The Goodbye Girl

This perfectly serviceable remake of the 1977 picture raises the question as do so many remakes, of why this was remade. The scene is changed from the Upper West Side to West Greenwich village, but other than that, it looks like the leads worked on their characterizations by looking at the earlier film -- and the originals do it ever so slightly better.

It is almost impossible to watch this movie, without comparing it to the 1970's movie. Jeff Daniels does a servicable job in this role, but to my eyes he seems miscast. He is just not desperate or manic enough in this part. Patricia Heaton is actually an upgrade over Marcia Mason in the female lead.

This is just an odd film to remake. The original was not exactly out of date. They did not make any big changes in this version, except very minor mentions of more current events. If you are bored, the source material this comes from is still pretty good. However if you really enjoy this movie, take the time to rent the 1977 version. I promise you will appreciate it being better.

Jeff Daniels ("Dumb and Dumber." 1994) and Patricia Heaton (T.V.'s "Everybody Loves Raymond") team up in this made-for-TV remake of Neil Simon's 1977 original. Elliot Garfield (Daniels) is forced to share an apartment with Paula (Heaton), and her 11ish-year-old daughter, Lucy (Hallie Kate Eisenberg--the "Pepsi girl" of the late '90s). At first there is incredible housemate static, but as time passes feelings for each other begin to surface.

I actually saw the movie premiere in an Ann Arbor, MI historical theater. Daniels himself gave the introduction. Some dialogue seems forced, especially from Eisenberg. And the shared apartment is quite unbelievably luxurious for two, supposedly strapped-for-cash performing artists. Funny scenes and clever dialogue snippets save this romantic comedy, though the original is better.

Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.

Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.

Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.

I loved the original. This remake was just painful. Try though he might Jeff Daniels could not carry off the roll of Elliot with any degree of charm, humor or frenetic energy that Richard Dreyfuss made work so well in the original. Matthew Perry MIGHT have been a better casting choice for Elliot, but it's hard to follow a classic.

And though Patricia Heaton is much easier on the eye than Marsha Mason ever was, she seemed to be phoning in her part as well. Marsha sold the part of a hopeless romantic who'd been dumped one too many times. Patricia seemed to be acting like it was one of her Albertson's commercials.

I really tried to cheer for this remake, but it just didn't hold a candle to the original.