The Middle of the World

This is a hypnotic Brazilian film. Directed by Vicente Amorim, it's set in the wide open expanses of the North of the country as a poor family is seen traveling toward Rio on bicycles. The movie gives us a sense of the enormity of some of the arid landscape the family traverses in order to get to a place where the father, Romao, could get a decent job that would pay him, at least, a sum, that in his mind will be enough to take care of his wife and five children.

The movie is made so appealing by the cinematography of Gustavo Hadba, whose camera loves to show the emptiness of the regions the family is seen traversing. The music of Andre Abujamra blends perfectly with the action.

The only thing that is incomprehensible is the way that Romao will not try to get a job, doing whatever, to support his family. Romao is a stoic father who believes his problems will be solved when they arrive in Rio, but along the way, he shows he is a beaten man who will let his family perform for whatever coins are thrown at them, and even starve, without moving a finger to remedy the situation. At the same time, Romao shows a faith in the miraculous Father Cicero, whose sanctuary they visit along the way, but alas, when opportunities arise, Romao doesn't take advantage of them.

The suffering mother Rosa is a model of loyalty to her husband. Even if she knows that it's because of Romao they are in the position one sees them. Antonio, the oldest son, is clearly an intelligent boy who will make it in life because he appears to have a resolve that will fight to survive.

The director got good performances all around from his cast. Wagner Moura, Claudia Abreu and Ravi Ramos Lacerda, the three principals, are perfect in their roles.

The film will not disappoint because it shows a good director at the helm.

I've lived in Northeast Brazil, where this movie is set. Viewers get a realistic picture of small-town life, including devotion to Padre Cicero, a priest who died in 1934, in Juazeiro do Norte, Ceara. It shows the importance of the music of Roberto Carlos, the romantic singer who is Brazil's highest-selling recording artist, in the characters' lives. I've known people who have made similar journeys, and seen their devotion to their children and their struggle to preserve their dignity, just like the characters in this movie.

It's more low-key than ""Bye Bye Brasil," "Central Station," "O Auto da Compadecida," and "Eu, Tu, Eles" (Me, You, Them). It's most similar in tone to "Central Station."

May be the summary say it all but the movie it's so great that I'm gonna give interested people more info about it. Is the first time in the latinamerican movie history when a director make a movie about being poor is not a terrible drama, it's just life, nothing more and nothing less. You can watch how is it the Latin American way to live the poverty: It's a daily drama that everybody lives each day of their life and that make's life less dramatic. In the movie you can found a typical family and the play of each character are the same in every place in the world without differences of social class. In the film you can make a road-trip from the north to the south of Brazil but without the typical beach and sun scenery. No, here it is another part of Brazil, that part where the real people live and tourism don't show. Incredible characters and fantastic places.

Rarely does one have the opportunity to see such a unique, honest and beautiful movie, specially when it comes to dealing with such difficult issues such as poverty, a family's struggle to stick together and overcome all sorts of misadventures. This is a beautifully shot road movie on bicycles - based on a true story - that can be compared to The Bicycle Theif, and another Brazilian master piece by Nelson Pereira dos Santos: Vidas Secas (Barren Lives, is the English title) (based on a novel). Everyone should get to see this movie.

I loved this movie!

It is so refreshing to watch a non-pretentious film that illustrates the realities of poverty and the search for happiness without making you want to jump out of the nearest window!

Normally, Latin American directors tend to emphasize and exoticize poverty-stricken towns and characters by dwelling on the families' strife and hardship in order to extract superficial emotion from the spectator. Mr. Amorim, however, deftly maneuvers around these themes with a sincere and compassionate and humanistic eye.

"O Caminho das Nuvens" is a funny and modern road-movie that takes you where you want to go...places you may have been before, but may not have seen in such a fresh and authentic way. Muito bom.