Caught between Olive's righteousness and Gavin's affection, the idealistic and innocent Zoe must choose between a cause she's grown up supporting, or the affections of a man who stands for e... Read allCaught between Olive's righteousness and Gavin's affection, the idealistic and innocent Zoe must choose between a cause she's grown up supporting, or the affections of a man who stands for everything she believes is wrong.Caught between Olive's righteousness and Gavin's affection, the idealistic and innocent Zoe must choose between a cause she's grown up supporting, or the affections of a man who stands for everything she believes is wrong.
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This movie had none of those disgusting attributes. While it was a satire that did "take the mickey" out of both sides of an issue, as previously mentioned, it did have an underlying message with meaning (actually meanings).
I found the text enjoyable and easy to listen to. I found the singing by all artists excellent. Notwithstanding other comments, the movie did have a flowing story.
I urge the movie producers of this planet to learn that they can produce quality.
While it is no Citizen Kane, it is certainly not a waste of time. I would recommend it as a nice "date flick" to be enjoyed with one's significant other, some light conversation and a bottle of Napa wine. Better yet, if you are a romantic, order a dozen raw oysters and a bottle of your favorite champagne with which to woo your significant other, and connect with the film in a poly-sensorial way. (You will need to see The Californians it to understand what I am writing about.)
Well, when this baby finally hit screens at the Mill Valley Film Festival, I was surprised to find my suspicions had been correct: no amount of editing or re-packaging was gonna polish this turd.
What's too bad about all this is that, at its core, the movie had some good ideas. The ongoing battle between slick, greedy developers and aging, environmentalist hippie boomers is a very real one here in the Bay Area, and there's ample hypocrisy and fodder for satire on both sides.
But Parker gets lost in a sea of tired clichés and labored, talky dialog and in the end can't decide what kind of movie he wants to make. Is it a satire of the tug-of-war between progress and preservation and the colorful players involved? Or is it a sappy, love-triangle romance? Or how about the tale of a short-sighted man's redemption by way of a flighty young songbird? The Californians tries to be all these things (and more) and ends up being nothing more than a muddled, uneven mess.
The idea that a young woman, Zoe, the daughter of progressive parents that are into the environment and that falls for the greedy developer, Gavin,is something that doesn't pan well. The same goes for Olive, the sister of Gavin who is opposed to all his big plans to create a gated community where multi-million dollar homes are going to built.
The only interesting thing in the film is the cast that Mr. Parker attracted. Noah Wyle, Ileana Douglas, Kate Mora, Joanne Whalley, Keith Carradine, Cloris Leachman, and Valerie Perrine, are among the players of this satirical film that doesn't live to its premise.
Did you know
- Quotes
Activist: Gavin Ransom, when will you stop cutting down trees?
Gavin Ransom: When people stop living in houses.
- ConnectionsRemake of The Bostonians (1984)
- SoundtracksLittle Boxes
Performed by Keith Carradine
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Details
- Release date
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- Also known as
- Las californianas
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- Runtime
- 1h 27m(87 min)
- Color
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- Aspect ratio
- 1.85 : 1