A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
- Awards
- 3 wins & 2 nominations total
Joshua Peace
- Finn
- (as Josh Peace)
Flossie McKnight
- Female Doctor
- (as Araxi Arslanian)
Kyle Derek
- Squad Leader
- (as Kyle McDonald)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Cube revolutions
A perfectly adequate prequel to the first film. This time we see the men who operate the cube, but it doesn't take long to realise that they are still within the system.
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
Cube gets stoned...
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Another group of individuals awake to find themselves trapped within the confinement of the now legendary Cube,with only their wits and their speed to save them.In this instalment,we also learn more about the people behind the Cube and the sinister true reason for it's existence...
As I watched Cube:Zero stretch out before me,I couldn't help but feel I was watching yet another example of a great original film,a far-fetched but undeniably inventive and thoroughly engaging science-fiction caper,being milked for all it's worth with tacky video sequels.For any gore-hounds out there,there's some impressive grisly dismemberment scenes to behold and the original angle remains as clever as ever,but it's no cleverer than it was before.The film is just that:a desperate and sad extension of it's original self.It's never made clear what the Zero in the title means,but zero is a name for cannabis,and that's sort of what it feels the screen-writers had been puffing too much of when they penned another entry into the Cube franchise.With some naff new central characters introduced (typical and dourly indicative of this kind of video sludge!) and a slumberous pace,one can only hope that this marks the final part of the now depressingly wearisome Cube franchise.**
Another group of individuals awake to find themselves trapped within the confinement of the now legendary Cube,with only their wits and their speed to save them.In this instalment,we also learn more about the people behind the Cube and the sinister true reason for it's existence...
As I watched Cube:Zero stretch out before me,I couldn't help but feel I was watching yet another example of a great original film,a far-fetched but undeniably inventive and thoroughly engaging science-fiction caper,being milked for all it's worth with tacky video sequels.For any gore-hounds out there,there's some impressive grisly dismemberment scenes to behold and the original angle remains as clever as ever,but it's no cleverer than it was before.The film is just that:a desperate and sad extension of it's original self.It's never made clear what the Zero in the title means,but zero is a name for cannabis,and that's sort of what it feels the screen-writers had been puffing too much of when they penned another entry into the Cube franchise.With some naff new central characters introduced (typical and dourly indicative of this kind of video sludge!) and a slumberous pace,one can only hope that this marks the final part of the now depressingly wearisome Cube franchise.**
The Beginning of the Cube
This film begins with a man named "Ryjkin" (Jasmin Geljo) waking up and finding himself in a symmetrical room with an exit hatch on all four walls along with one on the floor and one on the ceiling. After choosing to go through one of the exists leading into a similar room, he accidentally triggers a mechanism which sprays him with an unknown liquid. At first, he thinks it is just water and being quite thirsty, he proceeds to lick as much of it off of his skin as possible. Minutes later, however, he realizes that the liquid is a type of acid which leads to a gruesome conclusion. Then scene then shifts to a control room where two technicians named "Eric Wynn" (Zachary Bennett) and "Dodd" (David Huband) where Ryjkin's demise is playing out on a computer screen in front of them. Having seen numerous scenes similar to this, neither Wynn nor Dodd are overly surprised. Yet even though Wynn expresses his distaste for this macabre incident, he accepts the corporate explanation that the people within the cubical apparatus are condemned prisoners being given an opportunity for their freedom--if they can carefully negotiate their way through the hazards within this deadly maze. Even so, Wynn still has a number of questions regarding the entire setup and his curiosity is piqued even further when he discovers that one of the prisoners named "Cassandra Rains" (Stephanie Moore) doesn't have the necessary consent form within her files. This prompts even more concern on his part that he is involved in something so terribly horrific that it defies imagination--and that both he and Dodd could suffer from the same fate. Now, rather than reveal any more, I will just say that this film essentially serves as a prequel to the original movie produced seven years earlier and, as such, provides more details about the mechanism itself. And while this particular film is certainly not bad by any means, I do not believe it is quite as good as its two predecessors and I have rated it accordingly. Average.
Not Awful, but Unnecessary
Following the release of Cube 2: Hypercube (2003), and playing off the alleged success of the original Cube (1998), Director Ernie Barbarash takes the liberty of bringing us the third installment in the trilogy, the prequel Cube Zero.
Deep in the bowels of a giant and faceless institution, time and place unknown, two low-ranking operators, Wynn (Zachary Bennett) and Dodd (David Huband) sit and observe on monitors the behavior of people that have been placed in a giant network of cubic chambers, some of which are rigged with death traps. Told that the people they are observing are convicted felons who chose this horrific and deadly ordeal over a lethal injection, these observers have had no problem with their jobs until Wynn, a mathematical genius, discovers that one of the prisoners, a woman named Cassandra (Stephanie Moore) never agreed to be put inside the Cube. Suddenly it's realized that perhaps their "jobs" are not what they seem, and that they may be part of something deeply sick and twisted...
