IMDb RATING
6.8/10
2.8K
YOUR RATING
In late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.In late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.In late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.
- Awards
- 11 wins & 17 nominations total
Bae Yong-jun
- Jo-won
- (as Yong-jun Bae)
Jo Hyeon-jae
- Kwon In-ho
- (as Jo Hyun-jae)
Jeon Yang-ja
- Vice-minister's Wife
- (as Yang-ja Jeon)
Na Han-il
- Nobleman Yoo
- (as Han-il Na)
Lee Mi-ji
- So-ok's mother
- (as Mi-ji Lee)
Seong-min Choi
- Slave
- (as Sung-min Choi)
Yi-bin Han
- Eun Sil-i
- (as Seon-nyeo Yoon)
Min Kyeong-ok
- Woman from Andong
- (as Kyeong-ok Min)
Seo Yoon
- Jeong Geum-i
- (as Yoon-ah Seo)
Kong Ho-seok
- Elder 3
- (as Kong Ho-suk)
Featured reviews
I believe this is the best version of 'Dangerous Liaisons' yet filmed.
Going in, I expected nothing from this movie, as it had to compare with the other three versions of the story I have seen: The classic Dangerous Liaisons (Close/Malkovich/Pfeiffer), the more entertaining but less memorable Valmont (Bening/Firth/Tilly) and the worthy but inferior Cruel Intentions.
However, this Korean version was so stunningly well-produced in every way that it has to be pronounced the superior version of all. The cast was attractive and skillful, the sets and production values were so slick and artful that "perfection" is the only word that comes to mind. The story was thoroughly captivating from beginning to end, and I was moved to tears on several occasions, esp. of course towards the end.
I find that the story is becoming a classic and a favorite of mine (and I intend to move on to the original book very soon). It is about the wages of cynicism; a tragedy where the wicked are justly punished by experiencing on their own bodies and souls the effects of their ruthless actions. It shows how people's actions have consequences, and how those consequences will eventually come full circle, to slap the perpetrators in the face. It is a movie about human nature, saying that cynicism goes against our nature and can destroy us all if running unchecked. A morality tale. A good and true one. A Classic.
My rating: 9 out of 10.
(P.S. Yes, of course Jo-Won *let* that guy stab him in the back. He was killed by his own conscience.)
Going in, I expected nothing from this movie, as it had to compare with the other three versions of the story I have seen: The classic Dangerous Liaisons (Close/Malkovich/Pfeiffer), the more entertaining but less memorable Valmont (Bening/Firth/Tilly) and the worthy but inferior Cruel Intentions.
However, this Korean version was so stunningly well-produced in every way that it has to be pronounced the superior version of all. The cast was attractive and skillful, the sets and production values were so slick and artful that "perfection" is the only word that comes to mind. The story was thoroughly captivating from beginning to end, and I was moved to tears on several occasions, esp. of course towards the end.
I find that the story is becoming a classic and a favorite of mine (and I intend to move on to the original book very soon). It is about the wages of cynicism; a tragedy where the wicked are justly punished by experiencing on their own bodies and souls the effects of their ruthless actions. It shows how people's actions have consequences, and how those consequences will eventually come full circle, to slap the perpetrators in the face. It is a movie about human nature, saying that cynicism goes against our nature and can destroy us all if running unchecked. A morality tale. A good and true one. A Classic.
My rating: 9 out of 10.
(P.S. Yes, of course Jo-Won *let* that guy stab him in the back. He was killed by his own conscience.)
What can I say... 18th century century Korea is almost a picture perfect combo of "east meets west" with 18th century France. Many will probably judge Untold Scandal with the John Malkovich version of Dangerous Liaisons. Both versions need a little help, but "love story" was more profound and more touching in this version. Malkovich seemed like the faking unfaithful perp till the end, but in Untold Scandal you genuinely see the transformation in him from a seducer to a man desperately in love. While i didn't give a $hit about the characters in Dangerous liaisons since they are all pretty much ruthless bastards, you really care for everyone in Untold Scandal which made the ending even more depressing. Lastly, the simple and beautiful scenery of 18th century Korea is in itself breathtaking enough to see the film. I recommend both versions, you might want to see them back to back.
