After unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and choose... Read allAfter unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and chooses the six years Kim Jin-sung that loves to draw trees. The boy becomes close to the eight ... Read allAfter unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and chooses the six years Kim Jin-sung that loves to draw trees. The boy becomes close to the eight years old next door neighbor Min-jee and is attracted to an old Acacia tree in their lawn.... Read all
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Featured reviews
Never adopt the freaky kid!
Mi-sook struggles to make Jin-seong feel wanted—a task made harder by her unsupportive mother, who openly voices her opinion that adoption was a mistake—but things go from bad to worse after Mi-sook discovers that she is pregnant. When the baby is born, Jin-seong feels rejected and starts to pose a threat to the new arrival, and, as family life becomes more strained, the boy's strange attachment to the acacia grows stronger. After an argument with his adoptive mother, Jin-Seong declares that the tree is his dead mother, and mysteriously disappears.
With their adopted son missing, Kim Do-il and Choi Mi-sook's relationship rapidly breaks down. Meanwhile, Mi-sook's mother coughs up blood after an acacia bloom falls on her face and Kim Do-il's father is attacked and killed by the ants that guard the tree. Is the acacia really the reincarnation of Jin-seong's real mother, taking revenge on those who have wronged her son? And what is the sinister secret that eventually drives Mi-sook to homicidal madness?
Trees can be pretty scary: the ominous tree outside the young boy's bedroom window in Poltergeist, the terrifying trees of The Evil Dead, the baby-eating tree in The Guardian, and even the grouchy apple trees in The Wizard of Oz—all of them decidedly unsettling. The acacia tree in this lacklustre K-horror is rather weak by comparison, striking out with flowers and insects hardly the stuff of nightmares.
The real horror of this film is not its titular tree, which actually looks rather tranquil and nonthreatening throughout, but rather the twist of fate and chain of events that ultimately results in tragedy and suffering—but it is all told at such a dull pace that it proves totally unengrossing. Director Ki-hyeong Park has clearly spent a lot of effort on making his film look as stylish as possible, delivering some admittedly striking imagery, but with such dreary storytelling, very little in the way of tension, and a muddled ending that required way more concentration and patience than I cared to give, Acacia leaves a lot to be desired.
A slow-moving but creepy South Korean horror.
Family Issues...
On one level this is a story of loneliness, jealousy, and extreme guilt. It's also about insanity, revenge, and death. The psychological and supernatural elements merge into a well-told, subtle, yet emotionally charged ghost story. Watch it and allow it to creep up on you...
Awkward horror
This is built up like most other Asian horror films, that is slow moving, using good cinematographers and focusing on creating atmosphere rather than just shocks. Somehow it manages to fail completely. When it tries to build up tension, the over the top editing takes it quickly away. The editing tries to make the film clever, instead it makes me not take it seriously at all. About the drama; how can they ignore their adopted son so soon? This looks like a cash-in on the horror boom and should be avoided.
Trees can be very scary, this is not.
Ambiguous, Bold and Original Chiller
South-Korean horror movies are the best in the genre usually supported by three points: ambiguity, boldness and originality in non-linear chillers, with a great twist in the end; The writers and directors are not afraid to usually explore bold situations that Hollywood does not dare to use like for example death of children. These three factors are constant, and in "Acacia" is no exception. The ambiguity of the screenplay permits to disclose in a low-pace either a family drama or a supernatural story. All the situations have explanations; the viewer has just to join the pieces of the puzzle and find them. In this story, the innocence of the foster kid makes him believe that his mother is a tree because somebody had justified the loss of his mother in a rainy day explaining that she became a tree. The rejection process of the boy when the baby is born is usual between siblings, imagine with a little child brought from an orphanage. The greatest difficulty of South-Korean movies is that they force the viewer to think, and unfortunately many people are not used to do that, giving a low rating to a very good movie. My vote is seven.
Title (Brazil): Not Available
Did you know
- Crazy creditsThe first several seconds of the end credits roll over an additional flashback.
Details
Box office
- Budget
- $2,200,000 (estimated)
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1