For people that have seen and enjoyed the original Cube, this prequel will probably not be to your liking. It's not that the story does not have potential; it's simply that the first Cube film never needed to be expanded on. Standing alone, it is a neat little psychological thriller with very interesting concepts and a certainty about its own message. It was also nicely self-contained. The problem with Cube Zero is that it destroys some of the mystique of the original, attempting to answer questions with more questions but only really resulting in making a mess of what never needed fixing.
What this new film has to offer, which is questions about the psychological nature of authoritarianism and the banality of evil, certainly are good questions to be raised, but probably should have been done so on their own merits, rather than as a continuation of a film that had no such aspirations.
Having said this, the other traits of the film, such as acting and direction and writing, are not awful. There is a bleak, dark look to the film akin to such film noir as 'The Matrix' and 'Dark City', and they have certainly managed to recapture the claustrophobic feeling of the first Cube. Unfortunately for Barbarash, these are not enough positive qualities to save it.
Deep in the bowels of a giant and faceless institution, time and place unknown, two low-ranking operators, Wynn (Zachary Bennett) and Dodd (David Huband) sit and observe on monitors the behavior of people that have been placed in a giant network of cubic chambers, some of which are rigged with death traps. Told that the people they are observing are convicted felons who chose this horrific and deadly ordeal over a lethal injection, these observers have had no problem with their jobs until Wynn, a mathematical genius, discovers that one of the prisoners, a woman named Cassandra (Stephanie Moore) never agreed to be put inside the Cube. Suddenly it's realized that perhaps their "jobs" are not what they seem, and that they may be part of something deeply sick and twisted...
For people that have seen and enjoyed the original Cube, this prequel will probably not be to your liking. It's not that the story does not have potential; it's simply that the first Cube film never needed to be expanded on. Standing alone, it is a neat little psychological thriller with very interesting concepts and a certainty about its own message. It was also nicely self-contained. The problem with Cube Zero is that it destroys some of the mystique of the original, attempting to answer questions with more questions but only really resulting in making a mess of what never needed fixing.
What this new film has to offer, which is questions about the psychological nature of authoritarianism and the banality of evil, certainly are good questions to be raised, but probably should have been done so on their own merits, rather than as a continuation of a film that had no such aspirations.
Having said this, the other traits of the film, such as acting and direction and writing, are not awful. There is a bleak, dark look to the film akin to such film noir as 'The Matrix' and 'Dark City', and they have certainly managed to recapture the claustrophobic feeling of the first Cube. Unfortunately for Barbarash, these are not enough positive qualities to save it.
More answers and a new approach
Cube Zero is the third movie in the Cube franchise and rather turns in the direction of the first movie which worked the best, however in this one we follow Eric Wynn portrayed by Zachary Bennett who is working for the company that is accountable for the cube structures. He is questioning if it's morally excusable to work for a company that straight up kills people and he starts to doubt if the things they told him were all true. I think this is a pretty interesting concept and the movie needed to take a new step because just simply putting some characters in cubes with traps again would be probably entertaining but wouldn't bring the franchise much further. So we get to know a little bit more about how it is outside of these cubes and who is responsible for them.
And some people might absolutely hate that idea and some will love it. I personally enjoy it and think it was an interesting and risky step for the franchise to go. Like the other movies this one has some good gore and some pretty nice effects mixed up with some questionable looking CGI, however this movie was released in 2004 and therefore can't be judged too much based on that. One minor complaint I have is that I would have loved to see more of the cubes and their booby-traps themselves and don't spend so much time outside in an underground office because it feels like the character's in the Cube were neglected and therefore aren't as interesting as the ones being in the office.
Overall I think this is a good and entertaining movie and I enjoyed it more than the Hypercube one, however it's still quite a few steps away from the original in terms of quality and enjoyment. [6,5/10]
And some people might absolutely hate that idea and some will love it. I personally enjoy it and think it was an interesting and risky step for the franchise to go. Like the other movies this one has some good gore and some pretty nice effects mixed up with some questionable looking CGI, however this movie was released in 2004 and therefore can't be judged too much based on that. One minor complaint I have is that I would have loved to see more of the cubes and their booby-traps themselves and don't spend so much time outside in an underground office because it feels like the character's in the Cube were neglected and therefore aren't as interesting as the ones being in the office.
Overall I think this is a good and entertaining movie and I enjoyed it more than the Hypercube one, however it's still quite a few steps away from the original in terms of quality and enjoyment. [6,5/10]
Did you know
- TriviaThe exit machine is a slightly reworked old Moviola film editing machine with a couple of raw speakers and a YES/NO button added.
- GoofsThe file cabinets in the observation room are marked with name ranges; one drawer is listed as "Rabinovich - Rabe", which is not in alphabetical order.
- Crazy creditsZero the fish as himself
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movie Prequels (2018)
- SoundtracksMessage From Buddha
Performed by Norman Orenstein
Written by Norman Orenstein
Published by Norman Orenstein Music (Socan)
Details
Box office
- Budget
- CA$1,200,000 (estimated)
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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