"Untold Scandal (Joseon namnyeo sangyeoljisa)" is the best all-around adaptation of "Les Liaisons dangereuses."
Others have struck the right note with singular elements, but went flat on others. This has terrific, believable, very attractive casting -- from the young love-struck innocents to the older central cynics; an appropriate mise en scene of a rigid society with strict, hypocritical rules about women's behavior, here 18th century Korea; the epistolary format of the original to drive the machinations, helped by beautiful calligraphy and even writing positions; a varying tone that ranges from Shakespearean romantic comic bashing of human foibles to the diabolical thrusts that playing with people's hearts can really hurt, particularly communicated through the changing tone of the music.
This very frank version is particularly good at closely examining the full ramifications of lust vs. love, chastity vs. celibacy, experience vs. naivete, foreplay vs. consummation, and of course, men vs. women. This is a battle of the sexes with a lot of sex.
While it is a bit slow, the lush costumes, production design and settings fill the eye.
Though the opening credits are translated into English, the closing ones aren't -- but you must stay past them as the plot concludes devilishly with closing images that demonstrate that the more things change, the more they stay the same.
I wasn't sure about the accuracy of the English subtitles in describing the familial relationships among the characters as I was a bit confused about who was an in-law of whom how.
Others have struck the right note with singular elements, but went flat on others. This has terrific, believable, very attractive casting -- from the young love-struck innocents to the older central cynics; an appropriate mise en scene of a rigid society with strict, hypocritical rules about women's behavior, here 18th century Korea; the epistolary format of the original to drive the machinations, helped by beautiful calligraphy and even writing positions; a varying tone that ranges from Shakespearean romantic comic bashing of human foibles to the diabolical thrusts that playing with people's hearts can really hurt, particularly communicated through the changing tone of the music.
This very frank version is particularly good at closely examining the full ramifications of lust vs. love, chastity vs. celibacy, experience vs. naivete, foreplay vs. consummation, and of course, men vs. women. This is a battle of the sexes with a lot of sex.
While it is a bit slow, the lush costumes, production design and settings fill the eye.
Though the opening credits are translated into English, the closing ones aren't -- but you must stay past them as the plot concludes devilishly with closing images that demonstrate that the more things change, the more they stay the same.
I wasn't sure about the accuracy of the English subtitles in describing the familial relationships among the characters as I was a bit confused about who was an in-law of whom how.
I was privileged to see "Untold Scandal" earlier this evening as a member of the Trenton Film Society. First of all, this is one of the best films of 2004, and I hope it gets a wider release in America. Why did the Korean film, "Spring, Summer, Winter, Fall...and Spring" get a significant release in the USA, but "Untold Scandal" has not? "Untold Scandal" is the far better of the two. Secondly, I felt this version of "Dangerous Liasons" was FAR superior to the American version that was made a number of years ago with Glenn Close and John Malkovich. This version was played more as a love story, more of a Shakespearean tragedy, and infinitely more heartbreaking. While all the performances are strong, the woman playing Lady Sook (the Michelle Pfeiffer role in the American version) was by far the most moving of all the performances. As someone noted earlier in their comment, I didn't see this as a comedy at all. But again, this was absolutely tremendous, and I hope it gets a wider release in America, so that more will have the opportunity to see it.
I'm no expert on movies, I just like I like, but do watch a wide variety of films (especially since getting my Roku box!)
I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.
I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.
I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.
--Rick in Boulder
I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.
I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.
I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.
--Rick in Boulder
Did you know
- TriviaReplaced 2046 (2004) as the closing film at the Edinburgh Film Festival.
- ConnectionsFeatured in Les liaisons scandaleuses (2021)
- How long is Untold Scandal?Powered by Alexa
Details
Box office
- Gross US & Canada
- $63,332
- Opening weekend US & Canada
- $6,015
- Oct 17, 2004
- Gross worldwide
- $5,762,801
- Runtime
- 2h 4m(124 min)
- Color
- Aspect ratio
- 1.85 : 1
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