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7.1/10
6.7K
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A romance between a soldier and a country boy, wrapped around a Thai folk-tale involving a shaman with shape-shifting abilities.A romance between a soldier and a country boy, wrapped around a Thai folk-tale involving a shaman with shape-shifting abilities.A romance between a soldier and a country boy, wrapped around a Thai folk-tale involving a shaman with shape-shifting abilities.
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Don't watch alone... I saw this knowing nothing about it as my pal misread the programme for the Toronto Film Festival and our first choice was not on. So, knowing nothing about it I found it lavish but disjointed... a film that frankly missed and which I feel I could have made had I had the budget. It flattered to deceive and did not deliver on its introductory references to the beast in man and the gloss of civilization. Instead we were subjected to a very personal view which failed to communicate to those that did not already know what to expect and therefore, frankly, failed. Having said that it was a great travel movie showing me parts I regret I would otherwise not reach and a brave attempt to make a very un-commercial film about something obviously very personal where the temptation to resist to commerciality or superficiality was clearly resisted
Even if the first part is pretty "straight" forward the second part left me baffled - maybe that was the point?... I am almost certain that I can interpret it somehow but anything I would say might and can be wrong, that's because I am somewhat convinced it's a very Thailand "kind of thing", it being a folk story. I think it has something to do with greed, because of the little story in the first part with the two farmers and the little monk.
I am still mesmerized by Apichatpong Weerasethakul's approach to framing and camera work. I find it fascinating and boring but in a good way. It's like therapy, it's like really absorbing the nature or the setting. It's like an optical illusion sometimes, the longer you stare at a frame, the deeper you go, it's hypnotizing.
Of to the next Weerasethakul - but not right away. I will let this one settle in first.
I am still mesmerized by Apichatpong Weerasethakul's approach to framing and camera work. I find it fascinating and boring but in a good way. It's like therapy, it's like really absorbing the nature or the setting. It's like an optical illusion sometimes, the longer you stare at a frame, the deeper you go, it's hypnotizing.
Of to the next Weerasethakul - but not right away. I will let this one settle in first.
"Greed is our downfall. I was watching Who Wants to be a Millionaire. The woman won a lot of money but wouldn't stop playing. She lost and only got 30.000 Baht."
"The tiger trails you like a shadow. His spirit is starving and lonesome. I see you are his prey and his companion."
The experimental creator of "Mysterious Object at Noon" is back with another abstract gem, "Tropical Malady." This time we have a 2-parter connected by common themes and metaphors, a la Wong Kar Wai's Chungking Express, equally casual but much slowly paced here. The first part of the film is set in everyday world. A gay soldier pursues a young country boy. The boy is most likely not gay, but he returns the attraction most of the time, probably because he is attracted to the soldier on another level (e.g. he is fascinated by the soldier's uniform). One day, while the soldier is flipping through the boy's photo album, suddenly the movie blacks out -- enter part 2, a story inspired by legends that parallels part 1, but from an alternative angle that makes it challenging to detect the patterns. Set in the dark tropical forest, the soldier relentlessly hunts a tiger ghost spirit for love, fear, or both (foreshadowed by a shooting computer game played by the boy who later appears as the tiger spirit). The tiger is fascinated by the soldier's sound device. The soldier is warned that he must either kill the tiger or be devoured by it.
Part 1 and part 2 are both about desire and pursuit, and essentially follow the same path. In both, the soldier makes great effort to pursue his passion, but it leads him nowhere. He is incompatible with the partner of his desire, so it cannot be satisfied in the case of a straight boy or a tiger. The soldier can be classified as greedy, and it will be his downfall. The 'fairytale-esque' romance in part 1 seems almost Utopian, but it's an illusion that cannot be sustained. In the end he will be consumed by his desires.
This is a powerful and challenging film with 2 segments, each providing a distinctive context to view the same patterns. With only 2 or 3 lines of dialogue in the second part of more than 65 minutes, it's a highly sensual and contemplative experience, where every drop of water, wind gently brushing the leaves, and sound of birds singing contributes to your senses. You can literally smell the mud in the fresh rainforest.
The photography is undeniably beautiful. The last shot of the film is sheer poetry that will take your breath away.
"The tiger trails you like a shadow. His spirit is starving and lonesome. I see you are his prey and his companion."
