Stiff

Throughout Australian Film there are many examples where the nobler characters tend not to say too much. They tend to be quite laconic, resorting to the occasional outburst which might take the form of a diatribe aimed at life's foibles. Murray Whelan, played cleverly by David Wenham, is depicted as one of those characters. His self deprecatory humour is typical of the genre and a breath of fresh air. For me this film exuded Melbourne. Although maybe just a little harsh on the State parliamentarian. Delightfully idiosyncratic. Some of the scenes around the factory were hilarious. Less convincing may have been the villain , Herb Gardner, played by Alan Hopgood, and Lionel Merricks, played by Sam Neill.

An amusing and entertaining TV-movie, "Stiff" showcases David Wenham as Murray Whelan, political fixer and amateur investigator.

It made me laugh with its combination of in-jokes, political cameos, and physical humour: in this respect, the translation from the page to the screen allowed the telemovie to become the superior story - however, the detail of the book was obviously missing in the adaption.

Finally, Wenham came across as a cross between his characters Jim Doyle ("The Bank") and Johnny Spitieri ("Gettin' Square"): Knowledgeable but also slightly sloppy and tired. The supporting cast did a great job, as did John Clarke on the story adaption.

All up, Three and a Half out of Five.

This film, while written by a talented funny man, with a good acting line up, did nothing for me. It lacked a beginning, an ending and a plot. Finding a dead man then researching through everything, only to find Mr Whelan dogged by bad guys, and no link was ever established as to why. I expected better work from Aussie film makers. This only serves to send Australian films back 30 years when the merest hint of one sent shudders down my back. It wasn't funny, not even amusing, it totally sucked. An awful lot was said about fictional and notable Turkish names of employees at the meatpacking plant, yet no connection was established with them and that exclusive club, and having politicians playing cameos was just plain silly. Are Australian writers wanting to lose out to big budget companies in America when it comes to quality TV movies? The Australian public deserve better than the trash it currently gets. I'll give it a 1/10 and that's being nice.

Australian telemovies have a reputation to uphold. They are supposed to be poorly written vehicles for our much trotted out band of thesps to portray clichéd characterization coupled with inane dialogue. I must say, I AM disappointed. What I witnessed tonight was an interesting storyline with believable characters and a very talented David Wenham giving my cynical mind a reprieve from the standard fare. Shame on you! I liked the program.

Wenhams' laconic Murray Whelan is certainly a treat to witness. He's like a scruffy Blue Heeler getting kicked from pillar to post but still keeps coming. You have to admire that sort of tenacity. I delighted in the gentle humour of the story and Murrays' optimism despite his train-wreck lifestyle.

Anyway, I was happy to see a production that did not contain the usual suspects and would welcome many more Whelan adventures. Top shelf.

Wenham is excruciating: the man can't act, he can only inflect his voice affectedly. Steve Bracks gave a better performance; at least he didn't say anything, which was an improvement on Wenham.

The script is excruciating: talk, talk, talk, and all the 'jokes' unfunny.

The mystery is about up to the standard of a sub-par episode of Scooby Doo; why didn't someone call the cops?, who would have solved the crime in less time than this telemovie takes.

Typical of Australian television that we have to have a fake show of multiculturalism from an entirely Anglo project, in which even the Turkish love-interest girl is played by an Anglo actress. (Couldn't have had Wenham falling for a *real* Turkish girl, of course!)

This crock belonged on the ABC (government television). Nuff said.