Cube Zero

i just finished watching it and taught it was great to have a perspective from observers outside of the Cube for once .i read some other user comment one especially saying the cube as not been ameliorated uplifted .well how could it be more advanced when the movie happens before the original cube.i also liked the fact that in this one you get the general idea on how and why people end up in the cube.Good death traps all around as usual ,groovy atmosphere a good film well done with a bunch of unknown actors that play there roles in a credible manner considering the type of film this is.i enjoy the less mainstream thriller horror pictures lately always more original than all those block busters remake from the good 70's movies which needed none of that remake bull@#@$ all together it was very entertaining i give it a 7.5 out of 10

A perfectly adequate prequel to the first film. This time we see the men who operate the cube, but it doesn't take long to realise that they are still within the system.

This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.

This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.

(Saw this at Sci-fi London)

This film begins with a man named "Ryjkin" (Jasmin Geljo) waking up and finding himself in a symmetrical room with an exit hatch on all four walls along with one on the floor and one on the ceiling. After choosing to go through one of the exists leading into a similar room, he accidentally triggers a mechanism which sprays him with an unknown liquid. At first, he thinks it is just water and being quite thirsty, he proceeds to lick as much of it off of his skin as possible. Minutes later, however, he realizes that the liquid is a type of acid which leads to a gruesome conclusion. Then scene then shifts to a control room where two technicians named "Eric Wynn" (Zachary Bennett) and "Dodd" (David Huband) where Ryjkin's demise is playing out on a computer screen in front of them. Having seen numerous scenes similar to this, neither Wynn nor Dodd are overly surprised. Yet even though Wynn expresses his distaste for this macabre incident, he accepts the corporate explanation that the people within the cubical apparatus are condemned prisoners being given an opportunity for their freedom--if they can carefully negotiate their way through the hazards within this deadly maze. Even so, Wynn still has a number of questions regarding the entire setup and his curiosity is piqued even further when he discovers that one of the prisoners named "Cassandra Rains" (Stephanie Moore) doesn't have the necessary consent form within her files. This prompts even more concern on his part that he is involved in something so terribly horrific that it defies imagination--and that both he and Dodd could suffer from the same fate. Now, rather than reveal any more, I will just say that this film essentially serves as a prequel to the original movie produced seven years earlier and, as such, provides more details about the mechanism itself. And while this particular film is certainly not bad by any means, I do not believe it is quite as good as its two predecessors and I have rated it accordingly. Average.

The cube movies are the most inventive and satisfying creations in budget horror films today.

The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn.

But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed.

Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube.

This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.

Following the release of Cube 2: Hypercube (2003), and playing off the alleged success of the original Cube (1998), Director Ernie Barbarash takes the liberty of bringing us the third installment in the trilogy, the prequel Cube Zero.

Deep in the bowels of a giant and faceless institution, time and place unknown, two low-ranking operators, Wynn (Zachary Bennett) and Dodd (David Huband) sit and observe on monitors the behavior of people that have been placed in a giant network of cubic chambers, some of which are rigged with death traps. Told that the people they are observing are convicted felons who chose this horrific and deadly ordeal over a lethal injection, these observers have had no problem with their jobs until Wynn, a mathematical genius, discovers that one of the prisoners, a woman named Cassandra (Stephanie Moore) never agreed to be put inside the Cube. Suddenly it's realized that perhaps their "jobs" are not what they seem, and that they may be part of something deeply sick and twisted...

For people that have seen and enjoyed the original Cube, this prequel will probably not be to your liking. It's not that the story does not have potential; it's simply that the first Cube film never needed to be expanded on. Standing alone, it is a neat little psychological thriller with very interesting concepts and a certainty about its own message. It was also nicely self-contained. The problem with Cube Zero is that it destroys some of the mystique of the original, attempting to answer questions with more questions but only really resulting in making a mess of what never needed fixing.

What this new film has to offer, which is questions about the psychological nature of authoritarianism and the banality of evil, certainly are good questions to be raised, but probably should have been done so on their own merits, rather than as a continuation of a film that had no such aspirations.

Having said this, the other traits of the film, such as acting and direction and writing, are not awful. There is a bleak, dark look to the film akin to such film noir as 'The Matrix' and 'Dark City', and they have certainly managed to recapture the claustrophobic feeling of the first Cube. Unfortunately for Barbarash, these are not enough positive qualities to save it.