunning, the locations are amazing and well shot, and the editing style and shots work brilliantly with the type of film and more importantly with Johnny Depp, who has a massive screen presence in everything he does, including 'The Rum Diary'.
This film has everything I want to see in a good movie, strong characters, great sets and brilliant comedy, along with meaning. It really makes you think about society and life nowadays and how primarily, nothing has changed in the way the world goes round and the sort of corruption and manipulation that still goes on today all around us, as it did back in the fifties, only less obviously.
On a lighter note, this film is hilarious and great to watch more than once, there is something rather satisfying about watch a man drink huge amounts of high octane rum and have to deal with the consequences the next morning, something that makes you happy its not only you.
Summary In all I thought this was a very enjoyable film for anyone to watch and have a good laugh at while loving everything about the characters. The acting is scintillating and exciting.
I highly recommend this film to all, one to watch ..... 7/10 Stars*
Lacks Coherency or Flair
The film begins with main character Paul Kemp (Johnny Depp) waking up in a luxurious hotel room in Puerto Rico after a heavy night of drinking. After chomping down a few aspirin, Kemp stumbles into the editors office of the San Juan Star and is given a dead end writing job. After a few chance encounters, Kemp becomes the center of intrigue and corruption while consuming copious amounts of alcohol.
"The Rum Diary" was originally a novella from the twisted mind of Hunter S. Thompson an eccentric journalist and novelist who in addition to smoking, snorting, injecting, drinking every drug, alcohol and carcinogen known to man, managed to change the face of journalism by calling it as he sees it. His writing can repel and enchant with equal measure and has a breakneck spontaneity which is rivaled by its frazzled incoherency.
Incoherency would be the best word to describe this film. The story lacks any kind of focus jumping from a love story, a corrupt land deal, drunken antics, workplace politics and racial tensions. Watching "The Rum Diary" was like talking to a drunk grad student; little flashes of genius may linger but after what seems like four hours you realize you're talking to a drunken idiot and looking for the door.
Thompson's other work adapted to screen shares a similar inconsistency but say what you will about "Fear and Loathing in Las Vegas" at least it was interesting. Director Bruce Robinson seems unsure behind the camera trying desperately to balance themes and while Terry Gilliam threw spaghetti at the wall to see what sticks, Robinson compensates by drawing out its screen time and keeping the camera-work and editing as dull and uninspiring as possible.
The films only saving grace is the inclusion of Giovanni Ribisi as a cirrhosis addled, syphilitic cohort who takes LSD while listening to records of Nazi propaganda. His arguments with the Star's head editor (Richard Jenkins) provide some of the few precious moments of humor.
The epilogue appears while Johnny Depp sails into the horizon explaining that while its the end of the story "...its the beginning of another." I would have liked to have seen the other story. At least by then the sardonic wit of Thompson was finally present.
http://theyservepopcorninhell.blogspot.com/
"The Rum Diary" was originally a novella from the twisted mind of Hunter S. Thompson an eccentric journalist and novelist who in addition to smoking, snorting, injecting, drinking every drug, alcohol and carcinogen known to man, managed to change the face of journalism by calling it as he sees it. His writing can repel and enchant with equal measure and has a breakneck spontaneity which is rivaled by its frazzled incoherency.
Incoherency would be the best word to describe this film. The story lacks any kind of focus jumping from a love story, a corrupt land deal, drunken antics, workplace politics and racial tensions. Watching "The Rum Diary" was like talking to a drunk grad student; little flashes of genius may linger but after what seems like four hours you realize you're talking to a drunken idiot and looking for the door.
Thompson's other work adapted to screen shares a similar inconsistency but say what you will about "Fear and Loathing in Las Vegas" at least it was interesting. Director Bruce Robinson seems unsure behind the camera trying desperately to balance themes and while Terry Gilliam threw spaghetti at the wall to see what sticks, Robinson compensates by drawing out its screen time and keeping the camera-work and editing as dull and uninspiring as possible.
The films only saving grace is the inclusion of Giovanni Ribisi as a cirrhosis addled, syphilitic cohort who takes LSD while listening to records of Nazi propaganda. His arguments with the Star's head editor (Richard Jenkins) provide some of the few precious moments of humor.
The epilogue appears while Johnny Depp sails into the horizon explaining that while its the end of the story "...its the beginning of another." I would have liked to have seen the other story. At least by then the sardonic wit of Thompson was finally present.
http://theyservepopcorninhell.blogspot.com/
Did you know
- TriviaJohnny Depp and ex-wife Amber Heard first met while making this film. They became a couple in 2012 after Depp separated from his longtime girlfriend Vanessa Paradis, were married in February 2015, separated in May 2016 and officially divorced in January 2017, after a very public court battle, which was reignited in 2019 when Depp sued Heard for defamation.
- GoofsWhen Kemp drives the Corvette along the coast, as the camera pans the car and roadway from above, a cellular telephone tower appears in the shot.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.16 (2011)
- SoundtracksVolare (Nel Blu Dipinto De Blue)
Written by Domenico Modugno, Franco Migliacci and Mitchell Parish
Performed by Dean Martin
Courtesy of Capitol Records, Inc.
Under license from EMI Film & Television Music
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Diario de un seductor
- Filming locations
- Vega Baja, Puerto Rico(Cockfight scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $13,109,815
- Opening weekend US & Canada
- $5,135,369
- Oct 30, 2011
- Gross worldwide
- $30,134,958
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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