The experimental creator of "Mysterious Object at Noon" is back with another abstract gem, "Tropical Malady." This time we have a 2-parter connected by common themes and metaphors, a la Wong Kar Wai's Chungking Express, equally casual but much slowly paced here. The first part of the film is set in everyday world. A gay soldier pursues a young country boy. The boy is most likely not gay, but he returns the attraction most of the time, probably because he is attracted to the soldier on another level (e.g. he is fascinated by the soldier's uniform). One day, while the soldier is flipping through the boy's photo album, suddenly the movie blacks out -- enter part 2, a story inspired by legends that parallels part 1, but from an alternative angle that makes it challenging to detect the patterns. Set in the dark tropical forest, the soldier relentlessly hunts a tiger ghost spirit for love, fear, or both (foreshadowed by a shooting computer game played by the boy who later appears as the tiger spirit). The tiger is fascinated by the soldier's sound device. The soldier is warned that he must either kill the tiger or be devoured by it.
Part 1 and part 2 are both about desire and pursuit, and essentially follow the same path. In both, the soldier makes great effort to pursue his passion, but it leads him nowhere. He is incompatible with the partner of his desire, so it cannot be satisfied in the case of a straight boy or a tiger. The soldier can be classified as greedy, and it will be his downfall. The 'fairytale-esque' romance in part 1 seems almost Utopian, but it's an illusion that cannot be sustained. In the end he will be consumed by his desires.
This is a powerful and challenging film with 2 segments, each providing a distinctive context to view the same patterns. With only 2 or 3 lines of dialogue in the second part of more than 65 minutes, it's a highly sensual and contemplative experience, where every drop of water, wind gently brushing the leaves, and sound of birds singing contributes to your senses. You can literally smell the mud in the fresh rainforest.
The photography is undeniably beautiful. The last shot of the film is sheer poetry that will take your breath away.
"Tropical Malady" by Thai film director Apichatpong Weerasethakul is a haunting film that at times seems impenetrable. The director has played a trick on the viewer by changing the mood and the pace right in the middle of the film. We are led to believe that the soldier and the young man that are clearly attracted to each other will go on to share a life together, but no, Mr. Weerasethakul takes us to the jungle where the soldier is trying to catch the elusive and beautiful tiger.
"Tropical Malady" has been promoted as a gay film, which in a way, it is, but basically it presents a mystery that is never solved, although we know that in this case, the soldier is so obsessed with his opponent that they end up respecting one another.
My only reservation with the film is the editing. It could have used a bit of cutting to make it more accessible. As a point of interest, films like this one tends to irritate viewers and one watches as how a theater empties out because people don't want to sit through any more. On the case of "Tropical Malady" no one walked out, which perhaps it's saying a lot for a film that can tax the viewer's patience.
The jungle scenes at night are magnificently executed and perhaps the director will have more success with his future undertakings as he shows a sure hand in his direction.
"Tropical Malady" has been promoted as a gay film, which in a way, it is, but basically it presents a mystery that is never solved, although we know that in this case, the soldier is so obsessed with his opponent that they end up respecting one another.
My only reservation with the film is the editing. It could have used a bit of cutting to make it more accessible. As a point of interest, films like this one tends to irritate viewers and one watches as how a theater empties out because people don't want to sit through any more. On the case of "Tropical Malady" no one walked out, which perhaps it's saying a lot for a film that can tax the viewer's patience.
The jungle scenes at night are magnificently executed and perhaps the director will have more success with his future undertakings as he shows a sure hand in his direction.
10dvheaton
An exhilarating, confusing adventure. The first half of the film tells a love story, leaving small hints at the ways people can never really know one another. The second half uses a mythic tale and experimental style to explore that theme. It's an attempt to use film and storytelling to portray the feelings and instincts that human beings have but can't find words for. Exciting, but not for those who want everything wrapped up and defined (the film argues against the very possibility of easy definitions). I also highly recommend his two other feature-length films: "Mysterious Object at Noon" and "Blissfully Yours." Hopefully "Tropical Malady" will be released widely enough to get the attention it deserves, and hopefully one day "Blissfully Yours" will make its way to DVD.
Did you know
- TriviaThe same year that this film was chosen to compete at the Cannes, the government sent a delegation of Thai film-makers to the festival. Ironically, when the director asked to be included, officials denied him support, saying that there were no more plane tickets.
- ConnectionsFeatured in The Story of Film: An Odyssey: Cinema Today and the Future (2011)
- How long is Tropical Malady?Powered by Alexa
Details
Box office
- Gross US & Canada
- $46,750
- Opening weekend US & Canada
- $270
- Jun 26, 2005
- Gross worldwide
- $46,750
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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