The Deal

In some ways, the story of Gordon Brown and Tony Blair is profoundly uninteresting. Two men with a similar political philosophy consider challenging for the leadership of the party, eventually decide not to compete with one another but subsequently (in events not covered by this film) fall out. Of course, there are many "what ifs", but politics is full of these. The absence of a philosophical clash, or a deep personal emnity, makes their deal in some senses trivial - one guy stood aside for the other, so what? If any other job than that of potential Prime Minister had been at stake, would anyone care? Because of that job, their decision clearly had some significance. But politicians make deals all the time with one another - and had we not a media obsessed with political minutiae, that history might well have been forgotten. According to the briefings, it certainly hasn't been forgotten by Brown - but that doesn't necessarily make it important.

Stephen Frears' film tries hard to reconstruct these events, but it fails to really gain life, telling us what we know already without really adding anything new. David Morrissey, as Brown, is less convincing than when given free rein to play a fictional politician as he did recently in 'State of Play'; Michael Sheen, as Blair, is always just a little bit more callow and hollow than the real thing. The story suggests there was little real friendship between the two, which reduces the tale to a series of empty manoeverings. And while it's fun to see representations of various political characters, we get too little sense of their whole lives. There are a few nice touches (Blair's instinctive family values, Brown's genuine grief at John Smith's death) but 'The Deal' still feels like a compilation of yesterday's newspapers. History will certainly remember both men, but their deal will surely rate only a footnote. For good or ill, Blair stood and won - and that's all we really need to know.

It's 1994. Tony Blair (Michael Sheen) does a deal with Gordon Brown (David Morrissey) for the leadership of the Labour Party. Twelve years earlier, both Blair and Brown are new members after a Conservative landslide forced to share an office. The bombastic Brown rises quickly in the opposition ranks. The more personable Blair is slower but is Brown's confidant and close political ally. After a close but heartbreaking election in '92, Blair pushes Brown to run for the leadership but is rebuffed. Blair becomes more ambitious. Brown makes enemies in the party while Blair makes gains in popularity.

It's a fine docudrama about a couple of fascinating personalities. Both Sheen and Morrissey are well cast and great actors. It hits on the main points of history but it doesn't give the history life. Director Stephen Frears needs more personal moments between the two leads. The most compelling scenes are when Blair badgers Brown about his personal life and later when they start competing. This is a fine history. I wish Frears could dig deeper into the personalities and allow this to be even more Shakespearian.

By providing us not only with the political faces of these two great men but with their flawed human underbellies, the director drags us into the heart of the clash - the stylistic differences between Bed and Breakfast (Blair and Brown). What a performance.. Watch the news afterward and you won't know which program was the real one. 10/10

Morgan's writing with Fresrs' direction create a mesmerizing film.

Tony Blair and Gordon Brown both want to be the Labour Party Prime Minister. John Smith , the Labour party leader, dies suddenly opening up a duel between Brown and Blair.

Blair played by Michael Sheen is great on TV. Brown is not as likeable. David Morrissey is the moody Brown. Blair had verbally said to Brown six years before Smith dies that he would be the next Labour leader. Brown didn't go against Smith and lost his chance. Paul Rhys is my favorite as the person who tells Brown he is no longer front runner "You are moody. Intolerant. You didn't do the ugly work of making and keeping friends." This film is part of a trilogy. The Queen is next. The Deal is as good or better than The Queen. The third one I will certainly see for these two are tops.

Stephen Frears has done some excellent movies documenting recent British social and political history. In this particular movie, he gives us the background to Tony Blair's ascendancy to the leadership of the British Labour Party. After getting a seat in Parliament in 1983, Tony Blair, performed by Michael Sheen, was very much a junior to the formidable Scot named Gordon Brown, a longtime member of the party, played by David Morrissey. We see Blair looking for office space after his election and sharing a room with Brown as the two become friends during the Thatcher era. Brown is an intellectual with a thick Scottish accent and brooding manner. He does his homework and gives a rousing first speech. Tony Blair takes himself and his work much less seriously and seems very much a lightweight but his easy manner and likability pay dividends down the road. I enjoyed David Morrissey in the Gordon Brown role and got an appreciation for the difficult spot he found himself in when he eventually succeeded Blair as leader in 2007. Michael Sheen is a competent actor, playing Blair in The Queen and The Special Relationship and also David Frost when he faced Richard Nixon in a series of interviews. The movie is also interwoven with actual film clips from the era of Thatcher, and Labour Leaders Neil Kinnock and Michael Foote. We see how Brown, for all his apparent ambition, seems to hold back when opportunity knocks while the less goal driven Tony Blair eventually sails toward the leadership by force of personality and good luck. This movie was made before Tony Blair stepped down as prime minister and we know Gordon Brown was defeated in 2010 without ever winning an election on his own. Life can be unfair but Tony Blair did in his final years, face difficult times and left office discredited by the war in Iraq. His personal popularity has never recovered. Two great politicians are contrasted here and the movie sheds great light on their personal friendship and rivalry.