IMDb RATING
5.0/10
571
YOUR RATING
A woman discovers her new husband wants to keep her all to himself.A woman discovers her new husband wants to keep her all to himself.A woman discovers her new husband wants to keep her all to himself.
Michelle Chin
- Reporter
- (as Michelle Bradbury)
Douglas Kidd
- Tony (the waiter)
- (as Douglas Miller)
Helen Batabyal
- Woman in Restaurant
- (uncredited)
Karl Claude
- Uniformed Cop
- (uncredited)
Sally Clelford
- Cafe Patron
- (uncredited)
Jason Daley
- Detective
- (uncredited)
Jocelyn Forgues
- Cafe Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I loved this movie, To say Tracy Nelson is not a good actress is nuts. I think she's totally believable and a great actress. The movie had me on the edge of my seat. Tracy did the part like it was written,maybe she could of gotten out of the situation as some other reviewer said but that's not how the writers wrote her character. The actor who played the husband was absolutely nuts but played the part terrific. I was totally for Tracys character, she loved her husband and loved the child they were having together. He even killed their child making her have a miscarriage. This is the type of movie that gets you nuts but is fun to watch. I definitely want to add it to my collection!
This is my favorite Lifetime movie! It's the king of wacky Lifetime! Ty Kellington is hilarious and played to absolute perfection by Michael Riley. For such a typical premise (insecure, jealous controlling husband) it could've been dull but there's twist and turns and you're never bored.
We have seen the cliché plot (woman marries perfect husband but turns out to be a psychopath) many times.
In the 70s, 80s and 90s we were inundated with this theme in the true stories category, in which the story was almost always told one-sidedly from the female perspective and in which the perpetrator was usually portrayed in a very two-dimensional way without a satisfactory backstory.
This was of course to demonize the perpetrator as much as possible and to portray the victim character as sympathetically as possible.
But why not some more backstory for the perpetrator? That could give the story a lot more depth and make for a much interesting film.
Here too it is actually very cliché. The fact that the couple gets married after 4 months does not make it much more believable.
Of course this is a 13 in a dozen thriller, but still, there were moments in the film where I thought: boy, is this all you could come up with in terms of text dialogue? Such as in the dinner scene in which TY shows up uninvited and they ask him how he comes up with his characters in his books.
Funny that Michael Riley plays this role, I had seen him play alongside Brian Dennehy in To Catch a Killer and he played really well in it, even though Dennhy was superior as gacy.
In the 70s, 80s and 90s we were inundated with this theme in the true stories category, in which the story was almost always told one-sidedly from the female perspective and in which the perpetrator was usually portrayed in a very two-dimensional way without a satisfactory backstory.
This was of course to demonize the perpetrator as much as possible and to portray the victim character as sympathetically as possible.
But why not some more backstory for the perpetrator? That could give the story a lot more depth and make for a much interesting film.
Here too it is actually very cliché. The fact that the couple gets married after 4 months does not make it much more believable.
Of course this is a 13 in a dozen thriller, but still, there were moments in the film where I thought: boy, is this all you could come up with in terms of text dialogue? Such as in the dinner scene in which TY shows up uninvited and they ask him how he comes up with his characters in his books.
Funny that Michael Riley plays this role, I had seen him play alongside Brian Dennehy in To Catch a Killer and he played really well in it, even though Dennhy was superior as gacy.
The reporter Lisa (Tracy Nelson) meets the famous writer Ty Kellington (Michael Riley) in an interview, and sooner they get married. Their common life is perfect, almost a dream, until Lisa is invited by her old friend Matt Thompson (Thomas Calabro) to work with him in a radio show. The paranoid hidden side of the personality of Ty is unfolded, showing a deranged man capable of killing and threatening the life of Lisa, her sister Beverly (Andrea Roth) and close friends. "The Perfect Husband" is a forgettable and predictable festival of clichés, a low budget movie where is possible to guess the next scene. The performance of Tracy Nelson is horrible, in the lead female role, but Michael Riley and Andrea Roth have a good acting and at least I did not sleep along this foretold plot. My vote is four.
Title (Brazil): "O Perigo Dorme ao Lado" ("The Danger Sleeps SidebySide")
Title (Brazil): "O Perigo Dorme ao Lado" ("The Danger Sleeps SidebySide")
For made-for-TV, this is better than average, though it doesn't bring anything original to the screen. Michael Riley does a good job of switching from the perfect to not-so-perfect husband in an instant, and his character is what keeps you watching. The rest of the acting is a bit bland, and instead of fearing for our protagonist, you identify more with our villain.
Did you know
- GoofsWhen Dr. Kiley diagnoses Lisa with a fractured ankled and torn ligaments, she only uses x-rays. You cannot see ligaments on a x-ray, only bones.
- Quotes
Ty Kellington: You're being very rude right now.
- Crazy creditsA train whistle is heard near the end of the ending credits scroll.
Details
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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