A Day Without a Mexican

I just finished watching A Day Without a Mexican, so my comments are fresh.

As some other reviewers have mentioned, this film had the potential to be much more in terms of social commentary. The fact that it went in a comedic direction isn't bad in itself, it's just the execution of everything seemed so flawed.

There were chances to make statements, and to be relevant; one can still do that while still being funny. It's just -- I never laughed during the entire film, and I never felt as if any point was driven home, so it failed both goals.

I won't call this a bad film, but it's certainly not worth the $4 rental fee. If it shows up on TV for free, go ahead and watch it, otherwise find something else to spend your money on. Stereotypes can be used to convey a serious message (see Hollywood Shuffle), however I'm not sure what this film's message really was. Was it that Mexicans are a cheap economic revenue? That they're our maids, and token love interests?

As for bad acting, I can get over that. The problem is with the script. The initial idea sounds great, but the initial idea needs followed up with original and clever thought; that's where this film went downhill quickly.

This film got it's press from the "inflammatory" title, but the ad campaign was aimed to put your butt in the movie seat, and it worked for this micro-budget movie... it ended up with a profit in Los Angeles alone. This was quite clever because the film got a much larger audience than it would have received otherwise, regardless of anyone's personal feelings. The ads were done so that any reasonably intelligent person could see the tongue-in-cheek manner in which the ad campaign was carried out, and those who couldn't, well... they'd probably go see the movie just so they could be even more angry.

So I went to see the movie, not so much because of the controversy, but to see how good a film had been put together. I was really disappointed. For as clever a campaign had been crafted to get people to see their movie, the filmmakers failed miserably at keeping them interested.

The storyline is not too terribly involving, and the "morality tale" message is really beat into your head with a hammer from the first minute all the way to the end. The acting is amateurish... it had a very distinct high school film project look and feel to it, and although I'm no stranger to low budget films... this one really looked bad. The film quality was so terribly grainy that it was distracting, and the attempts at "visual effects" even moreso. I would have been more impressed and they would have saved a few bucks if they'd left them out.

The coup d'etat... I fell asleep. And I had really wanted to like this movie... I went in having a really good feeling about it.

The film would probably have made a great half hour after school special or educational video, with all of the boring and tedious plot left out and all of the interesting factoids about the Mexican contribution to American culture left in. I know many of my Mexican friends who saw it got a kick out of some of the cultural in-jokes in the movie, but almost across the board they agree with me that the movie wasn't very good.

So there you go. If you have a burning desire to learn some fairly obvious facts about Mexican culture in California, jump right in. My feeling is that people who are ignorant to the information put forward in the film are probably not inclined to care or want to know anyway... but there's never any harm in trying to get the word out. All minorities in the U.S. have historically been mistreated and maligned, and if one were really inclined to learn some perspective about American treatment of Mexicans, Indians, Blacks, Asians... I would suggest a read of 'A People's History of the United States' by Howard Zinn. NOW THAT'S AN EYE OPENER.

There are times when you just have to take a movie for what it is- a movie. Instead of worrying about racism and social commentary-enjoy the idea of the movie. I liked the movie as a whole because it had an original idea for a script. It gives you an idea of what an important role each of us plays in this big old world we live in. At the very least, the music can be appreciated. It was diverse, appropriate, and fun to listen to. It wasn't the best movie I've ever seen, but if you've ever lived in Southern California, this movie will make you laugh (at least a couple of times). And if your really lucky, it will also broaden your mind.

Altogether I found A DAY WITHOUT A Mexican to be highly entertaining - I would've hoped for something of the caliber of DO THE RIGHT THING or BLAZING SADDLES, and this is definitely not up to those standards, but as independent films go, this one definitely beats a lot of the competition.

Basically a b-movie, sci-fi spoof with a lot of social commentary thrown in, I found A DAY... to be a bit didactic in places - the interrupting statistics were highly unnecessary and nearly destroyed the energy in an otherwise fine film. But I think one's ultimate take on this film will come down to ones' politics - I agree with those expressed in the film, so - while I found the film to be hammering its' points a bit harder than it should (not all Americans are THAT ignorant of the rest of the world), overall I considered it to be fun and provocative.

I have seen tons of indie films, and - just in that I was actually able to watch this one all the way through - this one manages to be quite good. Film shouldn't just be about explosions, or wallowing in some hipster's fantasy of 'the underground,' or dream sequences with midgets, or boring white 20somethings screwing around - a film that tries to engage with the world is a real breath of fresh air every now and then.

Sergio Arau is a Mexican artist whose main work has been done in the field of visual arts and in music, but in 1998 he along with his wife Yareli Arizmendi, wrote and directed a short comedy named "A Day Without a Mexican", a fake documentary chronicling the fictitious events that happened in California when suddenly all the Hispanic people disappeared without any reason. Their fake documentary was a satire about U.S. immigrant policy and the unfair treatment the Hispanic immigrants received. Their work was well received but the couple decided to take their message to the main audience by turning their short film into a feature length film.

Like Arau's original short, the movie's premise is that for strange circumstances all the Hispanic immigrants (not only Mexicans) disappear of the state of California and the state is surrounded by a mysterious fog that isolates the people leaving them without the work that Hispanics usually do. The movie chronicles the events happening in that situation and showcases how important are the immigrants for the development of California.

Writer Yareli Arizmendi plays Lila, a reporter hired for her Latin looks who later becomes the center of the attention as she becomes "the last Latin in California". John Getz plays Senator Steven Abercombie III, an anti-immigrant politician who becomes governor of California after the actual Governor disappears due to Hispanic heritage. Muse Watson is Louis McClaire, owner of a ranch who understands the importance of the immigrant's work but who has to deal with his overtly patriotic and racist son George (Bru Muller).

These three main stories as well as other minor subplots get together to showcase different situations of the immigrants in California. Arau mixes "interviews with experts" giving opinions on the Hispanics disappearance and noticing the importance of their presence for the country. Using comedy as a medium to deliver his message, Arau's film delivers good laughs and flows smoothly most of the time, however, at times it is notorious that the project started as a short as there are scenes that seem to be shot only to reach the runtime of a feature length film.

Being a music video director before, Arau can't help but to display the influences of his previous work, giving the movie a modern albeit a bit MTV-like look. Also, the movie has been severely criticized for its highly fictitious premise. While this criticism is valid in the sense that the unexplained disappearance and the comedic tone do diminish the importance of the subject matter, Arau makes his point clear despite the flawed conception of his plot.

The acting is good on the main roles, but the apparently undeveloped script makes it look a bit forced at times. Arizmendi and Getz shine in their respective roles and without a doubt they are the driving force of the film. The rest of the cast is also good, but nothing spectacular. This in my opinion is due to the lack of details in the script that leaves some characters at a very shallow stereotypical level.

"A Day without a Mexican" may not be subtle in its approach, and probably it forces its message a bit too much, but still raises very important points and delivers its message without problems. The Arau couple had a brilliant idea and raised very good points, however, the film still feels as if it could had been better. Hopefully the couple will continue making films that will be better than this first attempt. 7/10. Interesting film.