Killing Cabos

'Matando Cabos' is a mixture of the retro, Tarantino and absurd movies. It's a must to all of us that adored the b-movies of the 70s.

The story is not pretentiously developed in a way to be unpredictable, it's more like going out in this trip that you simply don't know what's going to happen next because you simply just don't know, just like in 'Go!'. In this fashion, 'Matando Cabos' results in an entertaining and hilarious urban adventure.

For all of those who are just sick of all those Latin American movies that just try to "portray" the reality of society with stories around prostitution, corruption, crime and injustice, you ought to see this movie. It's a good way to see that in Latin America they also "just want to have fun".

"Matando Cabos" is the title of Alejandro Lozano's debut film, that even when it shares some similitude with American Films, such as "Pulp Fiction" and "Taxi Driver", it stands as a great movie, bringing a refreshing breathe to Mexican commercial cinema.

The major attractive of the film lies in its screenplay. The story is about two best friends, Jaque and Mudo, that are involved on a critical situation when they accidentally kidnap their boss, the sadistic and rich Oscar Cabos, and they hide him on Jaque's car. Meanwhile, a kidnapper's band, directed by the son of Cabos' ex-best friend, plan to take him to ask for money. But they take the wrong person and that's how a series of funny events, plagued with a black humor-screenplay, are shown by a bunch of hilarity characters that add a special charm in the movie.

Of course, this film is far from been compared to "Amores Perros", "Y tu Mamá También" or "El Crimen del Padre Amaro", which were deeper and focused on complex and even controversial issues. On the other hand, in "Matando Cabos" we have a well written and light story from the beginning to the end.

Finally, it's very remarkable the use of f/x for the car-chase scene filmed in the Estadio Azteca, supervised by people in charge of effects for "Matrix", that is the most expensive scene ever done in Mexican Cinema's history and by the way, the best Mexican action film. That's the reason why the film was released on summer, because it's able to compete against the mega-budgeted productions.

One of the best movies of the Mexican commercial films that vindicates national cinema with its fresh air and leaves the door open for future indie and risky films that are changing the face of Mexican movies. Great film, excellent casting, very funny and catchy. Don't miss it.

9 out of 10

Diversión garantizada Fun for sure

Funny from beginning to end, with great references to the classic Mexican wrestling cinema (el santo) and very interesting characters, being "mascarita" and the cannibal unique, all mix up in a movie that in my opinion didn't had many expectations, but at the end it was all worth, really entertaining.

Also, even though the acting from Tony and Kristoff is not Oscar winning, is light but adjusts to the characters, simple and stupid, and don't forget "butcher", a kind of nice psycho trying to avenge his father and being such a funny villain.

8/10

I attended a special screening for this movie and I was quite surprised to see two Mexican aspiring actors writing and starring their own motion picture. The premise of the movie is that it was done by people under the age of thirty. Thus, it is intended to be enjoyed solely by this sector of the population. This film noir that uses black comedy as well as screwballism is very funny indeed and it is very inventive. The presence of only two well known actors (Pedro Armendáriz and Ana Claudia Talancón) increases the audience's interest in the plot itself. One problem that this movie faces is that it has too many things to tell and very little time. It is possible for the spectator to find it slow at times, but it's ending is well worth the wait. Newcomers galore in this wonderful Mexican production. This movie represents Mexican cinema that is well done and that has right support. I recommend it strongly. **** out of 5 stars.

Good characters, well paced, with a tight script full of twist and well placed turns. People will often dismiss any movie that is well crafted by comparing it to another movie that's well crafted. In this case I felt like it was more of a good thing instead of "more of the same", sort of like getting a second helping of something great. The movie does build it's central premise (a series of wild coincidences, characters that are larger than life, the fast paced-all in one night action) on other movies that feature similar elements (Snatch, Pulp Fiction, etc) but because the situations and characters are unique I did not feel ripped off. Overall I found this film to be very entertaining. I saw it at Sundance this year (2005). I hope it comes out in the US, I would recommend it to anybody that like to be entertained.