Oyster Farmer

Saw this movie over the weekend in New York at the Quad Cinema.

One if the best movies to come out of Australia, period. I highly recommend seeing this film. Visually stunning, without being overwhelming, or detracting from the storyline. With the gorgeous Hawkesbury River as her backdrop, Reeves weaves characters vividly to life with the pithy little concerns and subtleties that are so crucial in a movie so delicate. The script is tight and beautifully executed. Compared to other feature directorial debuts this is an incredible piece. As a stand alone work, I think this movie will be looked back on as the beginning of an Australian legacy. Bravo. I hope to see much more from this very talented director.

I hope Anna Reevs, the director as well as the writer, takes justified pride in this amazingly wonderful first effort. Because of its class I was surprised to see that it was her debut film-how many others would dream of writing and directing such a superb first effort.

I saw this film several days ago in Fremantle and although I had heard from electronic media outlets that it was a very good film, I had no idea, other than the obvious title what I was going to see. The beauty of the Hawksbury was breathtaking and the juxtaposition of that beauty with the basic everyday existence of the oyster farmers presented a compelling contradiction throughout the film.

Maybe it's the technical strides that have taken place during the recent past but I am swallowed by the beauty of the cinematography; I am sure Bollinger whose camera work captured every nuance of the natural beauty of this region would tell me that it was his and Reeves' direction that captured the setting and that it had nothing to do with improvements in equipment. Be that as it may, the camera images were beautiful.

The actors were on the whole unknown to me but the work they did made a life unknown to me real and more importantly, eminently worth watching. An absolute gem of a movie not to be missed.

"Oyster Farmer" is a refreshing story that gives an insight into a few of the many characters scattered throughout the country. Though the story line is far from spectacular, it in engrossing with the ordinariness of people trying to eke out a living in a cut throat business. The interplay between the characters enriches the plot as one couple oppose each other, a wanderer carries robs an armoured car to pay off a debt and a group of Vietnam veterans make a life away from a world that has rejected. There are other interesting characters who also intertwine the plot with their affairs and dealings. Really, this film has no pretenses. The scenery is just so typical of a great waterway as are depictions of the life style of its people.

"Oyster Farmer" is a warm, refreshing, Australian take on the old-fashioned genre of the secretive, hunky stranger with a murky past shaking up a small community.

Alex O'Lachlan in his notable debut as "Jack Flange" is very much like William Holden in "Picnic" and Paul Newman in "The Long Hot Summer." While debut writer/director Anna Reeves certainly appreciates his visual and visceral assets, his character's mysteriously tattooed masculinity is a Sensitive New Age Guy metrosexual compared to the hard-working blokes along the mangroves of the isolated Hawkesbury River north of Sydney, which looks a lot like the bayou country of Louisiana that has been similarly used for sultry effect in movies like "The Big Easy."

While it's a bit confusing at first to sort out the relationships (let alone the basics of oyster farming), partly due to the accents, in this tight and quirky Brooklyn where everyone knows generations of everybody's paternity, marital disputes, personal business, and, particularly for the plot, their mail, the gradual revelations add to our enjoyment of the comfortable repartee as we are thrust into the ongoing squabbles along with the outsider and learn to appreciate this fading lifestyle as it becomes his home despite his suspicions and other plans.

Jim Norton as a Granddad with an Irish gift of gab is particularly entertaining as he goads his stubborn wirey son, an appealing David Field, to make up with his wife, who has the more successful touch as an oyster farmer.

Women in this macho environment have to not only be tough, but resilient as they find ways to still assert their femininity. Diana Glenn's "Pearl" seems perfectly adapted to the local way of life-- her hitchhiking up the river is a wonderful detail even as she has "Sex and the City" proclivities --though her flirtation with "Jack" is only frankly lusty. Kerry Armstrong is a marvelous matriarch, but her character's level-headedness reduces opportunities for jealousy, as the script opts for humor over tension.

Jack Thompson has a small local color role, but key as he becomes an anchoring father figure for the restless "Jack" as we see him grow new roots.

The national park scenery and Alun Bollinger's cinematography are breathtakingly beautiful and that waterfront train looks like a delightful ride, though a bit more geographical context would have been helpful.

A great Australian romantic comedy about life and love on the Hawksbury River. The scenes in this film are all very beautiful and captivating, with mention of popular tourist destinations such as Gosford.

New to the big screen, actor Alex O'Lachlan shines as the clumsy thief with the unfortunate name, Jack Flange who robs the local fish markets in order to pay for his sisters hospital bills after a car accident. Jack then posts the money to himself but it suspiciously never arrives and he begins to suspect everyone around him of taking it.

Jack Thompson makes an appearance and Dianna Glenn is charming as the lovable Pearl.

If you like Australian films, you'll love The Oyster Farmer.